Examiner effect in IQ testing of Puerto Rican working-class children.

1971 ◽  
Vol 41 (5) ◽  
pp. 809-821 ◽  
Author(s):  
Alexander Thomas ◽  
Margaret E. Hertzig ◽  
Irving Dryman ◽  
Paulina Fernandez
Author(s):  
Jennifer M. Silva

The economy has been brutal to American workers. The chance to provide a better life for one’s children—the promise at the heart of the American Dream—is slipping away. In the face of soaring economic inequality and mounting despair, we might expect struggling Americans to rise up together and demand their fair share of opportunity. And yet, the groups who stand to gain the most from collective mobilization appear the least motivated to act in their own self-interest. This book examines why disadvantaged people disable themselves politically. Drawing on in-depth interviews with over one hundred black, white, and Puerto Rican residents in a declining coal town in Pennsylvania, We’re Still Here demonstrates that many working-class people are fiercely critical of growing inequality and of the politicians who have failed to protect them from poverty, exploitation, and social exclusion. However, the institutions that historically mediated between personal suffering and collective political struggle have not only become weak, but have become sites of betrayal. In response, working-class people turn inward, cultivating individualized strategies for triumphing over pain. Convinced that democratic processes are rigged in favor of the wealthy, they search for meaning in internet conspiracy theories or the self-help industry—solitary strategies that turn them inward, or turn them against each other. But as visions of a broken America unite people across gender, race, and age, they also give voice to upended hierarchies, creative re-imaginings of economic justice, and yearnings to be part of a collective whole.


2021 ◽  
Vol 25 (2) ◽  
pp. 36-49
Author(s):  
César Colón-Montijo

Margarita “Doña Margot” Rivera García (1909–2000) was a black working-class Puerto Rican woman whose labor as a composer, healer, midwife, and spiritual medium made her an esteemed community leader among her neighbors from Santurce, a predominantly black enclave in San Juan. Through her bomba and plena compositions, she helped forge modern black Puerto Rican music amid the rapid industrialization of Puerto Rico after the 1950s. However, her story has been overshadowed by the aura of her son, the legendary Afro–Puerto Rican singer Ismael “Maelo” Rivera (1931–87). Although Doña Margot is praised as a maternal figure who gave Maelo the gift of rhythm, her story as a woman and artist has remained widely unheard. This essay examines her parallel presence and erasure in salsa historiography, taking her testimonios about her musical gift as offering a counternarrative that defies masculinist music histories and serves as a site of memory that endures erasure.


2019 ◽  
Vol 96 ◽  
pp. 103-121
Author(s):  
Jorell A. Meléndez-Badillo

AbstractDuring the first three decades of the twentieth century, a cluster of self-educated workers that called themselves obreros ilustrados (enlightened workers) sought to dominate the means of knowledge production, reproduction, and documentation. The discourses produced by this group of working-class intellectuals did not challenge but complemented the elite's contempt towards the laboring masses. In order to be legible in the “Archive of Puertorriqueñidad”—an archive crossed by centuries of colonialism, slavery, and imperial violence—these ragged intellectuals created various layers of exclusions that silenced those individuals that unapologetically upheld their Blackness. These silencing practices not only had power in the moment in which they took place but also influenced later historical production. To explore these dynamics, this paper uses the stories of Juana Colón and Mateo Pérez Sanjurjo. Both were highly-respected Black illiterate labor organizers that were absent in the historical narratives obreros ilustrados wrote about the labor movement. Ultimately, this article seeks to create counterarchives by unearthing, imagining, and retelling the lives of those that were not deemed worthy of being represented in the historical record.


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