scholarly journals CHOOSING A TEXT FOR THE FAMILY LAW CURRICULUM OF THE TWENTY-FIRST CENTURY

2006 ◽  
Vol 44 (4) ◽  
pp. 584-589
Author(s):  
Catherine J. Ross
Author(s):  
Amanda C. Seaman

The twenty-first century canonical pregnancy in Japan is one where from the moment of conception the incipient mother is molded internally and externally by both the medical profession and the advice manual industry. In two works, authors push back against the notion of canonical motherhood, by rejecting the idea of the mother-fetus dyad. Pregnancy they say is a social enterprise, demanding that the mother develop or strengthen bonds with her husband and family. In Kakuta Mitsuyo’s My Due Date is Jimmy Page’s Birthday (2007), she traces a conventional story of how a woman grows closer to her husband and family through her pregnancy. In Tadano Miako’s 2005 Three Year Pregnancy, her protagonist remains pregnant for three years while she works out her relationship with her husband, her mother, and finally her sister. These narratives reflect changes in Japanese society—the woman’s demand for the father’s participation in the family.


Author(s):  
Catherine Spooner

Comedy has become an increasingly prevalent feature of Gothic in the twenty-first century, and thus Gothic comedy can be found across a multitude of media. This chapter surveys the kinds of comedy that appear in contemporary Gothic (such as sitcom, stand-up, romantic comedy, mock-documentary) and argues that, in the twenty-first century, Gothic comedy often functions to travesty culturally significant concepts of family, domesticity and childhood in the light of a liberal identity politics. Beginning with twentieth-century precedents such as television sitcom The Addams Family (1964–6) and Edward Gorey’s illustrations, the chapter analyses a range of contemporary texts including The League of Gentlemen (1999–2017), Corpse Bride (2005), Ruby Gloom (2006–8),Hotel Transylvania (2012) and What We Do in the Shadows (2014). It concludes that far from being frivolous or disposable, contemporary Gothic comedy forms a politically significant function in its tendency to undermine right-wing ideologies of the family and promote a celebratory politics of difference and inclusion.


2020 ◽  
Vol 11 (2) ◽  
pp. 205-220
Author(s):  
Jeffrey Andrew Weinstock

This article finds its impetus in the curious convergence of three twenty-first-century horror films around the ambiguous ‘It’ foregrounded by their titles: Andrés Muschietti’s 2017 adaptation of Stephen King’s 1986 novel It, David Robert Mitchell’s 2014 It Follows and Trey Edward Shults’s 2017 It Comes at Night. In each of these films, the titular ‘it’ is difficult or impossible to pin down; it can assume the form of anyone (or, in the case of Shults’s film, infect anyone) and appear anywhere; it cannot be reasoned with, explained or swayed from its course; and conventional sources of protection – the law, and particularly the family – all come up short when confronting it. In this way, the ambiguous ‘its’ of these three films can be seen as crystallizations of a twenty-first-century zeitgeist in which monstrosity seems particularly difficult to locate and defuse. In the age of terrorism, mass shootings and ‘stranger danger’, climate change, and global pandemics, these films suggest that contemporary anxieties cluster around the ambiguous nature of modern threats.


ICR Journal ◽  
2011 ◽  
Vol 3 (1) ◽  
pp. 37-52
Author(s):  
Mohammad Hashim Kamali

This Special Issue of Islam and Civilisational Renewal carries selected papers from the ‘International Conference on the Family Institution in the Twenty-First Century: Ideals and Realities’, held at IAIS Malaysia on 13-14 December 2010. The event was jointly organised by IAIS Malaysia, the Institute of Islamic Understanding Malaysia (IKIM), Yayasan Pendidikan Islam (YPI), Yayasan Ubaidi, the Journalists and Writers Foundation, Istanbul, Turkey, the International Institute of Islamic Thought (IIIT), and the Malaysian Turkish Dialogue Society, and officiated by Senator Dato, Sri Sharizat Abdul Jalil, Malaysia’s Minister of Women, Family and Community Development.  


Hawwa ◽  
2020 ◽  
Vol 18 (2-3) ◽  
pp. 265-294
Author(s):  
Monika Lindbekk

Abstract This article aims to contribute to the growing scholarly literature on the implementation of shariʿa-based family law codes by describing and analyzing the gender implications of religiously inspired judicial activism in relation to judicial divorce through khulʿ. The article highlights two functions played by family court judges and other legal professionals. First, I argue that Egyptian family court judges and other court personnel, such as court experts and court-appointed arbiters from al-Azhar, enjoy considerable discretion in interpreting and implementing the personal status codes. Second, the article argues that legal professionals sometimes use the court and other legal spaces as a platform to articulate alternative visions of family and marriage, as well as to voice anxieties over a perceived increase in female-initiated divorce. The article situates these contradictory practices against the background of the contestation of early twenty-first-century reforms, which challenged male authority in the family, in particular the 2000 law of judicial khulʿ.


Author(s):  
Amanda C. Seaman

This chapter explores the role of women in late twentieth and twenty-first century Japan and explores how young women look at marriage and the family. Young women, often the focus of the Japanese media, are refusing to get married or have children in larger and larger numbers. This refusal is cataloged in a number of humorous books and essays by female cultural critics such as Sakai Junko, famous for her book Howl of a Loser Dog, Kusunoki Potosu who comes from the field of organic farming, and Haishi Kaori, a journalist. Using all the same demographic data, they make the case that fewer children are better for women and for Japan as a whole.


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