scholarly journals Limb contraction drives fear perception

Author(s):  
Marta Poyo Solanas ◽  
Maarten Vaessen ◽  
Beatrice de Gelder

AbstractHumans and other primate species are experts at recognizing affective information from body movements but the underlying brain mechanisms are still largely unknown. Previous research focusing on the brain representation of symbolic emotion categories has led to mixed results. This study used representational similarity and multi-voxel pattern analysis techniques to investigate how postural and kinematic features computed from affective whole-body movement videos are related to brain processes. We show that body posture and kinematics differentially activated brain regions indicating that this information might be selectively encoded in these regions. Most specifically, the feature limb contraction seemed to be particularly relevant for distinguishing fear and it was represented in several regions spanning affective, action observation and motor preparation networks. Our approach goes beyond traditional methods of mapping symbolic emotion categories to brain activation/deactivation by discovering which specific movement features are encoded in the brain, and possibly drive automatic emotion perception.

2020 ◽  
Vol 30 (12) ◽  
pp. 6376-6390
Author(s):  
Marta Poyo Solanas ◽  
Maarten Vaessen ◽  
Beatrice de Gelder

Abstract Humans and other primate species are experts at recognizing body expressions. To understand the underlying perceptual mechanisms, we computed postural and kinematic features from affective whole-body movement videos and related them to brain processes. Using representational similarity and multivoxel pattern analyses, we showed systematic relations between computation-based body features and brain activity. Our results revealed that postural rather than kinematic features reflect the affective category of the body movements. The feature limb contraction showed a central contribution in fearful body expression perception, differentially represented in action observation, motor preparation, and affect coding regions, including the amygdala. The posterior superior temporal sulcus differentiated fearful from other affective categories using limb contraction rather than kinematics. The extrastriate body area and fusiform body area also showed greater tuning to postural features. The discovery of midlevel body feature encoding in the brain moves affective neuroscience beyond research on high-level emotion representations and provides insights in the perceptual features that possibly drive automatic emotion perception.


Author(s):  
Waldez Gomes ◽  
Vishnu Radhakrishnan ◽  
Luigi Penco ◽  
Valerio Modugno ◽  
Jean-Baptiste Mouret ◽  
...  

PLoS ONE ◽  
2015 ◽  
Vol 10 (7) ◽  
pp. e0134350 ◽  
Author(s):  
Mike van Diest ◽  
Jan Stegenga ◽  
Heinrich J. Wörtche ◽  
Jos B. T. M Roerdink ◽  
Gijsbertus J. Verkerke ◽  
...  

2021 ◽  
pp. 63-74
Author(s):  
Cezary Biele

2009 ◽  
Vol 36 (2) ◽  
pp. 103-114 ◽  
Author(s):  
Yoshifumi Tanaka ◽  
Kensuke Urimoto ◽  
Takayuki Murayama ◽  
Hiroshi Sekiya

2020 ◽  
Vol 48 (5) ◽  
pp. 1117-1126 ◽  
Author(s):  
Jonas L. Markström ◽  
Helena Grip ◽  
Lina Schelin ◽  
Charlotte K. Häger

Background: Atypical knee joint biomechanics after anterior cruciate ligament reconstruction (ACLR) are common. It is, however, unclear whether knee robustness (ability to tolerate perturbation and maintain joint configuration) and whole body movement strategies are compromised after ACLR. Purpose: To investigate landing control after ACLR with regard to dynamic knee robustness and whole body movement strategies during sports-mimicking side hops, and to evaluate functional performance of hop tests and knee strength. Study Design: Controlled laboratory study. Methods: An 8-camera motion capture system and 2 synchronized force plates were used to calculate joint angles and moments during standardized rebound side-hop landings performed by 32 individuals with an ACL-reconstructed knee (ACLR group; median, 16.0 months after reconstruction with hamstring tendon graft [interquartile range, 35.2 months]) and 32 matched asymptomatic controls (CTRL). Dynamic knee robustness was quantified using a finite helical axis approach, providing discrete values quantifying divergence of knee joint movements from flexion-extension (higher relative frontal and/or transverse plane motion equaled lower robustness) during momentary helical rotation intervals of 10°. Multivariate analyses of movement strategies included trunk, hip, and knee angles at initial contact and during landing and hip and knee peak moments during landing, comparing ACLR and CTRL, as well as legs within groups. Results: Knee robustness was lower for the first 10° motion interval after initial contact and then successively stabilized for both groups and legs. When landing with the injured leg, the ACLR group, as compared with the contralateral leg and/or CTRL, demonstrated significantly greater flexion of the trunk, hip, and knee; greater hip flexion moment; less knee flexion moment; and smaller angle but greater moment of knee internal rotation. The ACLR group also had lower but acceptable hop and strength performances (ratios to noninjured leg >90%) except for knee flexion strength (12% deficit). Conclusion: Knee robustness was not affected by ACLR during side-hop landings, but alterations in movement strategies were seen for the trunk, hip, and knee, as well as long-term deficits in knee flexion strength. Clinical Relevance: Knee robustness is lowest immediately after landing for both the ACLR group and the CTRL and should be targeted in training to reduce knee injury risk. Assessment of movement strategies during side-hop landings after ACLR should consider a whole body approach.


2011 ◽  
Vol 30 (6) ◽  
pp. 1260-1271 ◽  
Author(s):  
Akito Miura ◽  
Kazutoshi Kudo ◽  
Tatsuyuki Ohtsuki ◽  
Hiroaki Kanehisa

Leonardo ◽  
2010 ◽  
Vol 43 (4) ◽  
pp. 359-366 ◽  
Author(s):  
Kim Vincs ◽  
John McCormick

This paper describes the work of a group of artists in Australia who used real-time motion capture and 3D stereo projection to create a large-scale performance environment in which dancers seemed to “touch” the volume. This project re-versions Suzanne Langer's 1950s philosophy of dance as “virtual force” to realize the idea of a “virtual haptics” of dance that extends the dancer's physical agency literally across and through the surrounding spatial volume. The project presents a vision of interactive dance performance that “touches” space by visualizing kinematics as intentionality and agency. In doing so, we suggest the possibility of new kinds of human-computer interfaces that emphasize touch as embodied, nuanced agency that is mediated by the subtle qualities of whole-body movement, in addition to more goal-oriented, task-based gestures such as pointing or clicking.


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