What the Sovereign Can’t Do

2014 ◽  
Vol 27 (2) ◽  
pp. 191-198
Author(s):  
Michael Sevel

One of the central claims of Larry May’s Limiting Leviathan (Oxford University Press, 2013) is that Hobbes’s theory of law is best understood as a kind of “procedural natural law” theory akin to the one developed by Lon Fuller in the mid-twentieth century. May’s interpretation of Hobbes suggests at least two different views of the role of equity as a constraint on legal validity; neither of them bears any important affinities with Fuller’s theory. May however makes a stronger case that Hobbes and Fuller share broadly similar views about how and why citizens have an obligation to obey the law; the affinities between the two are therefore found in their theories of political obligation rather than in their theories of law.

Author(s):  
SUZANNE COLE

This chapter examines the revival of interest in early English choral music that took place in the first quarter of the twentieth century. It pays particular attention to the religious agendas driving this revival, and to the role of the Tudor Church Music edition, published in the 1920s by Oxford University Press, in promoting this music as a ‘national heritage’ of which all Englishmen could be proud.


Author(s):  
Corrado Roversi

Are legal institutions artifacts? If artifacts are conceived as entities whose existence depends on human beings, then yes, legal institutions are, of course, artifacts. But an artifact theory of law makes a stronger claim, namely, that there is actually an explanatory gain to be had by investigating legal institutions as artifacts, or through the features of ordinary artifacts. This is the proposition explored in this chapter: that while this understanding of legal institutions makes it possible to find common ground between legal positivism and legal realism, it does not capture all of the insights offered by these two traditions. An artifact theory of law can therefore be necessary in explaining the law, but it will not suffice to that end. This chapter also posits that legal artifacts bear a relevant connection to certain conceptions of nature, thus vindicating one of the original insights behind natural law theory.


Religions ◽  
2021 ◽  
Vol 12 (8) ◽  
pp. 613
Author(s):  
Christopher Tollefsen

Critics of the “New” Natural Law (NNL) theory have raised questions about the role of the divine in that theory. This paper considers that role in regard to its account of human rights: can the NNL account of human rights be sustained without a more or less explicit advertence to “the question of God’s existence or nature or will”? It might seem that Finnis’s “elaborate sketch” includes a full theory of human rights even prior to the introduction of his reflections on the divine in the concluding chapter of Natural Law and Natural Rights. But in this essay, I argue that an adequate account of human rights cannot, in fact, be sustained without some role for God’s creative activity in two dimensions, the ontological and the motivational. These dimensions must be distinguished from the epistemological dimension of human rights, that is, the question of whether epistemological access to truths about human rights is possible without reference to God’s existence, nature, or will. The NNL view is that such access is possible. However, I will argue, the epistemological cannot be entirely cabined off from the relevant ontological and motivational issues and the NNL framework can accommodate this fact without difficulty.


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