A COMPARATIVE RELEASE PATTERN: SEASONALITY, REVENUE AND SURVIVAL OF MOTION PICTURES AT THE SPANISH BOX OFFICE

2012 ◽  
pp. 329-341
Author(s):  
VANESA F. GUZMAN PARRA ◽  
FRANCISCO JAVIER MAQUEDA LAFUENTE ◽  
JAIME GIL LAFUENTE
Keyword(s):  
Motion Pictures ◽  
Release Pattern ◽  
Box Office

scholarly journals The Success of Motion Pictures

2012 ◽  
Author(s):  
Klaus Keil ◽  
Tobias Mosig
Keyword(s):  
Potential Risk ◽  
Film Industry ◽  
Intrinsic Value ◽  
Motion Pictures ◽  
Film Festivals ◽  
Commercial Success ◽  
Box Office ◽  
Film Stars ◽  
The One

THE SUCCESS OF MOTION PICTURES – AN ECONOMIC GAMBLE: SELECTED MOVIE EXPLOITATION PHENOMENA More than 5,000 marketable movies are produced worldwide every year - a risky economic gamble running into billions. Despite the potential risk of commercial failure, film producers still try to achieve outstanding box-office results. There are also special movies that are able to preserve or even increase their intrinsic value due to the longevity of their commercial success. This article focuses on distinctive movie exploitation phenomena, which can be observed worldwide. These phenomena show the unpredictability of film success due to the fact that the cycles, the duration, and the progress of film exploitation are unforeseeable. MythSuccess is the big myth of the international film industry: on the one hand enormous profits, glamour, film stars, red carpet shows at Cannes, Berlin, and Venice - the big film festivals. And as climax - the Oscars in...

The impact of film reviews on the box office performance of art house versus mainstream motion pictures

2006 ◽  
Vol 31 (1) ◽  
pp. 43-63 ◽  
Author(s):  
Gerda Gemser ◽  
Martine Van Oostrum ◽  
Mark A. A. M. Leenders
Keyword(s):  
Motion Pictures ◽  
Box Office ◽  
Film Reviews ◽  
The Impact ◽  
Box Office Performance

scholarly journals A Parsimonious Model for Forecasting Gross Box-Office Revenues of Motion Pictures

1996 ◽  
Vol 15 (2) ◽  
pp. 113-131 ◽  
Author(s):  
Mohanbir S. Sawhney ◽  
Jehoshua Eliashberg
Keyword(s):  
Motion Pictures ◽  
Box Office ◽  
Parsimonious Model

scholarly journals Arte, cultura o entretenimiento en el cine: ¿Qué modelo cinematográfico prefieren los espectadores para tomar la decisión de asistir a ver una película?

2017 ◽  
Vol 11 (22) ◽  
Author(s):  
David Fernando Lozano Treviño
Keyword(s):  
Motion Pictures ◽  
Research Paper ◽  
Film Production ◽  
Film Model ◽  
Box Office ◽  
Mexican Film ◽  
Para Determinar ◽  
The Impact ◽  
Cultural Tools ◽  
Linear Regressions

Keywords: arts, consumption, entertainment, film production organizations, LozanoBarragan syndromeAbstract. This research paper has as main purpose to determine which film model is more convenient for the Mexican film production organizations in the search of increasing the possibilities of spectators to attend and watch their movies. The character that the films have as popular and academic arts and the elements that compose it is analyzed. We study the way in which motion pictures work as cultural tools. We highlight the importance of movies as an entertainment product and how this aspect impacts in the consumption of movie tickets in the box office. Lozano-Barragan syndrome is detailed and how filmmakers can suffer this artistic, marketing and economic discomfort. Finally, we make some linear regressions to determine the impact that the film models inclusions have on increasing the possibilities of spectators attending to the films.Palabras clave: arte, consumo, entretenimiento, organizaciones de producción cinematográfica, síndrome Lozano-Barragán.Resumen. Este artículo de investigación tiene como finalidad determinar qué modelo cinematográfico es más conveniente para las Organizaciones de Producción Cinematográficas Mexicanas en la búsqueda de aumentar las posibilidades de que los espectadores asistan a ver sus películas. Se analiza el carácter que el cine tiene como arte popular y académico, así como los elementos que lo conforman. Se estudia la manera en que las películas funcionan como herramienta cultural. Se resalta la importancia del cine como producto de entretenimiento y cómo esta cualidad impacta en el consumo de boletos en taquilla. Se detalla el síndrome Lozano-Barragán y cómo los cineastas pueden padecer este malestar artístico, mercadológico y económico. Finalmente, se efectúan regresiones lineales para determinar el impacto que tiene la inclusión de los modelos cinematográficos en el incremento de las posibilidades de asistencia para ver las películas.

scholarly journals Visualising data in digital cinema studies

2016 ◽  
pp. 92-104
Author(s):  
Deb Verhoeven
Keyword(s):  
Film Flow ◽  
Critical Role ◽  
Motion Pictures ◽  
Large Dataset ◽  
Cinema Studies ◽  
Digital Cinema ◽  
Multidisciplinary Study ◽  
Box Office ◽  
Cultural Diffusion

This article examines the critical role visualisation plays for digital cinema studies and proposes that cinema studies has an equally critical role to play in evaluating and developing visualisation methods. The article reflects on work undertaken in the Kinomatics Project, a multidisciplinary study that explores, analyses and visualises the industrial geometry of motion pictures and which is one of the first “big data” studies of contemporary cultural diffusion. Its examination of global film flow rests on a large dataset of showtime information comprising more than 330 million records that describe every film screening in forty-eight countries over a thirtymonth period as well as additional aggregated box-office data.

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