Introduction

2019 ◽  
pp. 1-36
Author(s):  
Robert A. Schneider

This chapter introduces the major themes of the book as well as the cast of characters: the over one hundred writers and intellectuals whose work and activities are the focus of what follows in the seven chapters. It dwells considerably on the ethos of retreat—otium—as a governing principle of men and women of letters in this period following the Wars of Religion. It also deals with the historiographical background of this study, acknowledging several generations of historians and literary scholars. The chapter also presages other themes that will follow: honnêteté, Gallicanism, as well as the literary and intellectual sociability of Paris in the generations following the Wars of Religion.

Author(s):  
Michael Nylan ◽  
Nicholas Constantino

Although the term “Five Classics” (The Odes; Documents; the three Rites classics, counted as one; the Annals, and the Changes) was probably coined in Western Han, for much of Chinese history the Five Classics corpus has been the common cultural coin of the realm, familiar to all educated people, regardless of their religious creeds or ethical persuasions. Although parts of the Five Classics have claimed Confucius, as author, editor, or teacher, others may not have derived from self-identified “followers of Confucius,” of which there were very few in Antiquity. Given the importance of the Five Classics as repositories of ethical and political teachings, numerous debates over the “correct” graphs and meanings assigned to passages in the Five Classics have continued unabated from Western Han times down to today, in China, among the Chinese diaspora, and abroad, perhaps the most famous being the Qing-era “New Text/Old Text” debates. Only recently have Euro-American scholars, in company with some of their East Asian counterparts, begun to acknowledge at least two “general shifts in the textual landscape,” the first of which took place during Song, spurred, perhaps, by the Song ancient prose movement, and the second around the turn of the 20th century, when leading scholars and political reformers began to debate the role of the Five Classics in the education of the wenren文人 (men and women of letters) and the general populace, a debate that is still raging in some quarters, given the Chinese Communist Party’s belated flirtation with Confucian ethics. A few modern scholars, in addition, would emphasize the conceptual ruptures that also accompanied the changeovers from seal script to clerical script, and from regular script to simplified. What has proved equally disruptive in recent years is the insistence by some Chinese authorities that unprovenanced materials bought on the market in Hong Kong or Japan be accorded the same “weight” as scientifically excavated manuscripts or texts transmitted via the received literary tradition. Past experience suggests that patient accumulation and sifting of the evidence is preferable to overly hasty judgements about the reliability of such manuscripts.


2010 ◽  
pp. 77-107
Author(s):  
Eugeniusz Cezary Król

The author presents the determinants and basic problems of existence of Polish science and culture in the period preceding the turbulent year of 1968, as well as the events directly related to this key date in Poland’s history. The departure, by Mr Gomułka’s team, from the ‘achievements’ of the Polish October of ’56, that is, from certain concessions of a democratic nature, evoked deep disappointment in both institutions and the scientific, cultural and artistic milieus, and this, in time, led to attempts at protest. The PRP authorities and, most of all, the sections therein which were responsible for science, education and culture, systematically intervened in activities of the respective professional groups. The tightening of censorship, restrictions in the allocation of printing paper for books and periodicals, the closing down of newspapers, weeklies and magazines ‘inconvenient’ from the point of view of the authorities, the lack of opportunities for dialogue and constructive criticism, repressions against those who openly expressed their independent opinions, and the systematic surveillance of the scientific and creative milieus, were only a part of operations undertaken by the PRP powers-that-be in the second half of the 1960s. It was in that climate that a conflict between the state and the Roman Catholic Church was played out in the process of the Polish State Millennium celebrations in 1966, which coincided with the escalation of the party’s conflict with the intellectuals and men and women of letters, as well as with intra-party infighting between factions within the PUWP. It was the shortcomings of the centralised, command economy and the growing shortages in the shops which resulted in Poland’s situation becoming unstable and threatening to explode. The role of the fuse was performed by the events of March 1968, which were enacted in the cultural and scientific milieus: the turbulent meetings of Warsaw’s men and women of letters, the removal of Adam Mickiewicz’s Dziady (Forefathers’ Eve) from the National Theatre’s repertoire, the manifestation in protest against the removal which followed the last performance, and finally, the students’ rally in the courtyard of Warsaw University, as well as the strikes on the part of students and the personnel of higher education institutions in Warsaw and other Polish cities as the continuation of that rally. It was after these events, when the party had launched an anti-intelligentsia campaign, supplemented with an anti-Semite witch hunt and smear campaign, unleashed by the ‘partisans’ faction around Mieczysław Moczar and by Mr Władysław Gomułka himself. An ‘ethnic criterion’ was applied to the Polish scientific and cultural milieus, eliminating, in the climate of a media witch hunt, renowned academic teachers, scholars, film-makers, publishers, journalists, men and women of letters of Jewish extraction and, finally, driving them to emigrate from Poland. The Polish Armed Forces’ participation in the aggression against Czechoslovakia in 1968 evoked another wave of protests in Poland. The world of culture and science and its representatives living in the West expressed solidarity with the Czech and Slovak nations. This resulted in new arrests and the further emigration of the intellectual elites. It was the most dogmatic and anti-liberal faction of the party apparatchiks, supported by secret and overtcollaborators with the security structures, who came from different professional groups that were also related to science, culture and education, which became highly vocal and obtained wide access to the mass media. It was in this period that Polish culture and science toughened up and delivered itself of illusions; however, it also suffered losses, the recouping of which would be a painful process and, subsequently, would subsequently take its full toll of years.


2017 ◽  
Vol 30 (1) ◽  
Author(s):  
Laila T. Correa e Silva

Resumo Neste artigo pretendo analisar o cenário literário carioca no momento de transição entre a Monarquia e a República, a partir da problematização do fato de que até agora a maioria dos estudos nos campos da sociologia, história cultural ou história social apenas exploram a atuação literária e política dos "homens de letras”, especialmente durante esse período. Proponho, portanto, uma leitura que conecta homens e mulheres de letras, centrando em Machado de Assis, Arthur Azevedo, Ignez Sabino, Maria Benedicta Cá‚mara Bormann [Délia] e Josephina Álvares de Azevedo, atuantes na imprensa feminina e na de grande circulação na Corte Imperial dos anos 1880 e na Capital Federal dos anos 1890. A imprensa é aqui compreendida como o campo no qual se estabeleceu uma rede de contatos entre esses homens e mulheres. A literatura produzida no espaço dos jornais do Rio de Janeiro promove a possibilidade da investigação dos significados de projetos políticos e literários de cunho democrático de agentes históricos, homens e, principalmente, de mulheres, que pretendiam pensar de modo crítico e propositivo o papel da literatura numa sociedade recém- egressa da escravidão e da Monarquia. Palavras- chave: Imprensa Brasileira de Fins do Século XIX. Gé‚nero. Transição do Império para República.Abstract In this article I intend to analyze the national literary scene in the moment of transition between the Monarchy and the Republic, from the problematization of the fact that until now most of the studies in the fields of sociology, cultural history or social history only explore the literary and political action of "men of letters", especially during this period. I propose, therefore, a reading that connects men and women of letters, focusing on Machado de Assis, Arthur Azevedo, Ignez Sabino, Maria Benedicta Cá‚mara Bormann [Délia] and Josephina Álvares de Azevedo, who are active in the women's press and in circulation in the Court Imperial in the 1880s and in the Capital Federal of the 1890s. The press is understood here as the field in which a network of contacts has been established between these men and women. The literature produced in space of Rio de Janeiro newspapers promotes the possibility of investigating the meanings of political and literary projects of a democratic nature of historical agents, both men and women, who intend to rethink in a critical and propositive way the role of literature in a newly- after slavery and the Monarchy.Key-words: Brazilian press at the end of the 19th century; Genre; Transition from the Monarchy to the Republic. 


Author(s):  
R.C. Caughey ◽  
U.P. Kalyan-Raman

Prolactin producing pituitary adenomas are ultrastructurally characterized by secretory granules varying in size (150-300nm), abundance of endoplasmic reticulum, and misplaced exocytosis. They are also subclassified as sparsely or densely granulated according to the amount of granules present. The hormone levels in men and women vary, being higher in men; so also the symptoms vary between both sexes. In order to understand this variation, we studied 21 prolactin producing pituitary adenomas by transmission electron microscope. This was out of a total of 80 pituitary adenomas. There were 6 men and 15 women in this group of 21 prolactinomas.All of the pituitary adenomas were fixed in 2.5% glutaraldehyde, rinsed in Millonig's phosphate buffer, and post fixed with 1% osmium tetroxide. They were then en bloc stained with 0.5% uranyl acetate, rinsed with Walpole's non-phosphate buffer, dehydrated with graded series of ethanols and embedded with Epon 812 epoxy resin.


1964 ◽  
Vol 7 (4) ◽  
pp. 389-393 ◽  
Author(s):  
David C. Shepherd ◽  
Robert Goldstein ◽  
Benjamin Rosenblüt

Two separate studies investigated race and sex differences in normal auditory sensitivity. Study I measured thresholds at 500, 1000, and 2000 cps of 23 white men, 26 white women, 21 negro men, and 24 negro women using the method of limits. In Study II thresholds of 10 white men, 10 white women, 10 negro men, and 10 negro women were measured at 1000 cps using four different stimulus conditions and the method of adjustment by means of Bekesy audiometry. Results indicated that the white men and women in Study I heard significantly better than their negro counterparts at 1000 and 2000 cps. There were no significant differences between the average thresholds measured at 1000 cps of the white and negro men in Study II. White women produced better auditory thresholds with three stimulus conditions and significantly more sensitive thresholds with the slow pulsed stimulus than did the negro women in Study II.


2004 ◽  
Vol 171 (4S) ◽  
pp. 233-233
Author(s):  
Justine M. Schober ◽  
Heino F.L. Meyer-Bahlburg ◽  
Philip G. Ransley
Keyword(s):  

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