Beyond Mirroring

Author(s):  
Dan Zahavi ◽  
John Michael

When considering the current debate on empathy, it quickly becomes evident that a diversity of definitions of and approaches to the topic are available, and that no consensus seems forthcoming. The aim of our contribution is not to resolve these disputes or to argue in favor of any one particular way of conceptualizing empathy. Instead, our aim is to open up a new perspective by exploring the potential of applying embodied, extended, enactive, and embedded approaches to empathy research. As we shall see, these approaches help to integrate insights from phenomenology and the cognitive sciences in thinking about empathy, as well as in understanding the role of reciprocity, intentional alignment, embodied simulation, and the second-person perspective in empathy. They also highlight the inadequacy of the widespread assumption that empathy amounts to a form of affective matching or mirroring.

Author(s):  
Ana Brígida Paiva

As works of fction, gamebooks offer narrative-bound choices – the reader generally takes on the role of a character inserted in the narrative itself, with gamebooks consequently tending towards being a story told in the second-person perspective. In pursuance of this aim, they can, in some cases, adopt gender-neutral language as regards grammatical gender, which in turn poses a translation challenge when rendering the texts into Portuguese, a language strongly marked by grammatical gender. Stemming from an analysis of a number of gamebooks in R. L. Stine’s popular Give Yourself Goosebumps series, this article seeks to understand how gender indeterminacy (when present) is kept in translation, while examining the strategies used to this effect by Portuguese translators – and particularly how ideas of implied readership come into play in the dialogue between the North-American and Portuguese literary systems.


2014 ◽  
Vol 369 (1644) ◽  
pp. 20130177 ◽  
Author(s):  
Vittorio Gallese

This article addresses basic aspects of social cognition focusing on the pivotal role played by the lived body in the constitution of our experience of others. It is suggested that before studying intersubjectivity we should better qualify the notion of the self. A minimal notion of the self, the bodily self, defined in terms of its motor potentialities, is proposed. The discovery of mirror mechanisms for action, emotions and sensations led to the proposal of an embodied approach to intersubjectivity—embodied simulation (ES) theory. ES and the related notion of neural reuse provide a new empirically based perspective on intersubjectivity, viewed first and foremost as intercorporeality. ES challenges the notion that folk psychology is the sole account of interpersonal understanding. ES is discussed within a second-person perspective on mindreading.


Author(s):  
Susanne Ravn

AbstractThis paper sets out from the hypothesis that the embodied competences and expertise which characterise dance and sports activities have the potential to constructively challenge and inform phenomenological thinking. While pathological cases present experiences connected to tangible bodily deviations, the specialised movement practices of dancers and athletes present experiences which put our everyday experiences of being a moving body into perspective in a slightly different sense. These specialised experiences present factual variations of how moving, sensing and interacting can be like for us as body-subjects. To use of these sources inevitably demands that qualitative research methodologies – especially short-term ethnographical fieldwork – form part of the research strategy and qualify the way the researcher involves a second-person perspective when interviewing dancers and athletes about their experiences. In the subsequent phases analysing the data generated, I argue that researchers first strive to achieve internal consistency of empirical themes identified in the case of movement practices in question thus keeping to a contextualised and lived perspective, also denoted as an emic perspective. In subsequent phases phenomenological insights are then actively engaged in the exploration and discussion of the possible transcendental structures making the described subjective experiences possible. The specialised and context-defined experiences of ‘what a moving body can be like’ are accordingly involved as factual variations to constructively add to and potentially challenge phenomenological descriptions. Lastly, I exemplify how actual research strategies have been enacted in a variety of projects involving professional dancers’, golfers’ and sports dancers’ practices and experiences, respectively.


2013 ◽  
Vol 36 (4) ◽  
pp. 423-424 ◽  
Author(s):  
Chiara Gambi ◽  
Martin J. Pickering

AbstractA second-person perspective in neuroscience is particularly appropriate for the study of communication. We describe how the investigation of joint language tasks can contribute to our understanding of the mechanisms underlying interaction.


2020 ◽  
Vol 1 (2) ◽  
pp. p77
Author(s):  
Cheng Zhan

This paper presents the findings of a corpus-based empirical study on the role of government staff interpreters in the political context of China. Based on a qualitative analysis of discourse documented in authentic encounters between top leaders of Guangdong Province and their foreign visitors in interpreter-facilitated communication, the paper attempts to question the long-held view that government staff interpreters serve as a neutral, transparent non-person. To provide perhaps a new perspective from which the interpreter’s role may be revisited, this paper looks at personal angle shifts in the interpretation done by six staff interpreters of Guangdong Foreign Affairs Office, including shifts between first person and third person angles, and second person and third person angles. With what corpus data reveal, the paper argues that the interpreter’s role as a mediator is conspicuous even in high-level political interpreting. Rather than a transparent non-person, the interpreter constructs and represents her identity as well as the identity of the institution she belongs to by discursive means, and therefore acts as an active party of communication.


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