The Chorus in ‘Old’ Tragedy

2019 ◽  
pp. 83-112
Author(s):  
Lucy C. M. M. Jackson
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Classical Period ◽  
Recent Scholarship ◽  
Seven Against Thebes ◽  
Iphigenia At Aulis

The practice of revival and reperformance of drama in the fourth century, a practice illuminated by recent scholarship, allows for a recalibration of the view of fourth-century dramatic choral practice. Acknowledging the fifth-century plays (and their choruses) that were definitely and possibly revived in the fourth century instantly enriches the picture of fourth-century dramatic choral culture. As well as reviewing the significance of revivals for fourth-century dramatic culture more generally, this chapter considers the sections of tragic text (so-called ‘interpolations’) that seem to have been added to fifth-century plays for, it contends, fourth-century revivals. The reconfigured choruses of Euripides’ Iphigenia at Aulis and Aeschylus’ Seven Against Thebes, indicate what might have been possible and desirable for producers to change for revivals of these plays. The qualities of the additions here analysed add further evidence for varied and valued dramatic choruses in the later classical period.

Fortuna in Translation, Fortuna as Translation

2018 ◽  
Author(s):  
Daniele Miano
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Structural Elements ◽  
Magna Graecia ◽  
The Relationship

This chapter considers the relationship between Fortuna and Tyche as one of translatability. The first half of the chapter focuses on Tyche, with the aim of determining semantic and structural elements common with Fortuna. The second part of the chapter looks at instances in which Fortuna is translated in Greek. The appearance of bronze strigils bearing the epithet soteira from Praeneste in the fourth century BC seems to presuppose this translation, and also points to the salvific meanings of Fortuna as a base for the process of translation. This process of translation had probably occurred through early contacts between Latium, Sicily, and Magna Graecia, where Tyche seems to be associated with salvation already from the fifth century BC. Other instances of translations of Fortuna and Tyche are studied across the Aegean.

The Athenian Hoplite Force in 431 B.C.

1927 ◽  
Vol 21 (3-4) ◽  
pp. 142-150 ◽  
Author(s):  
A. W. Gomme
Keyword(s):  
Military Service ◽  
Fourth Century ◽  
Fifth Century ◽  
Arbitrary Assumption

There is still something to be said about these figures for the Athenian hoplite force, the more so as the most reasonable discussion of them, Meyer's, is spoilt by some unsound inferences and has in consequence not found support. Their difficulty is apparent: a muster πανσημει in 338 meant calling up all classes up to the age of 50 (Lycurg. c. Leocr. 39), and since Socrates fought at Delion and Amphipolis when he was in his late forties, and not at Mantineia when he was over 50, we may assume that it meant the same in the fifth century; we also assume (though this is by no means proved) that ‘the youngest’ are those in their nineteenth and twentieth years, as in the fourth century, certainly after the reform of the Ephebeia, perhaps earlier (Aeschin. II. 167); military service ceased at 60. But how could the number of men in these twelve classes, 19-20 and 51-60, stand in the proportion of 13: 17 (16,000 less 3,000 metics, 13,000 plus 1,000 cavalry and 3,000 metics) to the men between 21 and 50 ? They could not be more than a third, and might be less. (Beloch, 1923, tries to make the problem more difficult by the arbitrary assumption that the 13,000 citizen hoplites are all the men of 21-60, instead of 21-50. Meyer, who accepts Thucydides’ figures, forgets that there must have been ‘oldest and youngest’ metics, besides the 3,000 who marched into Megara. Busolt and Meyer also argue that the classes 51-60 will have suffered specially heavy losses in the battles of 459-445, while the eight youngest classes would have seen no fighting;

Helen in the Fifth Century and After

2015 ◽  
Author(s):  
Lowell Edmunds
Keyword(s):  
Southern Italy ◽  
Fourth Century ◽  
Fifth Century ◽  
Greek Literature

This chapter explores the fifth-century strands of reception of Helen. The Helens discussed in this chapter are a selection made to illustrate the postepic narrative as presupposed by various writers in various media. In addition to these fifth-century strands, the chapter also turns to the fourth century, which is another important strand of reception. The fourth century traces a strand which begins with the Pythagoreans in Croton in southern Italy and leads on to Goethe by way of Simon Magus. Another strand begins with the first fictional Helen, which can be found in Ovid. The chapter accompanies this discussion with an introduction into the concept of fiction. Finally, this chapter provides an example of the parallel phenomenon in Greek literature.

The Material Circumstances

2019 ◽  
pp. 15-50
Author(s):  
Lucy C. M. M. Jackson
Keyword(s):  
Fourth Century ◽  
Fifth Century

Chapter 1 brings together the evidence for when and where dramatic choruses danced in the fourth century, providing an historical base for the later discussions of fourth-century dramatic choral activity. After establishing the certain and likely locations for dramatic performances in Athens, Attica, and the wider ancient Mediterranean (and beyond), the chapter considers the question of who the choral performers were, and what their choral training might have involved. Through this focus on the choral performer, and the practicalities of producing so many dramatic productions in each year, the chapter can begin to draw together a new picture of choral industry in the fourth century, an industry that clearly had its roots in the fifth century. Considering the theory that ‘local’, ‘amateur’ choruses would be recruited for travelling groups of actors, it suggests that the evidence supports, instead, a class of skilled choral performers in line with the industry’s professionalizing turn.

The Eudemian Theogony and Early Orphic Poetry

2018 ◽  
pp. 87-118
Author(s):  
Dwayne A. Meisner
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
The Other ◽  
Fourth Section ◽  
The Third

The third chapter is about a theogony that had been known to the philosopher Eudemus (fourth century BC), and all of the other fragments that modern scholars have associated with this theogony. The Neoplatonist Damascius (fifth century AD) says that the theogony started with Night, but modern scholars have tried to link this to other early fragments of Orphic poetry. This chapter discusses Aristophanes in the first section, and Plato and Aristotle in the second section, arguing that their scattered references to Orphic poems might not have been from the same theogony. The third section introduces the Orphic Hymn(s) to Zeus that appear in different variations, the earliest of which are from around the same time as these other fragments. The fourth section suggests that early Orphic fragments about Demeter and Dionysus are not from the Eudemian theogony.

Greco-Roman Surgical Instruments

2018 ◽  
pp. 554-590
Author(s):  
Lawrence J. Bliquez
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Surgical Instruments ◽  
First Century ◽  
Bladder Stones ◽  
Greco Roman ◽  
Fourth Century Bce

The chapter looks at Greek and Roman surgical instruments. The survival of Greco-Roman surgical instruments falls into two divisions: tools available in Hippocratic times (fifth to fourth century bce), and instruments at the disposal of surgeons, mostly Greek, from the late Republic through the Empire (first century bce to fifth century ce). From the former, most survivals are cupping vessels from graves. The texts suggest the Hippocratic physician often created his tool on the spot or had a tool prepared for an immediate need, whereas most of an Imperial surgeon’s repertoire consisted of instruments professionally made and sold by smiths. The various kinds of instruments are described, explained, and illustrated: cupping vessels, scalpels, phlebotomes (for phlebotomy), lithotomes (for bladder stones), needles, probes, cauteries, hooks, forceps, saws, drills, chisels, files, levers, tubes, douches, specula, and abortives.

Chinese Painting and Archaic Greek Art

1940 ◽  
Vol 9 (27) ◽  
pp. 129-136
Author(s):  
T. B. L. Webster
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Chinese Painting ◽  
The World ◽  
The Subject ◽  
Greek Art ◽  
Manchester School

‘If a man were a good painter, he could deceive children and fools by painting a carpenter and showing it from a long way off, because it would seem really to be a carpenter.’ Plato here (Republic, 598c) is undoubtedly describing realistic painting, perhaps not so photographically realistic as the paintings in Pompeii or the painting that we know to-day, but painting which aimed at producing a likeness and rendering the appearance of the original. Such pictures can be seen on the vases of the fourth century and of the late fifth century b.c., for instance the two women on a red-figured perfume vase in the Manchester School of Art, which was painted about the time of the dramatic date of the Republic (Pl. I). But if we go back rather over a hundred years to the black-figure vase reproduced by Mr. Austin in Greece and Rome, vol. vii, we are in a completely different world of flat figures in conventional poses, and if we go further back still to the Geometric vase (Fig. I) which forms the subject of Mr. Austin's article, we are yet further from the world of ‘likeness’. These early Greek painters cannot have wanted to produce likenesses; but what was their aim ?

The Bishop's Two Bodies: Ambrose and the Basilicas of Milan

2010 ◽  
Vol 79 (3) ◽  
pp. 531-555 ◽  
Author(s):  
Catherine M. Chin
Keyword(s):  
Political Ideology ◽  
Late Antiquity ◽  
Fourth Century ◽  
The Body ◽  
Human Organism ◽  
History Of Christianity ◽  
Recent Scholarship ◽  
History Of ◽  
Human Embodiment ◽  
Two Bodies

The late ancient body is a historiographical problem. In the combined lights of feminist, Foucaultian, and post-Foucaultian methodologies, much recent scholarship on bodies in late antiquity has focused on bodies as sites on which power relations are enacted and as discourses through which ideologies are materialized. Contemporary concern with definitions and representations of the posthuman, however—for example, in medical technologies that expand the capacities of particular human bodies, in speculative pursuit of the limits of avatars, or in the technological pursuit of artificial intelligence or artificial life—seem both to underline the fundamental lability of the body, and to require a broadening of scholarly focus beyond the traditional visible boundaries of the human organism. At the same time, scholarship on the posthuman emphasizes contemporaneity and futurity to an extent that may seem to preclude engagement with the premodern. I would like to suggest here that doubt about the boundaries of human embodiment is a useful lens through which to reconsider some very traditional questions in the history of Christianity, and that we may begin to think of bodies in Christian premodernity in terms of what we might call their pre-humanity, that is, as fundamentally open to extension, transformation, and multiple instantiation. The figure on whom I focus is Ambrose, the fourth-century bishop of Milan, who, I argue, defined his own body in such a way that he was able to instantiate physically in dozens of living human bodies, at least two dead human bodies, thousands of angelic bodies, and four church buildings. Ambrose's dynamic conception of his episcopal body was formed within a complex political and theological situation, so questions concerning the political ideology of bodies remain very much at issue. I add to these questions a concern for premodern uncertainty about how to recognize a body, both when it is visible and, perhaps more importantly, when it is not.

scholarly journals THE EARLY RECEPTION OF PLINY THE YOUNGER IN TERTULLIAN OF CARTHAGE AND EUSEBIUS OF CAESAREA

2017 ◽  
Vol 67 (1) ◽  
pp. 247-262 ◽  
Author(s):  
James Corke-Webster
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Third Century ◽  
Late Antique ◽  
Pliny The Younger ◽  
The Third ◽  
Stark Contrast ◽  
Eusebius Of Caesarea ◽  
Sidonius Apollinaris

In 1967 Alan Cameron published a landmark article in this journal, ‘The fate of Pliny'sLettersin the late Empire’. Opposing the traditional thesis that the letters of Pliny the Younger were only rediscovered in the mid to late fifth century by Sidonius Apollinaris, Cameron proposed that closer attention be paid to the faint but clear traces of the letters in the third and fourth centuries. On the basis of well-observed intertextual correspondences, Cameron proposed that Pliny's letters were being read by the end of the fourth century at the latest. That article now seems the vanguard of a rise in scholarly interest in Pliny's late-antique reception. But Cameron also noted the explicit attention given to the letters by two earlier commentators—Tertullian of Carthage, in the late second to early third century, and Eusebius of Caesarea, in the early fourth. The use of Pliny in these two earliest commentators, in stark contrast to their later successors, has received almost no subsequent attention.

The Archaeology of Beirut: A Report on Work in the Insula of the House of the Fountains

2003 ◽  
Vol 83 ◽  
pp. 195-229 ◽  
Author(s):  
Dominic Perring ◽  
Paul Reynolds ◽  
Reuben Thorpe
Keyword(s):  
Recent Work ◽  
Iron Age ◽  
Fourth Century ◽  
Fifth Century ◽  
Second Century ◽  
Hellenistic Period ◽  
Interim Report ◽  
Early Nineteenth Century ◽  
Western Margin ◽  
Post War

This insula, which lay on the western margin of the earlier Iron Age city, was uncovered during post-war reconstruction work carried out in Beirut during 1994–6. Laid out in the Hellenistic period, the insula was filled out with a series of small courtyard houses after the Roman annexation. A public portico was added along a main street in the second quarter of the second century, before a period of relative inactivity. The district was revived and rebuilt in the middle of the fourth century and was home to a series of handsome town houses in the fifth century, before being devastated by earthquake in AD 551. The site was then left derelict until the early nineteenth century. This interim report sets these findings within their broader historical and archaeological context, as well as summarizing the results of recent work on the site's ceramics and stratigraphy.

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