Media, Technology, and New Religious Movements

2016 ◽  
Author(s):  
Shannon Trosper Schorey
Keyword(s):  
Popular Culture ◽  
Religious Pluralism ◽  
Religious Movements ◽  
New Religious Movements ◽  
The Internet ◽  
Information Control ◽  
Media Technology ◽  
Theoretical Approaches ◽  
Significant Distinction ◽  
Media And Technology

Since the first edition of theOxford Handbook of New Religious Movements(2004), the growing field of media, religion, and culture has moved at a rapid clip. The previous emphases on theoretical approaches that imagined a significant distinction between online and offline practices has been largely replaced by approaches that attend to the entanglement of digital and physical worlds. Research within this new analytical turn speaks about the Internet and religion in terms of third spaces, distributed materialities or subjectivies, and co-constitutive histories and locations. Highlighted within these works are the negotiations and intersections of consumer practices, popular culture, information control and religious pluralism online. As the field continues to develop, theoretical approaches that emphasize entanglement will help disclose the various relationships of power by which the material practices of religion, media, and technology are produced - allowing scholars to trace robust histories of multiplicity by which the contemporary imaginaries of religion, media, and technology are inherited.

scholarly journals Mapping Digital Religion: Exploring the Need for New Typologies

Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 373
Author(s):  
Piotr Siuda
Keyword(s):  
Conceptual Framework ◽  
Religious Movements ◽  
New Religious Movements ◽  
Future Research ◽  
The Internet ◽  
Traditional Religion ◽  
Dynamic Nature ◽  
Visual Frame

Today, it is challenging to separate online and offline spaces and activities, and this is also true of digital religion as online and offline religious spaces become blended or blurred. With this background, the article explores the need for new typologies of what is religious on the Internet and proposes a conceptual framework for mapping digital religion. Four types of that which is religious on the Internet are presented based on influential classification by Helland. He introduced (1) religion online (sites that provide information without interactivity) and (2) online religion (interactivity and participation). Helland’s concept is developed by, among others, adding two types: (3) innovative religion (new religious movements, cults, etc.) and (4) traditional religion (e.g., Christianity or Islam). Each type is illustrated by selected examples and these are a result of a larger project. The examples are grouped into three areas: (1) religious influencers, (2) online rituals and (3) cyber-religions (parody religions). Additionally, the visual frame for mapping digital religion is presented including the examples mentioned. The presented framework attempts to improve Helland’s classification by considering a more dynamic nature of digital religion. The model is just one possible way for mapping digital religion and thus should be developed further. These and other future research threads are characterized.

scholarly journals The articulation between evolutionism and creationism in New Religious Movements: Two South American case studies

2020 ◽  
pp. 179-194
Author(s):  
Vitor Campanha
Keyword(s):  
Biological Evolution ◽  
New Age ◽  
Religious Movement ◽  
Religious Movements ◽  
New Religious Movements ◽  
The Internet ◽  
South American ◽  
Roman Catholicism ◽  
Religious Perspectives ◽  
American Case

The purpose of this article is to demonstrate how certain religious perspectives present nuances between the concepts of creation and evolution. Although public debate characterizes them as polarized concepts, it is important to understand how contemporary religious expressions resignify them and create arrangements in which biological evolution and creation by the intervention of higher beings are presented in a continuum. It begins with a brief introduction on the relations and reframing of Science concepts in the New Religious Movements along with New Age thinking. Then we have two examples which allows us to analyze this evolution-creation synthesis. First, I will present a South American New Religious Movement that promotes bricolage between the New Age, Roman Catholicism and contacts with extraterrestrials. Then, I will analyze the thoughts of a Brazilian medium who disseminates lectures along with the channeling of ETs in videos on the internet, mixing the elements of ufology with cosmologies of Brazilian religions such as Kardecist spiritism and Umbanda. These two examples share the idea of ​​the intervention of extraterrestrial or superior beings in human evolution, thus, articulating the concepts of evolution and creation. Therefore, in these arrangements it is possible to observe an inseparability between spiritual and material, evolution and creation or biological and spiritual evolution.

Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music

2017 ◽  
Vol 4 (1) ◽  
pp. 37-60
Author(s):  
János Fejes
Keyword(s):  
Popular Culture ◽  
Old Testament ◽  
Religious Movements ◽  
Reception Theory ◽  
New Religious Movements ◽  
Metal Music ◽  
History Of ◽  
Extreme Metal ◽  
Northrop Frye ◽  
Wolfgang Iser

AbstractExtreme metal music is held to be a destructive genre of popular culture, treated as a pariah for many. Being a seriously misunderstood genre, I would like to highlight that metal music is a result of conscious work process that cannot only be noticed on the level of the music but on the level of verbal and pictorial expressions too. In my paper, I would like to show the working mechanisms of the so-called “(neo)pagan/mythological metal” movement, focusing on the rhetoric side of its mentioned expressions, searching for the ways these bands rewrite ancient myths and legends.For my research, I will use three main threads: 1) history of religion (looking for the connections of the reception of ancient topics in contemporary society, e.g. New Age Cults and New Religious Movements); 2) reception theory, as the thoughts of Northrop Frye, Wolfgang Iser (1972), and John Fiske (2011) all should help to understand the general processes behind reading and producing texts; 3) subculture studies – e.g. the works of Richard Schusterman and Deena Weinstein (2002) to have a deeper insight to the genres standing on the edge of mass and high culture.After a general introduction, I would like to demonstrate the above mentioned through some case studies. The chosen mythological cultures are going to be the world of the ancient Middle East (Mesopotamia, Egypt, and the Old Testament), the classical Roman world, and the Viking Era, also showing some Hungarian and Romanian examples in the last section. In each section, the following issues should be examined: band and stage names connected to the topic, album titles, lyrics, and album covers. All these together will show us many clear patterns from romantic nostalgia to allegoric concepts, all revolving around the essence of metal music: being a Stranger in a familiar society.

scholarly journals CULTURAL AND HISTORICAL CONTEXT OF THE MYTHMAKING OF H.P. LOVECRAFT

2019 ◽  
pp. 137-142
Author(s):  
Denis D. Pyzikov ◽  
Keyword(s):  
Popular Culture ◽  
Science Fiction ◽  
New England ◽  
Cultural Landscape ◽  
Historical Context ◽  
Religious Movements ◽  
New Religious Movements ◽  
Religious Traditions ◽  
Horror Genre ◽  
Western Esotericism

H.P. Lovecraft created an original mythology that has not only become science fiction and fantasy classics, but also determined horror genre development in general. In his literary works, Lovecraft used images derived from both ancient religious traditions and contemporary western esotericism, filling his imaginary worlds with mysterious cosmic creatures. The writer’s cultural and historic environment played a very important role as the cultural landscape of New England and theosophical concepts widespread at that time had a great impact on the author’s work and writing. The original “mythology” invented by Lovecraft later played a key role in development of some new religious movements. Besides, Lovecraft’s mythology and images are reflected in the modern popular culture. The paper analyzes Lovecraft’s works and religious motives that are used or reflected in them, cultural factors that influenced the writer and Lovecraft’s heritage place in occult concepts, practices and subcultures of today.

scholarly journals Religious Pluralism and Religion-State Relations in Turkey

Religions ◽  
2019 ◽  
Vol 10 (1) ◽  
pp. 61
Author(s):  
H. Albayrak
Keyword(s):  
Religious Pluralism ◽  
Market Model ◽  
Religious Movements ◽  
New Religious Movements ◽  
Religious Groups ◽  
Republican Period ◽  
Recent Developments ◽  
History Of ◽  
State Relations ◽  
Religious Landscape

In this article, I examine religion-state relations and religious pluralism in Turkey in terms of recent changes in the religious landscape. I propose that there is a growing trend in the religious sphere that has resulted in a proliferation of religions, sects and spiritual approaches in Turkey. I argue that although the religious market model might not be applicable to the Turkish religious sphere during the republican era until the 2000s due to the restrictions applied by the state’s authoritarian secularist policies, it is compatible with today’s changing society. Different religious groups as well as spiritual movements have used the democratization process of the 2000s in Turkey as an opportunity to proselytize various faiths and understandings of Islam, with both traditional and modernist forms. In this period, new religious movements have also appeared. Thus, the Turkish religious landscape has recently become much more complicated than it was two decades earlier. I plan for this descriptive work firstly to provide an insight into the history of religious pluralism and state policies in Turkey. Secondly, I will discuss the religious policies of the republican period and, thirdly, I will evaluate recent developments such as the increasing number of approaches in the religious sphere within the scope of the religious market model.

American Religious History—Decentered with Many Centers

2002 ◽  
Vol 71 (2) ◽  
pp. 374-379 ◽  
Author(s):  
Stephen J. Stein
Keyword(s):  
North America ◽  
Correct Answer ◽  
Religious Pluralism ◽  
Religious History ◽  
American Religious History ◽  
Religious Movements ◽  
New Religious Movements ◽  
Past Century ◽  
The Past ◽  
The Rich

This panel poses the question, “Is there a center to American religious history?” We historians live in a world and work in a period when the politically correct answer to the question is, “Of course not!” In this day of decentered religious historiography the celebration of radical diversity seems to prohibit any other response. In our publications and teaching we set out to expose readers and students to the rich religious pluralism in America. We catalogue the traditions that reach back to colonial times, the communities that filled out the wider spectrum of religious options during the nineteenth century and the first half of the twentieth century, and the new religious movements that have appeared since the midpoint of the past century. One publication that provides a contemporary index to this inclusive catalogical approach is J. Gordon Mellon's Encyclopedia of American Religions, which in its fifth edition filled 1,150 pages with data regarding more than 2,100 discrete religious organizations in America, from the Aaronic Order to the Zoroastrian Associations in North America.

Staying after Class

2017 ◽  
Vol 20 (4) ◽  
pp. 80-93
Author(s):  
Megan Goodwin
Keyword(s):  
San Diego ◽  
San Diego County ◽  
Religious Movements ◽  
New Religious Movements ◽  
The Internet ◽  
Santa Fe ◽  
Group Methods ◽  
Heaven's Gate ◽  
Material Form ◽  
Insight Into

In March 1997, Marshall Herff Applewhite (Do) and thirty-eight of his students made headlines when they exited their human bodies in a home in Rancho Santa Fe in San Diego County, California. While the class (as they called their group) is gone, the legacy of Heaven’s Gate remains on the Heaven’s Gate website preserved by Mark and Sarah King. These two former members shared their experiences in the class at the New Religious Movements Group Methods Meeting on 21 November 2014 in San Diego at the American Academy of Religion’s annual meeting. Their presentation and participation in a question-and-answer session provided insight into the complex, ambiguous legacy of Heaven’s Gate: a group that strove for existence beyond the materiality of human bodies now survives on Earth in material form, disseminated by human persons dedicated to preserving the teachings of Do, and his mentor Ti (Bonnie Lu Nettles) in a dynamic, ephemeral space—the internet.

Invention in “New New” Religions

2016 ◽  
Author(s):  
Carole M. Cusack
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
First Century ◽  
Religious Movements ◽  
Western Society ◽  
New Religious Movements ◽  
Divine Revelation ◽  
New Religions ◽  
Twenty First Century ◽  
The Church

This chapter discusses the concept of invention and applies it to the study of New Religious Movements (NRMs). Invention plays a part in all religions and is linked to other conceptual lenses including syncretism and legitimation. Yet invention is more readily detected in contemporary phenomena (so-called “invented,” “hyper-real,” or “fiction-based” religions), which either eschew, or significantly modify, the appeals to authority, antiquity, and divine revelation that traditionally accompany the establishment of a new faith. The religions referred to in this chapter (including Discordianism, the Church of All Worlds, and Jediism) are distinctively “new new” religions, appearing from the mid-twentieth century, and gaining momentum in the deregulated spiritual market of the twenty-first century West. Overt religious invention has mainstreamed in the Western society, as popular culture, individualism and consumerism combine to facilitate the cultivation of personal spiritualities, and the investment of ephemeral entertainments with ultimate significance and meaning.

Archaeology and New Religious Movements

2019 ◽  
Vol 22 (4) ◽  
pp. 5-12
Author(s):  
Jeb J. Card
Keyword(s):  
Popular Culture ◽  
Human Activities ◽  
Symbolic Capital ◽  
Religious Movements ◽  
New Religious Movements ◽  
Political Movements ◽  
Special Issue ◽  
Archaeological Artifacts ◽  
Material Evidence ◽  
Cultural Structures

The practice of archaeology—the study of material evidence of past human activities—is not in alignment with the human drive to understand relics of the material past as touchstones of mythic origins and evidence of the sacred. New and alternative religious movements, political movements, and popular culture use archaeological artifacts and monuments as slates on which to inscribe stories of supernatural ancestors, advanced civilizations and races, and lost ancient wisdom that justify critiquing or displacing existing religious and cultural structures and knowledge. The rhetorical power of these metaphorical (and sometimes literal) texts derives from the symbolic capital of the practice and profession of archaeology even as the content and form of these texts is in conflict with archaeology. The articles in this special issue of Nova Religio examine how archaeology is used to create new sacred meanings and narratives, and how archaeologists need to engage with persons attributing these alternative meanings to archaeological artifacts.

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