Masculinity, Race, and Transculturalism in a Norwegian Context

2017 ◽  
Author(s):  
Stan Hawkins
Keyword(s):  
Popular Music ◽  
Case Studies ◽  
Cultural Critique ◽  
Cultural Performance ◽  
Music Aesthetics ◽  
And Gender

This chapter explores transcultural perspectives on popular music aesthetics and gender in Norway through case studies of male celebrities born around 1980: the duo Madcon, Jarle Bernthoft, Lars Vaular, and Sondre Lerche. The analysis focuses on the practices of self-fashioning a persona in the realm of the popular, involving the aesthetics of masquerade, the ordinary, and escapism. Conceptually, the chapter draws from Bakhtin, Eyerman, Frith, and other influential voices in the literature on cultural performance and identity. The discussion also sheds light on fundamental issues in popular music aesthetics, demonstrating how the musicology of popular music can offer a unique cultural critique of identities that may appear to be “only entertainment” but in fact mediate powerful ideologies.

Introduction

2020 ◽  
pp. 1-17
Author(s):  
Landon Palmer
Keyword(s):  
Popular Music ◽  
Case Studies ◽  
Race And Gender ◽  
Industrial Work ◽  
Present Context ◽  
Rock Musicians ◽  
And Gender ◽  
Media Power ◽  
Looking Back

The book’s introduction first discusses why looking back at cinematic rock stars is useful for understanding a present context in which stardom seems to matter little to the industrial work of Hollywood. It then provides a summary of the industrial and media context in which rock stardom became significant for commercial filmmaking, distinguishes the category of “rock stars” from prior popular music stars who transitioned to screen, and articulates a theory of media power with regard to rock stardom that explains how such stars produce commercially valuable performances of difference and protest (particularly through performances of race and gender). The introduction ends with a methodological overview that explains how the book’s select case studies indicate different arrangements of power in rock musicians’ relationships to changing media contexts over their extensive onscreen careers.

‘Austro-Pop’ since the 1980s: Two Case Studies of Cultural Critique and Counter- hegemonic Resistance

2002 ◽  
Vol 6 (4) ◽  
pp. 28-43 ◽  
Author(s):  
Christian Karner
Keyword(s):  
Popular Music ◽  
Case Studies ◽  
Cultural Critique ◽  
Social Critique ◽  
Austrian Society ◽  
Cognitive Anthropology ◽  
Social Psychological ◽  
Psychological Issues ◽  
Theoretical Perspectives ◽  
Ideological Resistance

Recent political and social developments in Austria have been widely portrayed in simplistically metonymic terms, with controversial figures such as Waldheim and Haider being perceived to epitomise Austrian society as a whole. In this paper, I analyse the discursive/lyrical content of some of the songs by STS and Austria 3, two of the most successful bands within the genre of Austrian popular music. Approaching these two case studies from the theoretical perspectives of discourse analysis and cognitive anthropology, I will show that ‘Austro- Pop’ has - at important junctures in recent Austrian history - served as a tool of ideological resistance and created sites of social critique and cultural introspection. This paper thus illustrates that popular music analysed as discourse can draw attention to social heterogeneity and competing ideologies. The resulting sociological account challenges widespread portrayals - both journalistic and academic - of Austrian society as ideologically monolithic. Popular music will therefore be shown to offer valuable empirical data concerning some important sociological and social psychological issues such as the spread and contestation of ideas, the ‘nature’ of public opinion and the individual's agency in relation to it.

The Musicality of Canadian Cinema

2019 ◽  
pp. 390-408
Author(s):  
Michael Brendan Baker
Keyword(s):  
Popular Music ◽  
Case Studies ◽  
National Cinema ◽  
Avant Garde ◽  
Institutional Forces ◽  
History Of ◽  
Narrative Account

This chapter offers a narrative account of music in Canadian cinema that highlights the contributions of its pioneers. Case studies spanning the critically acclaimed, the curious, and the marginalized allow for an effort to flesh out the place of music, particularly popular music, in this national cinema. While the esthetics and dollars-and-cents of music in film may be similar in Canada as elsewhere, the expectations of filmmakers and audiences are perhaps uniquely Canadian as a result of industrial and institutional forces. Animation, the avant-garde, and documentary are particularly vibrant spaces for the innovative use of music and differentiate the history of music in Canadian cinema from other more commercially oriented contexts.

Humanism and Music

2020 ◽  
Author(s):  
Christopher M. Driscoll
Keyword(s):  
Artificial Intelligence ◽  
Popular Culture ◽  
Popular Music ◽  
Case Studies ◽  
Contemporary Music ◽  
Theoretical Relationship ◽  
Rock Band ◽  
Historical Developments ◽  
The Relationship

This chapter explores the relationship between humanism and music, giving attention to important theoretical and historical developments, before focusing on four brief case studies rooted in popular culture. The first turns to rock band Modest Mouse as an example of music as a space of humanist expression. Next, the chapter explores Austin-based Rock band Quiet Company and Westcoast rapper Ras Kass and their use of music to critique religion. Last, the chapter discusses contemporary popular music created by artificial intelligence and considers what non-human production of music suggests about the category of the human and, resultantly, humanism. These case studies give attention to the historical and theoretical relationship between humanism and music, and they offer examples of that relationship as it plays out in contemporary music.

scholarly journals Beyond ‘Juggling’ and ‘Flexibility’: Classed and Gendered Experiences of Combining Employment and Motherhood

2006 ◽  
Vol 11 (2) ◽  
pp. 94-106 ◽  
Author(s):  
Jo Armstrong
Keyword(s):  
Case Studies ◽  
Family Life ◽  
Work And Family ◽  
Work Life ◽  
Gender Inequalities ◽  
Illustrative Case ◽  
Life Balance ◽  
Interview Research ◽  
And Gender ◽  
The Uk

This paper proposes that there is a need to push beyond the popular discourses of ‘flexibility’ and ‘work-life balance’. Developing a feminist-Bourdieuian approach and drawing on three illustrative case studies from my interview research with 27 mothers in the UK, I show the importance of maintaining a focus on class and gender inequalities. In the first part of the paper the concepts of capitals, dependencies and habitus which shaped, and were shaped by, this interview research are discussed. An analysis of three women's accounts of their experiences across work and family life is then used to illustrate that although these women all used terms such as ‘flexibility’ and ‘juggling’ in describing their work, the experience of that work was crucially influenced by their histories and current positioning. Tracing each of these women's trajectories from school, attention is focused on the influence of differential access to capitals and relations of dependency in the emergence of their dispositions toward work. Overall, the paper points to the significance of examining the classed and gendered dimensions of women's experiences of employment and motherhood.

Ethiopian new public universities

2016 ◽  
Vol 24 (2) ◽  
pp. 158-172 ◽  
Author(s):  
Rita Van Deuren ◽  
Tsegazeab Kahsu ◽  
Seid Mohammed ◽  
Wondimu Woldie
Keyword(s):  
Higher Education ◽  
Case Studies ◽  
Public Universities ◽  
Secondary Data ◽  
System Level ◽  
Illustrative Case ◽  
Content Type ◽  
Higher Education System ◽  
New Public ◽  
And Gender

Purpose – This paper aims to analyze and illustrate achievements and challenges of Ethiopian higher education, both at the system level and at the level of new public universities. Design/methodology/approach – Achievements and challenges at the system level are based on literature review and secondary data. Illustrative case studies are based on university data and interviews with university representatives. Findings – The Ethiopian higher education system has increased its enrollments substantially. The construction of 13 new universities that started enrolling students around 2007 contributed greatly to this achievement. Challenges accompanying this growth lie in funding, quality and quantity of staffing, teaching practices, research and community service, quality assurance and gender balance. Originality/value – The present study contributes to existing literature by describing case studies illustrating challenges and achievements in new public universities in Ethiopian higher education.

Popular music heritage, community archives and the challenge of sustainability

2016 ◽  
Vol 20 (5) ◽  
pp. 476-491 ◽  
Author(s):  
Sarah Baker ◽  
Jez Collins
Keyword(s):  
At Risk ◽  
Technological Change ◽  
Popular Music ◽  
Case Studies ◽  
Cultural Memory ◽  
Country Music ◽  
Sustainable Practices ◽  
Community Archives

This article identifies the challenges community archives of popular music face in achieving medium- to long-term sustainability. The artefacts and vernacular knowledge to be found in community archives, both physical and online, are at risk of being lost ‘to the tip’ and, consequently, to ‘cultural memory’, due to a lack of resources and technological change. The authors offer case studies of the British Archive of Country Music, a physical archive, and an online Facebook group Upstairs at the Mermaid, to exemplify how and why such groups must strategize their practices in order to remain sustainable. By including both online and physical community archiving in the scope of this research, the authors find that despite key differences in practice, both archival communities face similar threats of closure. The article concludes with an overview of the general outlook for community archives, and possible solutions to this ongoing issue of sustainable practices and processes for this sector.

Malay Women Singers of Colonial Malaya

2017 ◽  
Author(s):  
Tan Sooi Beng
Keyword(s):  
Popular Music ◽  
Women Performers ◽  
New Music ◽  
British Colonialism ◽  
Performing Artists ◽  
Political Transformations ◽  
New Type ◽  
And Performance ◽  
And Gender ◽  
Experiences Of Women

Popular Malay music developed in Malaya in tandem with socio-political transformations which took place as a result of British colonialism. It was at this time that a new type of local commodified urban popular music known as lagu Melayu (Malay song) emerged to entertain the multiethnic urban audiences from different social and class backgrounds. This new music was shaped by the convergence of the new social conditions, technology such as print, gramophone, radio, film, microphones, cultural forms, and performance sites that emerged. By examining the song styles and texts of 78 rpm recordings of Lagu Melayu, oral interviews with performers, and published texts of the colonial period, this chapter illustrates how the new popular music accorded women performing artists voice and agency to negotiate dominant discourses regarding modern colonial subjectivity and gender. Women singers promoted a type of vernacular modernity that was not defined solely in European terms butwas characterized by continuity, difference, and hybridity. The musical recordings and stories of their lives reveal the complex polyvocal and sometimes contradictory experiences of women performers in colonial Malaya.

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