Social-Emotional Competence in Down Syndrome

Author(s):  
Amanda Dimachkie ◽  
Connie L. Kasari

This chapter aims to synthesize historical and contemporary literature to provide an overarching understanding of social-emotional competence in individuals with Down syndrome, where social-emotional competence refers to the skills necessary to allow for successful social relationships, as well as the ability to regulate the experience and expression of emotions. Using the framework of Rose-Krasnor’s prism model, this chapter addresses each of the four components that underlie the development of social-emotional competence: self-regulation, social awareness, prosocial orientation, and social problem-solving. The development of each of these components is described for individuals with Down syndrome, and a description of the typical developmental trajectory is given for reference. The short-term and long-term implications of each component are also discussed, as they relate to the individual’s overall social-emotional competence. This overview aims to highlight what is known regarding social-emotional competence in individuals with Down syndrome, as well as to identify areas in which knowledge is lacking.

2016 ◽  
Vol 30 (2) ◽  
pp. 153-169 ◽  
Author(s):  
Beth S. Russell ◽  
Jungeun Olivia Lee ◽  
Susan Spieker ◽  
Monica L. Oxford

2019 ◽  
Vol 2 ◽  
pp. 205920431881542 ◽  
Author(s):  
Suvi Saarikallio

Social–emotional competence (SEC) is a set of psychological resources, highly relevant for adaptive growth and wellbeing. Music has been argued to support social–emotional skills, yet there is little theoretical consensus about the underlying impact mechanisms and the special nature of music as a medium for SEC. This article presents a theoretical model of music-based SEC that combines research from general SEC models with music-specific literature from music psychology, music education, music therapy, and music for health and wellbeing. The proposed access-awareness-agency (AAA) model defines music-based social–emotional competence (MuSEC) as interplay of embodied access, reflective awareness, and sense of agency. These three components are defined as the core competencies that music in particular facilitates; competencies that underlie and explain further competence in behaviors ranging from affective self-regulation to social interaction. The article elaborates these MuSEC components and their potential connections to particular equivalents in general SEC and proposes hypotheses for empirically testing the model. The model offers a novel, integrative SEC-based perspective for advancing theoretical coherence in the growing field of music as social–emotional wellbeing and growth.


2020 ◽  
Vol V (III) ◽  
pp. 373-384
Author(s):  
Sumera Kulsoom ◽  
Irshad Hussain

The study analyzed the factors affecting social-emotional competence (SEC) at the secondary level. A stratified random sampling technique was used. 382 students were taken as a sample after using desired sample size table. Two research tools were used, the Factors affecting social, emotional competence questionnaire and the Social-Emotional Competence Questionnaire (SECQ). Data were analyzed by using mean, percentage and standard deviation. Results indicated that friends response, classroom environment and home environment affects SEC the most as compared to media interaction. It was concluded that self-consciousness, social consciousness and the factor decisiveness were possessed by the students the most. And the factor self-regulation was possessed by the students the least. The skills in which the students were weak included calming down, dealing with wrong things and skill of staying positive during crises.


2015 ◽  
Vol 24 (5) ◽  
pp. 549-570 ◽  
Author(s):  
Timothy W. Curby ◽  
Chavaughn A. Brown ◽  
Hideko Hamada Bassett ◽  
Susanne A. Denham

2020 ◽  
pp. 117-120
Author(s):  
Keezrawati Mujan Yusuf ◽  
Abd Razak Zakaria ◽  
Abdul Muhsien Sulaiman ◽  
Fonny Hutagalung

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