Richard Wagner’s Medieval Visions

Author(s):  
Barbara Eichner

This contribution will focus on three aspects of Wagner’s medievalism: the historic medievalism of Tannhäuser and Lohengrin, set in a recognizable historical framework but also invoking the aura of the Middle Ages through marvel and miracle; the mythical medievalism of the Ring cycle where Nordic myth displaces the more familiar sphere of the medieval Nibelungenlied; and finally the civic medievalism of Die Meistersinger von Nürnberg where a medieval city is imagined in a way that glosses nineteenth-century issues of German patriotism, nationhood, and the relationship of the creative individual with the community of the people. Instead of focusing on Wagner’s relationship with and adaptation of his medieval sources, this essay will examine the kind of Middle Ages he created.

Author(s):  
Marina Okladnaya ◽  
Olena Hurenko

Problem setting. Islamic international law is a set of Islamic norms and customs that govern the relationship of Muslim States and Muslims with non-Muslim States, as well as with Muslim individuals within and outside the world of Islam. Islam has come a long and difficult way from the emergence of religion in modern ideology. It is considered one of the leading religions of the world and has a significant influence on a large number of people and states, so it is advisable to study one of the outstanding stages of the formation of the Islamic system in the field of international law, namely the Middle Ages and find out its connection with modernity. Analysis of recent researches and publications. The Islamic science of international law is in the process of development, during which its representatives try to combine the traditional values of Islam with the basic principles of modern international law. Among the scientists who made a significant contribution to the study of the Islamic concept of international law, its historical development and the modern situation, one can distinguish such as A. Butkevich, L. Sukiyainen, Al-Shaybani, Muhammad ibn al-Hasan, V. Knapp, M. Sana, Sardar Ali S., Hilmli M. Zavati, A. Merezhko, B. Feldman and others. Target of research. Study of the Islamic concept of international law, analysis and comparison of content, significance of Islamic international law in the Middle Ages and modern times. Article’s main body. The article is devoted to the main stages of the formation of one of the most important systems of international law – Islamic, which is a collection of unique traditional values, legal norms and customs of Islam. The stages of development in the Middle Ages and the connection with modernity were investigated, the main features in the Middle Ages were determined. Conclusions and prospects for the development. Islamic international law is a set of Islamic norms and customs that govern the relationship of Muslim States and Muslims with non-Muslim States, as well as with Muslim individuals within and outside the world of Islam. Islam has come a long and difficult way from the emergence of religion in modern ideology. It is considered one of the leading religions of the world and has a significant influence on a large number of people and states, so it is advisable to study one of the outstanding stages of the formation of the Islamic system in the field of international law, namely the Middle Ages and find out its connection with modernity.


2016 ◽  
Vol 79 (4) ◽  
pp. 481-507
Author(s):  
Stefan Trinks

Abstract Gold and ivory were considered to be among the most valuable materials in the Middle Ages. Whereas ivory would represent skin or bone tissue, gold could simultaneously signify and disguise the presence of God. Their iconology is tied to the objects they are attached with, heightening their value. What has not been studied in great depth so far, however, is the range of combinations and the nature of the relationship of both combined as “chryselephantine” in the antique manner. In examples of mostly Carolingian and Ottonian front covers and reliquaries made from gold and ivory between the ninth and eleventh centuries, it is evident that both were treated as equally valuable and that their combination results not in a paragone but a synagon, or aesthetic comradeship.


1969 ◽  
Vol 2 (1) ◽  
pp. 22-47
Author(s):  
Theodor Brodek

The relationship of the lay community to clerical institutions during the Middle Ages and especially in the pre–Reformation Era has long been a subject of methodical investigation. It has, however, proven extremely difficult to gain reliable evidence regarding subjective attitudes towards the clergy. Once the basic literary sources have been culled, further elucidation of the development of attitudes on the part of the majority of the people tends to become vague and hesitant or to rely on post hoc explanations. In this brief study, I have experimented with a statistical approach to the problem by tabulating the records of donations to three church institutions of the Lahngau in order to be able to trace, if at all possible, the evolution of attitudes which they reflect. I have, furthermore, attempted to test the hypothesis that the subjective attitudes of a social class towards a church institution are partially conditioned by the effective power exercised on the institution in question at the local level by the donor group.


Author(s):  
Miri Rubin

‘The “Middle Ages” of “others”’ considers the people outside the Christian faith—Muslims, pagans, and Jews—to be found at the borders of Europe as well as within its midst. Christian teaching offered a message of hope through redemption, a path to salvation. Those outside the Christian body were destined to live in sin, existing as a menace to themselves and to others. The relationship between Jews and Christians is old and highly complex. Despite the close connections between their faiths through Hebrew texts, Jews were ostracized by Christians throughout this period. They faced forced conversion to Christianity, expulsion, or death.


2006 ◽  
Vol 10 (2) ◽  
pp. 161-190
Author(s):  
Matthew Reeve

AbstractThe former painted cycle over the vaults of Salisbury Cathedral represents one of the great losses of thirteenth-century English art. This paper focuses on the imagery over the three-bay choir, which features twentyfour Old Testament kings and prophets each holding scrolls with texts prefiguring the Coming of Christ. The content of the cycle derives from a sermon, well known in the Middle Ages, by Pseudo-Augustine: Contra Judaeos, Paganos et Arianos. Yet the most immediate sources lie in twelfth and thirteenth-century extrapolations of the Pseudo-Augustinian sermon in liturgical drama, the so-called Ordo Prophetarum, or prophet plays. This observation leads to a discussion of the relationship of imagery to its liturgical setting. It is argued that the images on the choir vaults were also to be understood allegorically as types of the cathedral canons, who originally sat in the choir stalls below. A reading of the choir as a place of prophecy is located within traditions of liturgical commentary, which allegorize processions through churches as processions through Christian history. This leads to a discussion of the allegorization of the church interior in the Gothic period.


2018 ◽  
Vol 24 ◽  
pp. 91-99
Author(s):  
Sylwia Konarska-Zimnicka

People have always been interested in distant, mysterious celestial bodies. Astrologers who explored the mysteries of the study of the stars and planets wanted to read them as predictions of future events. Astrological practices were often seen as bordering of magic, whichto a large extent influenced the negative perception of this area of study and its supporters, even though astrologers were employed at the kings’ and bishops’ courts, and even at the papal court. The relationship of astrology with occult sciences, which were regarded as sinful and heretical, led to the situation when its proponents were subject to accusations. Particular attention was paid to the fact that the belief in the influence of heavenly bodies on the events taking place in the sublunary world undermines the foundation of the  Christian religion, i.e. the dogma of the free will of man. This and other charges constituted a kind of a “catalogue of allegations” that were made against astrology and astrologers throughout the Middle Ages.


2006 ◽  
Vol 20 (1) ◽  
pp. 301-311
Author(s):  
John Scott Lucas

Previous attempts to understand the usage of the terms Catalan, Provençal, Occitan, and Limousin and the languages these designations represent have fallen short of any real analysis. Most scholars to date have either presented historical data without linguistic explication or have attempted to use the data to argue for particular political views on the question of Catalan and its many names. The present study of the names used for Catalan in different regions and at different times helps us understand the relationship of diglossia that existed between the Occitan and Catalan languages for about two hundred years and bears witness to the emergence of linguistic consciousness in Catalonia and in Valencia from the early Middle Ages to the Nineteenth Century.


2012 ◽  
Vol 5 (2) ◽  
pp. 95-127
Author(s):  
Noah Feldman

Abstract This essay discusses the contribution of the Muslim ethical literature of the middle ages to Islamic political thought. The ethical literature offers a perspective on the medieval Islamic constitution that differs markedly from the picture that derives from the juristic literature on the caliphate. Where the juristic literature largely portrays political authority as the servant of religion, the ethical literature presents religion and political authority as “brothers” arrayed in a relationship of mutual dependence. This view is decisively influenced by pre-Islamic Iranian thinking on the relationship between religion and politics, as contained in the “Letter of Tansar.”


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