Evolutionary Theory in the Social Philosophy of Charlotte Perkins Gilman

Hypatia ◽  
1989 ◽  
Vol 4 (1) ◽  
pp. 102-119 ◽  
Author(s):  
Maureen L. Egan
Keyword(s):  
Nineteenth Century ◽  
Evolutionary Theory ◽  
Social Evolution ◽  
Social Philosophy ◽  
Charlotte Perkins Gilman ◽  
Late Nineteenth Century ◽  
The Social ◽  
Late Nineteenth ◽  
Human Social Evolution

This paper examines Charlotte Perkins Gilman's connection with the evolutionist ideas of late nineteenth century Reform Darwinism. It focuses on the assumptions that her language and use of metaphor reveal, and upon her vision of human social evolution as a meUoristic process through which the equality of the sexes must finally emerge.

Siren canora: the mermaid and the mythical in late nineteenth-century science

2008 ◽  
Vol 35 (1) ◽  
pp. 1-14 ◽  
Author(s):  
H. BRINK-ROBY
Keyword(s):  
Nineteenth Century ◽  
Evolutionary Theory ◽  
Focus Of Attention ◽  
British Association ◽  
Social Boundaries ◽  
Late Nineteenth Century ◽  
Darwinian Theory ◽  
Late Nineteenth ◽  
Century Science

This paper argues that, for a number of naturalists and lay commentators in the second half of the nineteenth century, evolutionary – especially Darwinian – theory gave new authority to mythical creatures. These writers drew on specific elements of evolutionary theory to assert the existence of mermaids, dragons and other fabulous beasts. But mythological creatures also performed a second, often contrapositive, argumentative function; commentators who rejected evolution regularly did so by dismissing these creatures. Such critics agreed that Darwin's theory legitimized the mythological animal, but they employed this legitimization to undermine the theory itself. The mermaid, in particular, was a focus of attention in this mytho-evolutionary debate, which ranged from the pages of Punch to the lecture halls of the British Association for the Advancement of Science. Crossing social boundaries and taking advantage of a range of venues, this debate arose in response to the indeterminate challenge of evolutionary theory. In its discussions of mermaids and dragons, centaurs and satyrs, this discourse helped define that challenge, construing and constructing the meanings and implications of evolutionary theory in the decades following Darwin's publication.

Sufis and the Sufi Lodges in Istanbul in the Late Nineteenth Century: A Socio-Spatial Analysis

2021 ◽  
pp. 009614422110252
Author(s):  
Ahmet Yusuf Yüksek
Keyword(s):  
Nineteenth Century ◽  
Spatial Analysis ◽  
Natural Disasters ◽  
Late Nineteenth Century ◽  
Religion And Spirituality ◽  
Spatial History ◽  
The Social ◽  
History Of ◽  
Late Nineteenth ◽  
Social Profiles

This study investigates the socio-spatial history of Sufism in Istanbul during 1880s. Drawing on a unique population registry, it reconstructs the locations of Sufi lodges and the social profiles of Sufis to question how visible Sufism was in the Ottoman capital, and what this visibility demonstrates the historical realities of Sufism. It claims that Sufism was an integral part of the Ottoman life since Sufi lodges were space of religion and spirituality, art, housing, and health. Despite their large presence in Istanbul, Sufi lodges were extensively missing in two main areas: the districts of Unkapanı-Bayezid and Galata-Pera. While the lack of lodgess in the latter area can be explained by the Western encroachment in the Ottoman capital, the explanation for the absence of Sufis in Unkapanı-Bayezid is more complex: natural disasters, two opposing views about Sufi sociability, and the locations of the central lodges.

Dazzling the Multitude Original Media Spectacles

1990 ◽  
Author(s):  
Carolyn Marvin
Keyword(s):  
Nineteenth Century ◽  
Large Scale ◽  
New Technologies ◽  
Late Nineteenth Century ◽  
Social Worlds ◽  
Media Technologies ◽  
The Social ◽  
Late Nineteenth ◽  
Words And Images ◽  
Point To Point

Anthropologists and literary theorists are fond of emphasizing the particularistic and dramatic dimensions of lived communication. The particularistic dimension of communication is constituted in whatever of its aspects have the most individually intimate meaning for us. The dramatic dimension is the shared emotional character of a communicated message, displayed and sometimes exaggerated for consumption by a public. Its dramatic appeal and excitement depend partly on the knowledge that others are also watching with interest. Such dimensions have little in common with abstractions about information and efficiency that characterize contemporary discussion about new communications technologies, but may be closer to the real standards by which we judge media and the social worlds they invade, survey, and create. Media, of course, are devices that mediate experience by re-presenting messages originally in a different mode. In the late nineteenth century, experts convinced of the power of new technologies to repackage human experience and to multiply it for many presentations labored to enhance the largest, most dramatically public of messages, and the smallest, most intimately personal ones, by applying new media technologies to a range of modes from private conversation to public spectacle, that special large-scale display event intended for performance before spectators. In the late nineteenth century, intimate communication at a distance was achieved, or at least approximated, by the fledgling telephone. The telephone of this era was not a democratic medium. Spectacles, by contrast, were easily accessible and enthusiastically relished by their nineteenth-century audiences. Their drama was frequently embellished by illuminated effects that inspired popular fantasies about message systems of the future, perhaps with giant beams of electric light projecting words and images on the clouds. Mass distribution of electric messages in this fashion was indeed one pole of the range of imaginative possibilities dreamt by our ancestors for twentieth-century communication. Equally absorbing was the fantasy of effortless point-to-point communication without wires, where no physical obstacle divided the sympathy of minds desiring mutual communion.

‘Our Greatest Riches’: Horses at the Intersection of Settler and Kazakh Society in the Late Imperial Period

2017 ◽  
Vol 3 (2) ◽  
pp. 210-228
Author(s):  
Sean McDaniel
Keyword(s):  
Nineteenth Century ◽  
Land Use ◽  
Twentieth Century ◽  
Seasonal Migration ◽  
Late Nineteenth Century ◽  
Migration Routes ◽  
Late Imperial ◽  
Imperial Period ◽  
The Social ◽  
Late Nineteenth

This article examines interactions between Slavic peasant migrants and mobile pastoralist Kazakhs within the setting of the Kazakh Steppe during the period of heaviest resettlement to the region beginning in the late nineteenth century and continuing into the early twentieth century. It considers how the importance of horses to both settlers and Kazakhs alike dictated these interactions and how the sedentary world of the settlers disrupted the seasonal migration routes of Kazakh horse herders. Particularly with concern to the greatly expanded horse market, issues regarding land use, and increased instances of horse theft throughout the region, the Russian state’s encroachment into the steppe forever altered the social and economic makeup of the region.

Realism and Hope After Niebuhr

Worldview ◽  
1972 ◽  
Vol 15 (5) ◽  
pp. 4-14
Author(s):  
John C. Bennett
Keyword(s):  
Nineteenth Century ◽  
Social Gospel ◽  
Late Nineteenth Century ◽  
Recent Past ◽  
Fourth Period ◽  
The Social ◽  
The Future ◽  
Late Nineteenth ◽  
Great Force

I have already lived in three different theological climates, during three periods marked by quite different hopes and expectations for the future of humanity. I am not sure whether or not we are entering a fourth period, but the pattern of both commitments and hopes is less clear than it seemed to be in the recent past.Before 1930 and back into the late nineteenth century there was the period of the Social Gospel, which was a great force in the churches and which reflected the secular expectations of progress that were general at the time. I was part of this movement myself and to a large extent shared its hopes, though I never believed that progress was inevitable or irreversible.

A Geography of Medical Knowledge: Country Doctors in Elizabeth Stuart Phelps and Sarah Orne Jewett

2010 ◽  
Vol 44 (4) ◽  
pp. 691-708
Author(s):  
MARK STOREY
Keyword(s):  
Nineteenth Century ◽  
Medical Knowledge ◽  
Point Of View ◽  
Elizabeth Stuart Phelps ◽  
Late Nineteenth Century ◽  
Literary Representations ◽  
Sarah Orne Jewett ◽  
The Social ◽  
Late Nineteenth ◽  
Nineteenth Century Novels

This essay examines two of the best-known postbellum representations of country doctors, Elizabeth Stuart Phelps's Doctor Zay (1882) and Sarah Orne Jewett's A Country Doctor (1884). While they have often been considered from a feminist point of view, this essay seeks both to complement and to argue against these existing readings by bringing a specifically geo-medical framework to bear on the texts. I consider both the thematic and the generic implications of representing country doctors in the postbellum era, exploring how they reflect, refract and encode the state of medical knowledge in postbellum America. I argue that literary representations of country doctors can contribute to an understanding of postbellum medical modernization by decentring it – by, in a sense, allowing us to comprehend the course of modern medical knowledge from a place usually assumed to remain outside modernity's transformations. Whilst I do, therefore, approach both these novels from a loosely new historicist perspective, I also want to think about how the social context they were engaging with determined, constrained and embedded itself into the thematic, formal and generic makeup of the novels themselves. Ultimately, this essay not only offers fresh readings of two important late nineteenth-century novels, but makes an intervention within the wider debates about nineteenth-century medical history and geography.

scholarly journals Nueva Mujer y nuevas Electras: aproximaciones a la mitología clásica en el teatro burlesco victoriano

2017 ◽  
Author(s):  
Laura Monrós Gaspar
Keyword(s):  
Nineteenth Century ◽  
Social History ◽  
Late Nineteenth Century ◽  
The Social ◽  
History Of ◽  
Late Nineteenth ◽  
Electric Light

Abstract: This paper seeks to analyze Francis Talfourd’s Electra in a New Electric Light (1859) as related to the Victorian stereotype of the strong-minded woman. After a brief introduction on the links between nineteenth-century burlesque and the social history of women in Victorian times, I shall focus on the figure of Electra as epitome of late nineteenth-century representations of New Women.Resumen: Resumen: El objetivo de este trabajo es el estudio de Electra in a New Electric Light (1859) de Francis Talfourd a partir del estereotipo victoriano de la strong-minded woman. Para ello, tras comentar la relación existente entre el teatro burlesco decimonónico de tema clásico y la historia social de la mujer a lo largo del siglo, nos centraremos en la figura de Electra, y en cómo, acompañada de otras heroínas clásicas, anticipa la representación de la Nueva Mujer de finales de siglo.

scholarly journals Ontario Retailers in the Early Twentieth Century: Dismantling the Social Bridge

2006 ◽  
Vol 4 (1) ◽  
pp. 207-227
Author(s):  
David Monod
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Upward Mobility ◽  
Late Nineteenth Century ◽  
The Poor ◽  
Early Twentieth Century ◽  
The Social ◽  
Working People ◽  
Late Nineteenth

Abstract This article explores the theory that late-nineteenth century and eary-twentieth century retailing served as an avenue to upward mobility. An examination of retailing in Ontario suggests two things: first, that shopkeeping was a deeply stratified occupation in which the poor remained marginalized at the bottom: and second, that over the course of the early twentieth century interest in retailing declined among working people as the business of storekeeping “professionalized”.

scholarly journals ’n Groene in De Nieuwe Gids, Frederik van Eeden, De kleine Johannes en die ekologisme

Literator ◽  
1995 ◽  
Vol 16 (2) ◽  
pp. 123-136
Author(s):  
W. Van Zyl
Keyword(s):  
Nineteenth Century ◽  
Henry David Thoreau ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Social Success ◽  
The Social ◽  
Late Nineteenth

An ecologist in De Nieuwe Gids, Frederik van Eeden’s De kleine Johannes and ecologismThe famous late nineteenth-century Dutch literary rebels, the Tachtigers, chose a part of Frederik van Eeden's De kleine Johannes as the opening text for the first edition of their literary mouthpiece, De Nieuwe Gids. Closer analysis in this article shows, however, that the novel contradicts precisely those literary ideals it was supposed to embody. Much more than being an illustration of the Romantic poetics favoured by the movement, it tends to be a rather didactic defence of ecological ideals and a literary preview of ideas Van Eeden would later advocate much more outspokenly. In his so-called Walden Experiment, inspired by the views of the American ecologist Henry David Thoreau, he would even try to put these ideals into practice. This experiment did not bring about the social success Van Eeden hoped for, but in an ironical way it did fulfil a prophecy in De kleine Johannes: “Among people you will experience endless sorrow…”.

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