scholarly journals THE PAST IS EVIL/EVIL IS PAST: ON RETROSPECTIVE POLITICS, PHILOSOPHY OF HISTORY, AND TEMPORAL MANICHAEISM

2015 ◽  
Vol 54 (3) ◽  
pp. 333-352 ◽  
Author(s):  
BERBER BEVERNAGE
2021 ◽  
Vol 15 (3) ◽  
pp. 361-377
Author(s):  
Ewa Domańska ◽  
Paul Vickers

Abstract In this article I demonstrate that the ideas outlined in Jerzy Topolski’s Methodology of History (Polish 1968, English translation 1976) could not only offer a reference point for and indeed enrich ongoing debates in the philosophy of history, but also help to set directions for future developments in the field. To support my argument, I focus on two themes addressed in Topolski’s work: 1) the understanding of the methodology of history as a separate discipline and its role both in defending the autonomy of history and in creating an integrated knowledge of the past, which I read here through the lens of the current merging of the humanities and natural sciences; and 2) the role of a Marxist anthropocentrism based on the notion of humans as the creators of history, which I consider here in the context of the ongoing critique of anthropocentrism. I point to the value of continuing to use concepts drawn from Marxist vocabulary, such as alienation, emancipation, exploitation and overdetermination, for interpreting the current state of the world and humanity. I stress that Marxist anthropocentrism, with its support for individual and collective agency, remains crucial to the creation of emancipatory theories and visions of the future, even if it has faced criticism for its Eurocentrism and might seem rather familiar and predictable when viewed in the context of the contemporary humanities. Nevertheless, new manifestations of Marxist theory, in the form of posthumanist Marxism and an interspecies historical materialism that transcends anthropocentrism, might play an important role in redefining the humanities and humanity, including its functions and tasks within human and multispecies communities.


2004 ◽  
Vol 1 (3) ◽  
pp. 387-398
Author(s):  
DAVID D. HALL

George M. Marsden, Jonathan Edwards: A Life (New Haven, CT: Yale University Press, 2003)Robert E. Brown, Jonathan Edwards and the Bible (Bloomington: Indiana University Press, 2002)Avihu Zakai, Jonathan Edwards's Philosophy of History: The Re-enchantment of the World in the Age of Enlightenment (Princeton, NJ: Princeton University Press, 2003)Amy Plantinga Pauw, “The Supreme Harmony of All”: The Trinitarian Theology of Jonathan Edwards (Grand Rapids, MI: Eerdmans, 2002)We play tricks on the past, but the past also plays tricks on us. We try to fool the past by reconstructing it in our own image, imposing order and significance on the untidy sources we depend upon. The trick the past plays on us is to remain defiantly strange, ever able to expose what it is that our gestures of sympathetic reconstruction have altered, ignored, or suppressed.


Philosophy ◽  
1989 ◽  
Vol 64 (247) ◽  
pp. 67-78
Author(s):  
Christopher Cherry

My concern is to understand how it is that contemplation of the past— better, of this or that preferred past—evokes in some people an impression which is distinctively weird. It is unmistakable; and anyone who has felt it will soon know what I am talking about. What is the impression, and whence the impressionability?To help identify my concern (and make it seem less eccentric) I shall let it emerge from some highly selective remarks about an issue in philosophy of history which is, by contrast, familiar and respectable: the debate between constructionists and realists. We cannot conceivably have direct acquaintance with, direct access to, the past; by their very nature, past events are over and done with and so unavailable for inspection. This much both camps agree on. However, they differ massively over what follows from this truth. For the constructionist concludes that what he calls the ‘real past’, what actually happened, can play no part whatsoever in historical thought. It is necessarily hidden, and we can have no inkling of it. What, and all, the historian can sensibly claim to know is the ‘historical past’, something which is constituted by and exists only in relation to his thought. Against this, the realist maintains that of course historians do not, necessarily or even typically, constitute the past; rather, they construct accounts of it which will be true if they conform to it as it actually was and false if they do not. And he charges his opponent with a number of fundamental confusions: mistaking accounts of historical events for the events themselves, confusing epistemological matters with ontological, and worst of all equating knowledge with direct perceptual awareness. Now, the realist is, in basics at least, fairly obviously right. And his criticisms are reinforced when we note that constructionists tend to combine with their vision of the impenetrability of the ‘real’ past the thesis that we undoubtedly know that there is a real past, with real people and real events. However, this piece of knowledge must for him, like that of an intelligible world for Kant, ever remain contentless, ‘factually vacuous’.


Author(s):  
Ramsay Burt

This chapter analyzes three reenactments by the Slovenian director Janez Janša, two reconstructions of experimental performances made under communism in Ljubljana during the late 1960s and early 1970s by poets and performers associated with the Pupilija group, and one which subversively reappropriates canonical contemporary dance works from the United States, Germany, and Japan. The two earlier works, it argues, interrogate the utopian ideals espoused by the communist partisans who freed Yugoslavia from German occupation during World War II. It develops a framework for this analysis by drawing on Walter Benjamin’s discussion of the philosophy of history and on Michel de Certeau’s work on memory and the everyday. It places the three reconstructions in their social, historical, and political context and evaluates their meanings in relation to misperceptions about art in post-communist countries.


Author(s):  
Andrew Kalaidjian

In the works of Kant, Hegel, and Marx, a philosophy of history developed to consider how thought and culture are historically situated and to present human civilization as an organizing force that subdues nature toward a form of progressive improvement. This new sense of being situated in history subsequently shaped philosophies of “historicity” in the writings of Dilthey, Heidegger, Gadamer, and others. It also led to less desirable political investments in collective fate and destiny. Against these teleological and culturally reductive forms of historicity, poststructuralist articulations of multiple historicities conceive of historical engagement as a cyclic or stratigraphic configuration of unlimited potential. Theorists such as Derrida, Deleuze, and Baudrillard provide more open, associative, and playful approaches to historical frameworks. An understanding of historicity requires the articulation of related terms such as historiography (the writing of history) and historicism (the analysis of culture through historical context). Historicity as a sense of historical development as well as of future potential is an important theme for discussions of diverse topics, including identity, community, empire, globalization, and the Anthropocene. Literary engagements with historicity range from the rejection of history to the interrogation of historicism as a series of competing and contradictory narratives. Historicity is a vital concept used by literary theorists to critique authoritative accounts of history, as well as a self-reflexive mode for considering institutional and disciplinary biases. The following article surveys different forms of historicity in philosophical and theoretical traditions, analyzes institutions that influence official accounts of history, and posits literary and imaginative engagements with the past as an important mode of social and cultural critique.


2010 ◽  
Vol 4 (1) ◽  
pp. 23-43 ◽  
Author(s):  
Alistair Welchman ◽  
Judith Norman

AbstractF.W.J. Schelling’s Ages of the World has just begun to receive the critical attention it deserves as a contribution to the philosophy of history. Its most significant philosophical move is to pose the question of the origin of the past itself, asking what “caused” the past. Schelling treats the past not as a past present (something that used to be a ’now’ but no longer is) — but rather as an eternal past, a different dimension of time altogether, and one that was never a present ’now’. For Schelling, the past functions as the transcendental ground of the present, the true ’a priori’. Schelling’s account of the creation of this past takes the form of a theogeny: in order to exist, God needed to separate the past from the present. By grounding the creation of the past in a free decision of God, Schelling tries to conceptualize temporality so as to preserve the sort of radical contingency and authentic freedom that he considers essential features of history. In so doing, he opens up a way of viewing time that avoids the pitfalls of the Hegelian dialectic and anticipates some of the 20th century developments in phenomenology.


1992 ◽  
Vol 31 (2) ◽  
pp. 200
Author(s):  
Paul A. Roth ◽  
Raymond Martin

2018 ◽  
pp. 5-12
Author(s):  
Н. І. Моісєєва ◽  
С. С. Романова

The authors consider the problem of the disciplinary status of linguistic (narrative) philosophy of history. The problem is examined in the context of analysis of its basic assumptions, which have been described in the works of A. Danto and F. R. Ankersmit. This philosophical tradition mainly developed in the first half of the twentieth century as a reaction to the impossibility of empirical verification of the scientific adequacy of the theoretical concepts of the regularities of historical development, which were established within the classic philosophy of history. Rejection of the gnosiological problematics lies on the basis of linguistic (narrative) philosophy of history. Also the notion of a fact is replaced by the notion of interpretation of a fact on the basis of narrative. The study of meanings and values of these narratives is based on language as the ontological Foundation of consciousness.According to A. Danto the scientific failure of the theory (concept) of the historical process lies in the impossibility of assessment by the researcher of the entire length of the process, especially of the stage of completion (the «end of history»). The observer does not know the final result of the whole process. Therefore, the observer can not estimate the value and meaning both of a process as a whole and its individual stages. Thus, the conclusion is that the history as a series of past events cannot be the subject of the philosophy of history. Only the interpretation of history in the philosophical studies and narrative representations can be the subject of the philosophy of history.According to F. G. Ankersmit «past» and «history» by themselves do not have narrative structure. The researcher also doesn’t have a set of rules of language translation of the past into the language of modernity. These rules would allow to compare the historical narrative with the «past».Thus, in the context of linguistic tradition the «philosophy of history» transforms into the «theory of historical narrative». This theory only logically analyzes the existing historiographical narrative. In fact, this position does not replace the basic methodological approach of classical philosophy of history to the study of reality (a theory based on the uncertainty of the outcome of the process). Only the subject of study is changed: the historical process is replaced by a historical narrative (not the source of the study of history but its interpretation).This approach can be used for the formation of historical consciousness, but it is unsuitable for real historical research. At the same time in the frames of classical philosophy of history a series of methodologies have been recently created. These methodologies allow to use empirical research methods and build it on the basis of concepts. These concepts find a complete confirmation with the help of an independent group of historical sources. So, today, as a result of repeated empirical evidence the concepts of cliometrics, revolutionary crises, and historical development as a result of adaptation of society to changing conditions of existence are finally created. These concepts were developed on the basis of the methodology of historical materialism. At the same time a linguistic (narrative) philosophical tradition only explains the basic foundation of own methodology and criticizes the methods of the opponents. Predictive capability of the methodology of narrative philosophy of history doesn’t enable to adequately use it in a real historical research, although this methodology has been successfully used for the formation of a historical consciousness, including professional surrounding. Therefore, at the present stage of development of the philosophy of history, linguistic tradition as the methodology of the research is much less promising than the methods developed on the basis of classical historical materialism.


Author(s):  
A. Kosheliev

Article says about process of the development theory historical narrative during second half XX – XXI centuries. Attention is paid on questions of the connection between the historical narrative and past reality and on the influence subject-objective attitude in the process demonstration of the historian's research results. Article concerns the transformation of the perception by theoreticians of history the connection between texts and the past reality. Research of the theory of historical narrative begins with a review of vision in the analytic tradition the connection between historical text and the past, what he researches. Emphasize on the logical-deductive element of formation the historical research results, considering the specific of perception the problem by analytics. Building on the achievements of analytical philosophy of history article says about the postmodern narrative theory of history, which was formed by H. White. Research of this theory based on connection with analytic tradition; traces the common roots of both directions and difference between them. Attention is paid on the poetic element of the historical narrative.


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