scholarly journals Time Course of Forward Masking Tuning Curves in Cat Primary Auditory Cortex

1997 ◽  
Vol 77 (2) ◽  
pp. 923-943 ◽  
Author(s):  
Michael Brosch ◽  
Christoph E. Schreiner
Keyword(s):  
Receptive Field ◽  
Auditory Cortex ◽  
Stimulus Onset Asynchrony ◽  
Time Course ◽  
Tuning Curve ◽  
Primary Auditory Cortex ◽  
Stimulus Onset ◽  
Cortical Cells ◽  
Tuning Curves ◽  
Onset Asynchrony

Brosch, Michael and Christoph E. Schreiner. Time course of forward masking tuning curves in cat primary auditory cortex. J. Neurophysiol. 77: 923–943, 1997. Nonsimultaneous two-tone interactions were studied in the primary auditory cortex of anesthetized cats. Poststimulatory effects of pure tone bursts (masker) on the evoked activity of a fixed tone burst (probe) were investigated. The temporal interval from masker onset to probe onset (stimulus onset asynchrony), masker frequency, and intensity were parametrically varied. For all of the 53 single units and 58 multiple-unit clusters, the neural activity of the probe signal was either inhibited, facilitated, and/or delayed by a limited set of masker stimuli. The stimulus range from which forward inhibition of the probe was induced typically was centered at and had approximately the size of the neuron's excitatory receptive field. This “masking tuning curve” was usually V shaped, i.e., the frequency range of inhibiting masker stimuli increased with the masker intensity. Forward inhibition was induced at the shortest stimulus onset asynchrony between masker and probe. With longer stimulus onset asynchronies, the frequency range of inhibiting maskers gradually became smaller. Recovery from forward inhibition occurred first at the lower- and higher-frequency borders of the masking tuning curve and lasted the longest for frequencies close to the neuron's characteristic frequency. The maximal duration of forward inhibition was measured as the longest period over which reduction of probe responses was observed. It was in the range of 53–430 ms, with an average of 143 ± 71 (SD) ms. Amount, duration and type of forward inhibition were weakly but significantly correlated with “static” neural receptive field properties like characteristic frequency, bandwidth, and latency. For the majority of neurons, the minimal inhibitory masker intensity increased when the stimulus onset asynchrony became longer. In most cases the highest masker intensities induced the longest forward inhibition. A significant number of neurons, however, exhibited longest periods of inhibition after maskers of intermediate intensity. The results show that the ability of cortical cells to respond with an excitatory activity depends on the temporal stimulus context. Neurons can follow higher repetition rates of stimulus sequences when successive stimuli differ in their spectral content. The differential sensitivity to temporal sound sequences within the receptive field of cortical cells as well as across different cells could contribute to the neural processing of temporally structured stimuli like speech and animal vocalizations.

Spectrotemporal Structure of Receptive Fields in Areas AI and AAF of Mouse Auditory Cortex

2003 ◽  
Vol 90 (4) ◽  
pp. 2660-2675 ◽  
Author(s):  
Jennifer F. Linden ◽  
Robert C. Liu ◽  
Maneesh Sahani ◽  
Christoph E. Schreiner ◽  
Michael M. Merzenich
Keyword(s):  
Receptive Field ◽  
Auditory Cortex ◽  
Receptive Fields ◽  
Primary Auditory Cortex ◽  
Dynamic Stimuli ◽  
Tuning Curves ◽  
Response Characteristics ◽  
Spectrotemporal Receptive Fields ◽  
Auditory Field ◽  
Tonal Stimuli

The mouse is a promising model system for auditory cortex research because of the powerful genetic tools available for manipulating its neural circuitry. Previous studies have identified two tonotopic auditory areas in the mouse—primary auditory cortex (AI) and anterior auditory field (AAF)— but auditory receptive fields in these areas have not yet been described. To establish a foundation for investigating auditory cortical circuitry and plasticity in the mouse, we characterized receptive-field structure in AI and AAF of anesthetized mice using spectrally complex and temporally dynamic stimuli as well as simple tonal stimuli. Spectrotemporal receptive fields (STRFs) were derived from extracellularly recorded responses to complex stimuli, and frequency-intensity tuning curves were constructed from responses to simple tonal stimuli. Both analyses revealed temporal differences between AI and AAF responses: peak latencies and receptive-field durations for STRFs and first-spike latencies for responses to tone bursts were significantly longer in AI than in AAF. Spectral properties of AI and AAF receptive fields were more similar, although STRF bandwidths were slightly broader in AI than in AAF. Finally, in both AI and AAF, a substantial minority of STRFs were spectrotemporally inseparable. The spectrotemporal interaction typically appeared in the form of clearly disjoint excitatory and inhibitory subfields or an obvious spectrotemporal slant in the STRF. These data provide the first detailed description of auditory receptive fields in the mouse and suggest that although neurons in areas AI and AAF share many response characteristics, area AAF may be specialized for faster temporal processing.

Corticofugal Shaping of Frequency Tuning Curves in the Central Nucleus of the Inferior Colliculus of Mice

2005 ◽  
Vol 93 (1) ◽  
pp. 71-83 ◽  
Author(s):  
Jun Yan ◽  
Yunfeng Zhang ◽  
Günter Ehret
Keyword(s):  
Auditory Cortex ◽  
Inferior Colliculus ◽  
Cortical Neurons ◽  
Frequency Tuning ◽  
Tuning Curve ◽  
Primary Auditory Cortex ◽  
Nerve Fibers ◽  
Cortical Activation ◽  
Central Nucleus ◽  
Tuning Curves

Plasticity of the auditory cortex can be induced by conditioning or focal cortical stimulation. The latter was used here to measure how stimulation in the tonotopy of the mouse primary auditory cortex influences frequency tuning in the midbrain central nucleus of the inferior colliculus (ICC). Shapes of collicular frequency tuning curves (FTCs) were quantified before and after cortical activation by measuring best frequencies, FTC bandwidths at various sound levels, level tolerance, Q-values, steepness of low- and high-frequency slopes, and asymmetries. We show here that all of these measures were significantly changed by focal cortical activation. The changes were dependent not only on the relationship of physiological properties between the stimulated cortical neurons and recorded collicular neurons but also on the tuning curve class of the collicular neuron. Cortical activation assimilated collicular FTC shapes; sharp and broad FTCs were changed to the shapes comparable to those of auditory nerve fibers. Plasticity in the ICC was organized in a center (excitatory)-surround (inhibitory) way with regard to the stimulated location (i.e., the frequency) of cortical tonotopy. This ensures, together with the spatial gradients of distribution of collicular FTC shapes, a sharp spectral filtering at the core of collicular frequency-band laminae and an increase in frequency selectivity at the periphery of the laminae. Mechanisms of FTC plasticity were suggested to comprise both corticofugal and local ICC components of excitatory and inhibitory modulation leading to a temporary change of the balance between excitation and inhibition in the ICC.

Anchor Effects and Figural Aftereffects: A Comparative Psychophysical Investigation

1975 ◽  
Vol 41 (3) ◽  
pp. 791-796 ◽  
Author(s):  
Johannes Abresch ◽  
Viktor Sarris
Keyword(s):  
Stimulus Onset Asynchrony ◽  
Contrast Effect ◽  
Rating Scale ◽  
Stimulus Onset ◽  
Figural Aftereffect ◽  
Anchor Effect ◽  
Substantial Influence ◽  
Perceptual Contrast ◽  
Points Of View ◽  
Onset Asynchrony

Perceptual contrast effect was studied from two points of view, as a special anchor effect and as a special figural aftereffect. Two experiments were conducted to investigate the influence of stimulus onset asynchrony on contrast and assimilation effects, induced and measured by different psychophysical methods. Stimuli were circular beams of light projected on screens (Delboef type of illusion). When anchor and series stimuli were shown and the latter were judged by means of a rating scale, stimulus onset asychrony had no substantial influence on the contrast effect (Exp. I). When the constant method was applied, however, the asynchrony altered the shape of the contrast effect considerably (Exp. II).

scholarly journals Role of Mammalian Auditory Cortex in the Perception of Elementary Sound Properties

2001 ◽  
Vol 85 (6) ◽  
pp. 2350-2358 ◽  
Author(s):  
Sanjiv K. Talwar ◽  
Pawel G. Musial ◽  
George L. Gerstein
Keyword(s):  
Auditory Cortex ◽  
Time Course ◽  
Auditory Evoked Potentials ◽  
Mammalian Species ◽  
Sound Intensity ◽  
Primary Auditory Cortex ◽  
Normal Hearing ◽  
Auditory Task ◽  
Experimental Conditions

Studies in several mammalian species have demonstrated that bilateral ablations of the auditory cortex have little effect on simple sound intensity and frequency-based behaviors. In the rat, for example, early experiments have shown that auditory ablations result in virtually no effect on the rat's ability to either detect tones or discriminate frequencies. Such lesion experiments, however, typically examine an animal's performance some time after recovery from ablation surgery. As such, they demonstrate that the cortex is not essential for simple auditory behaviors in the long run. Our study further explores the role of cortex in basic auditory perception by examining whether the cortex is normally involved in these behaviors. In these experiments we reversibly inactivated the rat primary auditory cortex (AI) using the GABA agonist muscimol, while the animals performed a simple auditory task. At the same time we monitored the rat's auditory activity by recording auditory evoked potentials (AEP) from the cortical surface. In contrast to lesion studies, the rapid time course of these experimental conditions preclude reorganization of the auditory system that might otherwise compensate for the loss of cortical processing. Soon after bilateral muscimol application to their AI region, our rats exhibited an acute and profound inability to detect tones. After a few hours this state was followed by a gradual recovery of normal hearing, first of tone detection and, much later, of the ability to discriminate frequencies. Surface muscimol application, at the same time, drastically altered the normal rat AEP. Some of the normal AEP components vanished nearly instantaneously to unveil an underlying waveform, whose size was related to the severity of accompanying behavioral deficits. These results strongly suggest that the cortex is directly involved in basic acoustic processing. Along with observations from accompanying multiunit experiments that related the AEP to AI neuronal activity, our results suggest that a critical amount of activity in the auditory cortex is necessary for normal hearing. It is likely that the involvement of the cortex in simple auditory perceptions has hitherto not been clearly understood because of underlying recovery processes that, in the long-term, safeguard fundamental auditory abilities after cortical injury.

Heterogeneous Neuronal Responses to Frequency-Modulated Tones in the Primary Auditory Cortex of Awake Cats

2008 ◽  
Vol 100 (3) ◽  
pp. 1622-1634 ◽  
Author(s):  
Ling Qin ◽  
JingYu Wang ◽  
Yu Sato
Keyword(s):  
Receptive Field ◽  
Auditory Cortex ◽  
Response Pattern ◽  
Primary Auditory Cortex ◽  
Neuronal Responses ◽  
Discrete Response ◽  
A Cell ◽  
Pure Tones ◽  
Awake Cats ◽  
Sweep Speed

Previous studies in anesthetized animals reported that the primary auditory cortex (A1) showed homogenous phasic responses to FM tones, namely a transient response to a particular instantaneous frequency when FM sweeps traversed a neuron's tone-evoked receptive field (TRF). Here, in awake cats, we report that A1 cells exhibit heterogeneous FM responses, consisting of three patterns. The first is continuous firing when a slow FM sweep traverses the receptive field of a cell with a sustained tonal response. The duration and amplitude of FM response decrease with increasing sweep speed. The second pattern is transient firing corresponding to the cell's phasic tonal response. This response could be evoked only by a fast FM sweep through the cell's TRF, suggesting a preference for fast FM. The third pattern was associated with the off response to pure tones and was composed of several discrete response peaks during slow FM stimulus. These peaks were not predictable from the cell's tonal response but reliably reflected the time when FM swept across specific frequencies. Our A1 samples often exhibited a complex response pattern, combining two or three of the basic patterns above, resulting in a heterogeneous response population. The diversity of FM responses suggests that A1 use multiple mechanisms to fully represent the whole range of FM parameters, including frequency extent, sweep speed, and direction.

Primed-lexical decision: The effect of varying the stimulus-onset asynchrony of prime and target

1986 ◽  
Vol 61 (1) ◽  
pp. 17-36 ◽  
Author(s):  
Annette M.B. de Groot ◽  
Arnold J.W.M. Thomassen ◽  
Patrick T.W. Hudson
Keyword(s):  
Lexical Decision ◽  
Stimulus Onset Asynchrony ◽  
Stimulus Onset ◽  
Onset Asynchrony

scholarly journals A question of (perfect) timing: A preceding head turn increases the head-fake effect in basketball

PLoS ONE ◽  
2021 ◽  
Vol 16 (5) ◽  
pp. e0251117
Author(s):  
Andrea Polzien ◽  
Iris Güldenpenning ◽  
Matthias Weigelt
Keyword(s):  
Stimulus Onset Asynchrony ◽  
Opposite Direction ◽  
Underlying Mechanism ◽  
Stimulus Onset ◽  
Basketball Player ◽  
Head Turn ◽  
Onset Asynchrony ◽  
Practical Implications ◽  
Head Fake

In many kinds of sports, deceptive actions are frequently used to hamper the anticipation of an opponent. The head fake in basketball is often applied to deceive an observer regarding the direction of a pass. To perform a head fake, a basketball player turns the head in one direction, but passes the ball to the opposite direction. Several studies showed that reactions to passes with head fakes are slower and more error-prone than to passes without head fakes (head-fake effect). The aim of a basketball player is to produce a head-fake effect for as large as possible in the opponent. The question if the timing of the deceptive action influences the size of the head-fake effect has not yet been examined systematically. The present study investigated if the head-fake effect depends on the temporal lag between the head turn and the passing movement. To this end, the stimulus onset asynchrony between head turn, and pass was varied between 0 and 800 ms. The results showed the largest effect when the head turn precedes the pass by 300 ms. This result can be explained better by facilitating the processing of passes without head fake than by making it more difficult to process passes with a head fake. This result is discussed regarding practical implications and conclusions about the underlying mechanism of the head–fake effect in basketball are drawn.

Multimodal Ternus: Visual, Tactile, and Visuo — Tactile Grouping in Apparent Motion

Perception ◽  
10.1068/p5844 ◽  
2007 ◽  
Vol 36 (10) ◽  
pp. 1455-1464 ◽  
Author(s):  
Vanessa Harrar ◽  
Laurence R Harris
Keyword(s):  
Stimulus Onset Asynchrony ◽  
Apparent Motion ◽  
Visual Stimuli ◽  
Stimulus Onset ◽  
Light Touch ◽  
Visual Group ◽  
Motion Stimulus ◽  
Group Motion ◽  
Onset Asynchrony

Gestalt rules that describe how visual stimuli are grouped also apply to sounds, but it is unknown if the Gestalt rules also apply to tactile or uniquely multimodal stimuli. To investigate these rules, we used lights, touches, and a combination of lights and touches, arranged in a classic Ternus configuration. Three stimuli (A, B, C) were arranged in a row across three fingers. A and B were presented for 50 ms and, after a delay, B and C were presented for 50 ms. Subjects were asked whether they perceived AB moving to BC (group motion) or A moving to C (element motion). For all three types of stimuli, at short delays, A to C dominated, while at longer delays AB to BC dominated. The critical delay, where perception changed from group to element motion, was significantly different for the visual Ternus (3 lights, 162 ms) and the tactile Ternus (3 touches, 195 ms). The critical delay for the multimodal Ternus (3 light – touch pairs, 161 ms) was not different from the visual or tactile Ternus effects. In a second experiment, subjects were exposed to 2.5 min of visual group motion (stimulus onset asynchrony = 300 ms). The exposure caused a shift in the critical delay of the visual Ternus, a trend in the same direction for the multimodal Ternus, but no shift in the tactile Ternus. These results suggest separate but similar grouping rules for visual, tactile, and multimodal stimuli.

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