Amerindian Wayúu Legacy and Garciamarquezian Literary Fable
García Márquez is the only novelist of the so-called Latin American Boom whose origins lie in the rural world. Does this bear on his personal upbringing, and does it project onto his literary fabulation/storytelling? This article attempts to reply in the affirmative to these questions, recognizing the intercultural and regional context whence the author comes and carrying out a perspectivist reading that will compare the highly frequent images of the supernatural in his stories and novels to the hierophantic images of Wayúu-Amerindian narrative tradition—to which the domestic servants who accompanied his childhood in the home of his maternal grandparents in Aracataca belonged. Among the author’s narratives, the first explicit mention of the Wayúu people (the Guajiros) occurs in “Monologue of Isabel Watching It Rain in Macondo.” And his intercultural childhood, which can be read as an autobiographical trait, is noticeable in the character Ulises’s heteroglossia in “Eréndira,” in the Buendía children in One Hundred Years of Solitude, and in Sierva María in Of Love and Other Demons. The article argues that the intercultural childhood of the novelist is the source of the co-presence of the natural and the supernatural as unfolded in these writings, which had Colombian culture and history almost as their exclusive subjects. To this innovative reinvention of the Colombian nation, the article attributes two larger cultural consequences: first, the subversion of national literary tradition, and second, the change in Colombia’s self-image brought about by its reception.