Workers’ access to Swedish opera houses and concert halls, 1898–2019

In this study ticket prices to Swedish opera houses and symphony orchestra concerts are compared to wages during the 1898–2019 period. Both wages and ticket prices have increased continuously. The same kind of policy objectives concerning social inclusion of disadvantaged groups that were established in the beginning of the twentieth century is still proclaimed. The most favourable ticket pricing policies for buyers were used in the decades around the first national Cultural Policy Act from 1974. The study shows that ticket price levels have risen thereafter to a level much less favourable for low-income workers. Managements do use some price discrimination tactics. However, they do it uniformly for all events. They now focus on the promotion of special, ‘popular music’-based events as a response to social inclusion directives. The idea is that attending such performances will make visitors interested in the normal repertoire, as well. The choice of high-level ticket prices for the traditional content means that the standard audience remains monocultural.

Socio-economic and spatial determinants of municipal cultural spending

The determinants of the expenditure of Austrian municipalities for cultural affairs are ascertained in a panel time series framework. The Austrian municipalities spend about € 93 per capita a year for cultural affairs (approximately 4% of the total municipal expenditure). The econometric estimations revealed that the size of the municipality, and various socio-economic, fiscal and political variables, are the main determinants of municipal cultural spending. The results of the estimations infer a rather small but nevertheless significant spatial dependence of cultural spending. An increase of 10% of cultural spending in the neighboring regions leads to an increase of 0.6–1.5% in a representative municipality (however, the potentially overlapping and contradicting reasons for spatial correlations could not be disentangled in this paper). In comparison to the spatial effects, the size of the municipality is a more significant predictor of municipal cultural spending. The larger cities provide many cultural goods and services to the surrounding areas by utilizing economies of scale and density. It can be concluded that municipalities, in particular in rural areas, should increase their efforts for co-operation in order to improve the efficiency of cultural spending.

First impression biases in the performing arts: taste-based discrimination and the value of blind auditioning

I develop a game-theoretic framework to study the repercussions of an evaluator’s bias against a specific group of applicants. The evaluator decides upfront between holding an informed or a blind audition. In the latter, the evaluator learns neither the applicant’s ability nor the gender. I show that, above a threshold bias, the evaluator prefers a blind audition to provide high effort incentives exclusively for high-ability applicants. Consequently, committing to no information can be beneficial for the evaluator. I also show that a highly biased evaluator’s preferences align with those of a highly able female. I extend the framework to performance uncertainty and gender-blind CVs and compare blind auditions to affirmative action. The framework is relevant for auditory-based applications: my results can explain why blind auditions have increased the probability of a female orchestra musician being hired via taste-based discrimination and challenge explanations grounded in statistical discrimination.