scholarly journals How Does Faith Feel?

Author(s):  
Callan Schultz

Abstract Research on emotion in anthropology has been supplanted by an ethnographic turn toward ‘subjectivity’, ‘embodiment’, ‘personhood’, and ‘experience’. In this article, I explore how these interrelated modes of analysis can help ethnographers to better understand the cultural processes that constitute how people feel. I show that among my Christian Dusun interlocutors in Ranau, Malaysian Borneo, the interactive engagement between subjects and their environment determined the vectors of emotional possibility in terms of belief. The intersection of religious objects (God, the Holy Spirit, Satan) and mutual obligations in the community produce what I refer to as the ‘faith network’. I trace these collective attachments to consider how ‘believing in’ regulates feeling in relation to situations of crisis, impasse, and tragedy. The combined efforts of my interlocutors, I suggest, created an active commitment that pulsated through the faith network, which sustained an intensive and defining mode of their relational experience.

2019 ◽  
Vol 16 (2) ◽  
pp. 359-368
Author(s):  
Dan Haase

When implemented, Dialogue Education™ offers a system of teaching and learning that moves beyond lecture into interactive engagement. This article highlights some of the principles and practices within this dialogical approach to teaching while also demonstrating the methodological techniques within this system of learning. Attention will be given to the nature of transformational education in light of the following elements: the learner, the community, the content, the context, and the role of the Holy Spirit.


2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.


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