ROMAN CATHOLICISM IN THE UNITED STATES: A THEMATIC HISTORY. Edited by Margaret M.McGuinness and James T.Fisher. Catholic Practice in North America. New York, NY: Fordham University Press, February 2019. 337 pp.

2020 ◽  
Vol 46 (4) ◽  
pp. 564-564
Fragmentology ◽  
10.24446/dlll ◽  
2020 ◽  
pp. 73-139
Author(s):  
Scott Gwara

Using evidence drawn from S. de Ricci and W. J. Wilson’s Census of Medieval and Renaissance Manuscripts in the United States and Canada, American auction records, private library catalogues, public exhibition catalogues, and manuscript fragments surviving in American institutional libraries, this article documents nineteenth-century collections of medieval and Renaissance manuscript fragments in North America before ca. 1900. Surprisingly few fragments can be identified, and most of the private collections have disappeared. The manuscript constituents are found in multiple private libraries, two universities (New York University and Cornell University), and one Learned Society (Massachusetts Historical Society). The fragment collections reflect the collecting genres documented in England in the same period, including albums of discrete fragments, grangerized books, and individual miniatures or “cuttings” (sometimes framed). A distinction is drawn between undecorated text fragments and illuminated ones, explained by aesthetic and scholarly collecting motivations. An interest in text fragments, often from binding waste, can be documented from the 1880s.


Plant Disease ◽  
2006 ◽  
Vol 90 (6) ◽  
pp. 830-830
Author(s):  
J. Weiland ◽  
G. Stanosz

Norway maple leaves bearing powdery mildew were collected from one location in the fall of 2003 and four locations (as much as 1.5 km apart) in the fall of 2005 in Buffalo, NY. No powdery mildew was observed on leaves collected from sugar maples (Acer saccharum) that were present in the vicinity of affected Norway maples at two locations. Trees were located along streets and in yards. Diseased leaves were present throughout tree crowns but lower leaves were more commonly affected. White mycelium was present in irregular, discrete, scattered spots only on the upper surface of leaves and on both sides of wings of samaras. Typically, <10% of the upper leaf area bore visible mycelium. Cleistothecia were present singly or in groups on the mycelium. Morphology of cleistothecia on leaves collected each year, including simple and bifid appendages with uncinate to circinate apices, was sufficient to identify the pathogen to the genus Sawadaea (1). Other characteristics were not sufficiently distinct to make an identification of S. bicornis or S. tulasnei (1), each a European species found on Acer spp. However, a sample from 2003 was supplied by the authors for use in a study of phylogeny of the genus (2) that served as a first report of the species in the United States. Analysis of nuclear rDNA ITS sequence of this specimen (GenBank Accession No. AB193390) placed the sample in a clade with S. tulasnei specimens from Europe. In the same study, powdery mildew samples from Acer spp. in Ohio and Montreal, Canada also were placed in this clade. Thus, occurrence of S. tulasnei in North America is confirmed. S. bicornis was recently identified (based on morphology) on Norway maple in the western United States (3). Specimens from Buffalo, NY have been deposited in the U.S. National Fungus Collections (BPI 871210). References: (1) U. Braun. The Powdery Mildews (Erysiphales) of Europe. Gustav Fischer Verlag, Jena-Stuttgart-New York, 1995. (2) S. Hirose et al. Mycol. Res. 109:912, 2005. (3) C. Nischwitz and G. Newcombe. Plant Dis. 87:451, 2003.


Author(s):  
James Revell Carr

This chapter examines the first musical encounters between Hawaiians and Euro-American sailors, beginning with the arrival of Captain James Cook in 1778. It explains early European and American visions of what Cook called “The Sandwich Islands,” and demonstrates that modern stereotypes of Hawaiian culture had their genesis in the stories of paradise on earth brought back to Europe and the United States by sailors. It shows how Hawaiians used music and dance as a conscious strategy for pacifying and disseminating information about the potentially violent foreigners. The chapter concludes with stories of the earliest recorded performances of hula in North America: in 1792, when two young Hawaiian women traveling with Captain George Vancouver performed at the home of the governor of Alta California in Monterey; and in 1802, when Hawaiian seamen working aboard American ships performed at the Park Theatre in New York and the Federal Street Theatre in Boston in productions of the popular pantomime The Death of Captain Cook.


2017 ◽  
Vol 18 (3) ◽  
pp. 167-168 ◽  
Author(s):  
Gregory L. Tylka ◽  
Christopher C. Marett

The soybean cyst nematode (SCN) is a major yield-reducing pathogen of soybeans in North America. The nematode is an introduced pest and, therefore, knowledge of the distribution of SCN can be helpful in identifying areas where scouting and management efforts should be focused. Such information is especially important because yield-reducing infestations of SCN can occur without obvious above-ground symptoms appearing. In late 2016, nematologists, plant pathologists, and state plant regulatory officials from the soybean-producing states in the United States and provinces in Canada were queried to obtain the latest information on where the nematode had been found. An updated map of the known distribution of SCN in North America was also created. There were 17 states in which SCN was newly found since 2014, when the map was last updated, including the first discovery of SCN in the state of New York. North Dakota was the state with the greatest number of counties, seven, in which SCN had been newly discovered since 2014. This updated information illustrates that the nematode continues to spread throughout the soybean-growing areas of the continent and emphasizes that continued efforts to scout for and manage SCN are warranted.


2003 ◽  
Vol 28 (3) ◽  
pp. 259-266 ◽  
Author(s):  
LOREN KRUGER

Although current theories of diaspora argue for a break between an older irrevocable migration from one nation to another and a new transnational movement between host country and birthplace, research on nineteenth- as well as twentieth-century North America demonstrates that earlier migration also had a transnational dimension. The cultural consequences of this two-way traffic include syncretic performance forms, institutions, and audiences, whose legitimacy depended on engagement with but not total assimilation in local conventions and on the mobilization of touristic nostalgia in, say, Cantonese opera in California or Bavarian-American musicals in New York, to appeal to nativist and immigrant consumers. Today, syncretic theatre of diaspora is complicated on the one hand by a theatre of diasporic residence, in which immigrants dramatize inherited conflicts in the host country, such as Québécois separatism in Canada, along with problems of migrants, among them South Asians, and on the other by a theatre of non-residence, touring companies bringing theatre from the home country, say India, to ‘non-resident Indians’ and local audiences in the United States.


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