Archaeology Spindle Graphs in the 1930s
During the 1930s, archaeological spindle graphs in the form of seriograms (straight-sided spindle graphs) were published. Three of these represent the investigator’s suspicions about culture change rather than being strictly empirical. Stylistically, seriograms were seldom subsequently published, suggesting these graphs minimally influenced later researchers. By the 1920s, based on the basically unimodal frequency distributions observed in frequencies of specimens of various pottery types in the American Southwest, anthropologists had begun to suspect there were so-called stylistic pulses reflecting the vogue or popularity of particular kinds of artifacts. Explanations fell back on probability theory, likely as a result of the influence of Franz Boas’s statistical reasoning; kinds of phenomena simply should display unimodal temporal frequency distributions given probability theory. Although conceptually unsophisticated, graphic models of these stylistic pulses published by anthropologists in the 1920s took the rough form of spindle graphs and represent a then unrecognized nod to the theory of variational evolution. These spindle graph models may be the ultimate source of archaeological spindle graphs, but these models were a bit difficult to decipher. Many graphs of culture change appearing in the 1920s and 1930s imply variational evolution.