Numbers

2019 ◽  
pp. 47-73
Author(s):  
Michelle Burnham
Keyword(s):  
Nineteenth Century ◽  
Risk Assessment ◽  
Risk Taking ◽  
Travel Narratives ◽  
Global Trade ◽  
The Novel ◽  
Early Nineteenth Century ◽  
The World ◽  
Late Eighteenth ◽  
Regular Practice

This chapter focuses on American mathematical schoolbooks from the age of revolutions, as well as associated genres such as manuals on bookkeeping, navigation, and insurance. Knowledge of these fields was crucial for the late eighteenth- and early nineteenth-century voyages of commerce and discovery that connected the Atlantic and Pacific, and these books introduced a wide variety of readers, including women, to the world of global trade. In their attention to the interrelated practices of calculation and speculation, these genres—in dialogue with literature on the lottery—taught readers the narrative dynamics of suspense that also informed the emerging genre of the novel. Like transoceanic travel narratives, novels were the textual companions to capitalism, offering readers regular practice in accommodating the sensations of expectation central to a world increasingly penetrated by global trade and its mechanisms of risk-taking and risk assessment. Novels emerged, in other words, as numberless representations of an increasingly number-driven world.

Narrative

2019 ◽  
pp. 23-46
Author(s):  
Michelle Burnham
Keyword(s):  
Nineteenth Century ◽  
Travel Narratives ◽  
Short Term ◽  
Early Nineteenth Century ◽  
Publication History ◽  
Late Eighteenth ◽  
History Of ◽  
The Relationship ◽  
Shared Narrative

This chapter reviews the publication history of the late eighteenth- and early nineteenth-century genre of Pacific travel narratives, and examines its narrative features. During this period, ships moved with increasing regularity on incredibly risky voyages between the world’s oceans. At the same time, novels came to dominate the literary world of fiction. These developments are related by their shared narrative dynamics, especially in the relationship between narrative suspense and numerical speculation, between words and numbers. The short-term risks and losses that attended these voyages were offset by their long-term profits, as the pleasure of accumulation concealed but also depended on the horrors of violence.

scholarly journals Lucy Steele, the Mistress of Sense and Sensibility, in Jane Austen’s Sense and Sensibility

MANUSYA ◽  
2016 ◽  
Vol 19 (2) ◽  
pp. 1-16
Author(s):  
Choedphong Uttama
Keyword(s):  
Nineteenth Century ◽  
Sentimental Novel ◽  
The Novel ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
Sense And Sensibility ◽  
Social Debate

This paper interprets Jane Austen’s Sense and Sensibility (1811) in the context of the literary and social debate about “sense” and “sensibility” in the late eighteenth and early nineteenth century when the concept of sense was viewed with a suspicious eye as it might lead sensible persons to machination and manipulation; and, sensibility with a disapproving one as such it had been throughout the tradition of the anti-sentimental novel. This paper thus aims to argue that the portrayal of a female antagonist Lucy Steele who unites assumed sensibility and prudent, selfserving sense to achieve her ambitious aims shows that the novel was responsive to the belief promoted by the antisentimental works that sensibility could be feigned and used to dupe others and at the time rejected the idea that (too much) sense is a desirable quality.

scholarly journals A “Defect of Justice”: Congregationalism, the Calvinist Problem, and the Unitarian Solution in Sylvester Judd's Margaret

2020 ◽  
Vol 1 ◽  
Author(s):  
Benjamin Woods
Keyword(s):  
Nineteenth Century ◽  
New England ◽  
Small Body ◽  
Religious Organization ◽  
The Novel ◽  
Early Nineteenth Century ◽  
Moral Improvement ◽  
Late Eighteenth ◽  
Village Society ◽  
Over Time

This article contributes to a small body of criticism concerning Sylvester Judd’s 1845 novel Margaret. Largely described as a “Transcendentalist” novel that critiques the Calvinist theology prevalent in late-eighteenth-early-nineteenth century New England village society, I argue for an interpretation of the novel that is concerned the interaction between Calvinism and the Congregationalist model of social and religious organization over time. Rather than just exposing the negative social ramifications Calvinist doctrines like total depravity can have on New England society, I assert that the novel exposes the limitations in Puritan Congregationalist ideals espoused by early figures such as John Winthrop through the example of Livingston. The new Unitarian-congregationalist model Livingston adopts in discarding Calvinism suggests Judd’s resolute faith in Winthrop’s original Congregationalist mission. Judd does not imagine a radical Utopia, but instead offers a more pragmatic reform that is fundamentally Unitarian in its emphasis on humanity's essential goodness and limitless capacity for moral improvement.

Orientalism, Medievalism, Colonialism, and Militarized Mercantilism

2020 ◽  
pp. 415-429
Author(s):  
Kathleen Davis ◽  
Nadia R. Altschul
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Spanish Empire ◽  
Early Nineteenth Century ◽  
Economic Interests ◽  
Late Eighteenth Century ◽  
The World ◽  
Late Eighteenth ◽  
History Of

This chapter investigates the intersections of British medievalism and colonialism in two very different places in the world: early nineteenth-century Chile, as Britain exercised economic domination over parts of the former Spanish Empire (thus it will be termed neocolonial); and late eighteenth-century India, as British officials devised strategies for extracting revenue from Bengal. Despite their many differences, in both cases an area beyond Europe is defined as Moorish and its present is associated with Europe’s past, specifically with the centuries now termed ‘medieval’. In both cases, too, medievalization forwards the economic interests at the basis of this temporal discourse, which is also fully enmeshed in the history of Orientalism. These similarities demonstrate the value of studying the under-examined effects of British medievalism beyond the familiar national frameworks, and, more broadly, underscore the importance of investigating the global dimensions of temporalizing phenomena.

scholarly journals A “Defect of Justice”: Congregationalism, the Calvinist Problem, and the Unitarian Solution in Sylvester Judd's Margaret

2020 ◽  
Vol 1 ◽  
Author(s):  
Benjamin Woods
Keyword(s):  
Nineteenth Century ◽  
New England ◽  
Small Body ◽  
Religious Organization ◽  
The Novel ◽  
Early Nineteenth Century ◽  
Moral Improvement ◽  
Late Eighteenth ◽  
Village Society ◽  
Over Time

This article contributes to a small body of criticism concerning Sylvester Judd’s 1845 novel Margaret. Largely described as a “Transcendentalist” novel that critiques the Calvinist theology prevalent in late-eighteenth-early-nineteenth century New England village society, I argue for an interpretation of the novel that is concerned the interaction between Calvinism and the Congregationalist model of social and religious organization over time. Rather than just exposing the negative social ramifications Calvinist doctrines like total depravity can have on New England society, I assert that the novel exposes the limitations in Puritan Congregationalist ideals espoused by early figures such as John Winthrop through the example of Livingston. The new Unitarian-congregationalist model Livingston adopts in discarding Calvinism suggests Judd’s resolute faith in Winthrop’s original Congregationalist mission. Judd does not imagine a radical Utopia, but instead offers a more pragmatic reform that is fundamentally Unitarian in its emphasis on humanity's essential goodness and limitless capacity for moral improvement.

Moral Hazard and the Assessment of Insurance Risk in Eighteenth-and Early-Nineteenth-Century Britain

2002 ◽  
Vol 76 (1) ◽  
pp. 1-35 ◽  
Author(s):  
Robin Pearson
Keyword(s):  
Nineteenth Century ◽  
Moral Hazard ◽  
Risk Taking ◽  
Early Life ◽  
Insurance Industry ◽  
Insurance Risk ◽  
Early Nineteenth Century ◽  
Fire Insurance ◽  
The World ◽  
Personal Trust

Insurance is a business in which trust is the corollary of risk taking. One problem for the insurance industry in eighteenth and early nineteenth-century Britain was how to bridge the gap between the world of business based upon personal trust, and the emergence of new commercial relations where moral hazard was mass produced and where a commanding knowledge of personal reputations was virtually impossible. This paper examines the imperfect methods devised by early life and fire insurance offices to assess both physical and moral hazard and postulates a relationship between the two. The responses to two particular moral hazard “problems” identified by contemporary underwriters–insurance by the Jews and the Irish–are explored.

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

Suffering in Art

2017 ◽  
Author(s):  
Ritchie Robertson
Keyword(s):  
Nineteenth Century ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
Words And Images ◽  
The Relationship

Ritchie Robertson situates Lessing’s text within debates over the proper depiction of extreme suffering in art, focusing on Goethe’s essay on the Laocoon group (1798), as well as other late eighteenth- and early nineteenth-century works on the representation of pain. The issue of suffering in art was of utmost significance to Goethe’s ideology of the classical, Robertson explains; more than that, the themes introduced in Lessing’s essay—above all, its concerns with how suffering can be depicted in words and images—proved pivotal within Goethe’s prescriptions about the relationship between idealism and individuality (or ‘the characteristic’) in art. As part of a larger campaign against what he called ‘naturalism’ in art, Goethe argued that the ancients did not share the false notion that art must imitate nature. For Goethe, responding to Lessing, the power of the Laocoon group lay precisely in its depiction of bodily suffering as something not just beautiful, but also anmutig (‘sensuously pleasing’).

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