Book review: The Macregol Gospels or the Rushworth Gospels: Edition of the Latin Text with the Old English Interlinear Gloss Transcribed from Oxford Bodleian Library, ms Auctarium D. 2. 19, written by Kenichi Tamoto

2015 ◽  
Vol 57 (1) ◽  
pp. 95-97
Author(s):  
H.A.G. Houghton
Keyword(s):  
Old English ◽  
Bodleian Library ◽  
Latin Text

The Junius Psalter gloss: its historical and cultural context

2000 ◽  
Vol 29 ◽  
pp. 85-121 ◽  
Author(s):  
Mechthild Gretsch
Keyword(s):  
Old English ◽  
Cultural Context ◽  
Bodleian Library ◽  
Latin Text ◽  
Anglo Saxon ◽  
Christian Church ◽  
Benedictine Reform ◽  
The Individual

Oxford, Bodleian Library, Junius 27 (S.C. 5139), the Junius Psalter, was written, Latin text and Old English gloss, probably at Winchester and presumably during the reign of King Edward the Elder. Junius 27 is one of the twenty-nine complete or almost complete psalters written or owned in Anglo-Saxon England which have survived. (In addition to these twenty-nine complete psalters, eight minor fragments of further psalters are still extant.) This substantial number of surviving manuscripts and fragments is explained by the paramount importance of the psalms in the liturgy of the Christian church, both in mass and especially in Office. Junius 27 is also one of the ten psalters from Anglo-Saxon England bearing an interlinear Old English gloss to the entire psalter. (In addition there are two psalters with a substantial amount of glossing in Old English, though not full interlinear versions.) Since our concern in the first part of this article will be with the nature of the Old English glossing in the Junius Psalter, and its relationship to other glossed psalters, it is appropriate at the outset to provide a list of the psalters in question. At the beginning of each of the following items I give the siglum and the name by which the individual psalters are traditionally referred to by psalter scholars. An asterisk indicates that the Latin text is a Psalterium Romanum (the version in almost universal use in England before the Benedictine reform); unmarked manuscripts contain the Psalterium Gallicanum. For full descriptions of the manuscripts, see N. R. Ker, Catalogue of Manuscripts Containing Anglo-Saxon.

The text of Aldhelm's Enigma no. c in Oxford, Bodleian Library, Rawlinson C. 697 and Exeter Riddle 40

1985 ◽  
Vol 14 ◽  
pp. 61-73 ◽  
Author(s):  
Katherine O'Brien O'Keeffe
Keyword(s):  
Present Article ◽  
Old English ◽  
English Translation ◽  
Ninth Century ◽  
Tenth Century ◽  
Eighth Century ◽  
Bodleian Library ◽  
Latin Text

Exeter Riddle 40 presents two related problems as a translation of one of Aldhelm's Enigmata (no. c: ‘Creatura’): its dislocation, in an otherwise accurate translation, of six lines from their position in the Latin text; and its connection with the so-called ‘Lorica’ of Leiden, Bibliotheek der Rijksuniversiteit, Voss. lat. Q. 106, the only other surviving Old English translation of an Aldhelmian enigma. In his edition of the Exeter Riddles, Tupper addressed these problems by postulating that both Old English riddles were the work of one translator and that Exeter Riddle 40 was revised from an earlier version of Aldhelm's enigma now lost to us. Although Tupper's view has been widely accepted, it presents a number of difficulties. It is the purpose of the present article to suggest an alternate interpretation of the evidence: that Exeter Riddle 40 – a much later poem than the ‘Leiden Riddle’, a Northumbrian poem perhaps of the eighth century – was translated from a ninth-century continental manuscript with tenth-century English corrections: Oxford, Bodleian Library, Rawlinson C. 697.

scholarly journals The Ælfrician Glossaries in Oxford, Bodleian Library, Barlow 35: A New Edition and Commentary

2020 ◽  
Vol 138 (2) ◽  
pp. 213-233
Author(s):  
Claudio Cataldi
Keyword(s):  
Old English ◽  
Twelfth Century ◽  
Bodleian Library ◽  
The Third ◽  
Plant Names ◽  
Selection Of ◽  
Comprehensive Discussion

AbstractThe present study provides a full edition and commentary of the three glossaries in Oxford, Bodleian Library, Barlow 35, fol. 57r–v. These glossaries, which were first partly edited and discussed by Liebermann (1894), are comprised of excerpts from Ælfric’s Grammar and Glossary arranged by subject. The selection of material from the two Ælfrician works witnesses to the interests of the glossator. The first glossary in Barlow 35 collects Latin grammatical terms and verbs followed by their Old English equivalents. The second glossary is drawn from the chapter on plant names of Ælfric’s Glossary, with interpolations from other chapters of the same work. This glossary also features twelfth-century interlinear notations, which seem to have a metatextual function. The third glossary combines excerpts from Ælfric’s Glossary with verbs derived from the Grammar. Liebermann transcribed only part of the glosses and gave a brief commentary on the glossaries as well as parallels with Zupitza’s (1880) edition of Ælfric’s Grammar and Glossary; hence the need for a new edition, which is provided in the present study, along with a comprehensive discussion of the glossaries and a reassessment of the correspondences concerning their Ælfrician sources.

LIX. The Address of the Soul to the Body

PMLA ◽  
1935 ◽  
Vol 50 (4) ◽  
pp. 957-983 ◽  
Author(s):  
Rudolph Willard
Keyword(s):  
Old English ◽  
The Body ◽  
Bodleian Library ◽  
Cambridge University ◽  
English Poem ◽  
Conspicuous Feature ◽  
University Library ◽  
Intermediate Time ◽  
The Moment

There exist in Old English a number of compilations in which an address of the soul to its body is a conspicuous feature. The best known is the poem in the Vercelli and the Exeter Books, in which the soul returns to its body once a week and communes with it, the sinful soul reproaching it vituperatively, the righteous comforting it lovingly and joyously. The fourth Vercelli homily has a remarkable scene, an elaborated account of the judgement of the soul at Doomsday, in which the souls address their bodies as they stand in the presence of the Judge. The Last Judgement is again the scene of an address, and that in one of the homilies presented by Assmann. There is, finally, the Old English vision, printed by Thorpe and Napier, of the bringing forth of the soul, wherein the newly-released soul of a sinner vituperates the body it has just left. To this literature, I wish to add passages from two unpublished Old English homilies, in which the address is made, not at the moment of death, as in Thorpe and Napier, nor at the Last Judgement, as in Vercelli Homily iv and in Assmann, but at some intermediate time, when the soul returns intermittently to its body for that purpose, as in the Old English poem. These two texts are Homilies ii and iv of MS. Junius 85 of the Bodleian Library, and Homily xl of MS. Ii. 1.33 of the Cambridge University Library.

The Minster-in-Thanet foundation story

1998 ◽  
Vol 27 ◽  
pp. 41-64 ◽  
Author(s):  
Stephanie Hollis
Keyword(s):  
Old English ◽  
Eleventh Century ◽  
Bodleian Library ◽  
Full Version

The story of how Domne Eafe acquired the land for her monastery at Thanet when her brothers were murdered by a councillor of her cousin, Ecgberht of Kent (664–73), is variously related in a number of Latin and Old English works. The full version (involving Domne Eafe's tame hind and the death of the councillor) is found in three Latin Lives. These are: a passio of the murdered princes attributed to Byrhtferth, which is the earliest recorded account of the foundation of Thanet, dated c. 1000, and written for the monks at Ramsey, who believed the relics translated to their monastery in 978 × 992 to be those of Domne Eafe's brothers; Goscelin's Vita S. Mildrethae, dated 1089 × 1099, and written for the monks at St Augustine's, Canterbury, who acquired the relics of Mildrith from Thanet in 1030; a passio of the murdered princes found in Oxford, Bodleian Library, Bodley 285, also from Ramsey, which was composed sometime between the mid-eleventh century and the early thirteenth.

The third book of theBella Parisiacae Urbisby Abbo of Saint-Germain-des-Prés and its Old English gloss

1986 ◽  
Vol 15 ◽  
pp. 73-89 ◽  
Author(s):  
Patrizia Lendinara
Keyword(s):  
Old English ◽  
Latin Text ◽  
The Third

A certain ‘Descidia Parisiace polis’, which can safely be identified with the work of Abbo of Saint-Germain-des-Prés now commonly known as theBella Parisiacae Urbis, is listed among the books given by Æthelwold to the monastery of Peterborough. We shall never know if Æthelwold's gift corresponds to any of the surviving manuscripts of Abbo's poem – though probably it does not – but the inventory gives evidence of the popularity of his work in England. In the following pages I shall consider the genesis and successive fortune of Abbo's poem and provide a new assessment of the value of theBella Parisiacae Urbis. This assessment is a necessary first step to the understanding of the reasons for the success of his poem – and specifically of its third book – in England, as is witnessed by the number of English manuscripts containing the Latin text and by the Old English gloss which was added to this small, intriguing work.

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