‘Inhabited Solitudes’
Resisting a standard reading of William Gilpin as ‘appropriating’ Scottish landscape from a privileged metropolitan perspective, I discover a more radical and environmentally sensitive potential in Gilpin’s texts on the picturesque, developed in the writings of John Stoddart, and empowering for women tourists like Sarah Murray and Dorothy Wordsworth. As the literary masterpiece of all the texts studied here, Dorothy Wordsworth’s Recollections of a Tour in Scotland made a decisive break with the Pennantian tour as a ‘knowledge genre’ by developing a gendered version of her brother’s poetics of ‘emotion recollected in tranquility’. Her gift for natural description is linked to the picturesque tradition, and briefly compared with Coleridge’s extraordinary Highland Tour notebooks. Read in tandem with her less ambitious second Highland tour of 1822, Recollections also presents a lively and sympathetic account of a plebeian Gaelic world in a moment of historical crisis.