Thomas Chalmers, David Nasmith, and the Origins of the City Mission Movement

2004 ◽  
Vol 76 (1) ◽  
pp. 31-46
Author(s):  
Ian J. Shaw

The development of important models for urban mission took place in early nineteenth-century Glasgow. Thomas Chalmers’ work is widely known, but that of David Nasmith has been the subject of less study. This article explores the ideas shared by Chalmers and Nasmith, and their influence on the development of the city mission movement. Areas of common ground included the need for extensive domestic visitation, the mobilisation of the laity including a middle- class lay leadership, efficient organisation, emphasis on education, and discerning provision of charity. In the long term Chalmers struggled to recruit and retain sufficient volunteers to sustain his parochial urban mission scheme. However, Nasmith’s pan-evangelical scheme succeeded in attracting a steady stream of lay recruits to work as city missioners, as well as mission directors. Through their agency a significant attempt was made to reach those amongst the urban masses who had little or no church connection.

1994 ◽  
Vol 29 (113) ◽  
pp. 65-87 ◽  
Author(s):  
Martin Maguire

Protestant working-class loyalists have been found not only in Belfast, behind the painted kerbs and muralled gables of the Shankill Road and Ballysillan. Recent research has found working-class loyalism in the Ulster hinterland of mid-Armagh. However, most of what has been written on southern Protestantism, beyond Belfast and Ulster, has been on the gentry class. Yet Dublin was once the centre of organised Protestant opinion in Ireland and had, in the early nineteenth century, an assertive and exuberantly sectarian Protestant working class. This paper is based on a study of the Protestant working class of Dublin, and examines its organisation and activism as revealed in the City and County of Dublin Conservative Workingmen’s Club (henceforth C.W.C.). The club owned a substantial Georgian house on York Street, off St Stephen’s Green where the modern extension to the Royal College of Surgeons now stands. The club was sustained by a core of activists numbering around three hundred, the usual print-run for the ballot papers at the annual general meeting. The Protestant working class numbered 5,688 in the city in 1881. The county area numbered 4,096, making a total of 9,784 Protestant workingclass men. The city and county total of about 10,000 remained stable up to the census of 1911. Combined with the Protestant lower middle class of clerks and shopkeepers, the potential to be mobilised by the C.W.C. numbered over 20,000. The club records are used to relate the experience of the Dublin Protestant working class firstly to the more familiar working-class loyalism of Ulster, and secondly to working-class Toryism and the concept of the labour aristocracy.


2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.


Author(s):  
Karen Ahlquist

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”


2011 ◽  
Vol 66 (1) ◽  
pp. 1-36
Author(s):  
Adrian J. Wallbank

Adrian J. Wallbank, "Literary Experimentation in Rowland Hill's Village Dialogues: Transcending 'Critical Attitudes' in the Face of Societal Ruination" (pp. 1–36) In the aftermath of the French "Revolution Controversy," middle-class evangelical writers made a concerted effort to rehabilitate the moral fabric of British society. Hannah More's Cheap Repository Tracts (1795–98) are recognized as pivotal within this program, but in this essay I question whether they were really as influential as has been supposed. I argue that autobiographical evidence from the period demonstrates an increasing skepticism toward overt didacticism, and that despite their significant and undeniable penetration within working-class culture, the Cheap Repository Tracts, if not all "received ideologies," were increasingly being rejected by their readers. This essay examines the important contribution that Rowland Hill's Village Dialogues (1801) made to this arena. Hill, like many of his contemporaries, felt that British society was facing ruination, but he also recognized that overt moralizing and didacticism was no longer palatable or effective. I argue that Hill thus experimented with an array of literary techniques—many of which closely intersect with developments occurring within the novel and sometimes appear to contradict or undermine the avowed seriousness of evangelicalism—that not only attempt to circumvent what Jonathan Rose has described as the "critical attitudes" of early-nineteenth-century readers, but also effectively map the "transitional" nature of the shifting literary and social terrains of the period. In so doing, Hill contributed signally to the evolution of the dialogue form (which is often synonymous with mentoring and didacticism), since his use of conversational mimesis and satire predated the colloquialism of John Wilson's Noctes Ambrosianae (1822–35) and Walter Savage Landor's Imaginary Conversations (1824–29).


2006 ◽  
Vol 36 (4) ◽  
pp. 621-628
Author(s):  
Mary Ann Smart

Giacomo Leopardi was convinced that the willingness of Italians to wallow passively in operatic spectacle was an important reason for Italy's lack of a civil society based on debate and the exchange of opinions. Despite recent proposals that opera and opera going constituted signiªcant means of social engagement and contributed to regional and/or national identity, the preoccupations of early nineteenth-century music journalism suggest that opera existed outside the mainstream of both political and aesthetic debate, and was not yet the subject of a truly vibrant national discourse.


While the twenty-first century has brought a wealth of new digital resources for researching late eighteenth- and early nineteenth-century serials, the subfield of Romantic periodical studies has remained largely inchoate. This collection sets out to begin tackling this problem, offering a basic groundwork for a branch of periodical studies that is distinctive to the concerns, contexts and media of Britain’s Romantic age. Featuring eleven chapters by leading experts on the subject, it showcases the range of methodological, conceptual and literary-historical insights to be drawn from just one of the era’s landmark literary periodicals, Blackwood’s Edinburgh Magazine. Drawing in particular on the trove of newly digitised content, specific essays model how careful analyses of the incisive and often inflammatory commentary, criticism and original literature from Blackwood’s first two decades (1817–37) might inform and expand many of the most vibrant contemporary discussions surrounding British Romanticism.


2018 ◽  
Vol 61 ◽  
pp. 105-130 ◽  
Author(s):  
Clarisse Godard Desmarest

AbstractThe Melville Monument, which stands at the centre of St Andrew's Square in Edinburgh, was erected between 1821 and 1823 in memory of the Tory statesman Henry Dundas, first Viscount Melville (1742–1811). The design for the monument, more than 150 ft tall, was provided by William Burn (1789–1870). The 15 ft statue of Dundas that stands on top, added in 1827, was carved by Robert Forrest (1789–1852), a Scottish sculptor from Lanarkshire, from a design by Francis Chantrey (1781–1841). The Melville Monument, imperial in character and context, is part of a series of highly visible monuments built in Edinburgh in the early nineteenth century to celebrate such figures as Horatio Nelson, Robert Burns, William Pitt, King George IV and the dead of the Napoleonic wars (National Monument). This article examines the commission and construction of the Melville Monument, and analyses the choice and significance of St Andrew's Square as a locus for commemoration. The monument is shown to be part of an emerging commitment to enhance the more picturesque qualities of the city, a reaction against the exaggerated formality of the first New Town and its grid pattern.


Author(s):  
Robert Wuthnow

This introductory chapter discusses how Americans in the nineteenth century pursued the American Dream. It argues that moving the American Dream from the stratosphere in which it is often discussed into the mundane realities of everyday life forces it to be considered differently. The topics of relevance cease to be the long-term trajectory through which protagonists rise from rags to riches and become instead questions about the immediate contexts in which people live. It suggests that what we might call middle-class respectability gets us further than continuing to discuss the American Dream as an ideal or philosophy of life. Middle-class respectability was something that people may have aspired to as an ideal, but it was modeled, learned, and exhibited in practice.


Author(s):  
Bill Jenkins

The penultimate chapter looks at the longer-term impact of the efflorescence of evolutionary speculation in early-nineteenth-century Edinburgh on later generations of natural historians. First it examines the evangelical reaction against progressive models of the history of life and its role in the eclipse of the ‘Edinburgh Lamarckians.’ Next it examines to the evolutionary theory proposed by Robert Chambers in his anonymously published Vestiges of the Natural History of Creation (1844) to assess its possible debt to the Edinburgh transformists of the 1820s and 1830s. Finally it turns to the important question of the possible influence of the ‘Edinburgh Lamarckians’ on Charles Darwin during his time as a medical student in Edinburgh in the years 1825 to 1827, during which period he rubbed shoulders with many of the key proponents of evolutionary ideas in the city.


Author(s):  
Todd M. Michney

This chapter looks at the ambitious reform agenda that black middle-class activist residents went on to mount in these outlying city neighbourhoods, encompassing housing upkeep, business revitalization, traffic safety, trash removal, and efforts to reduce liquor availability, juvenile delinquency, vice, and crime – all in an attempt to maintain what they considered an acceptable quality of life. Perhaps the most ambitious effort along these lines was a venture in which a group of African American investors purchased and renovated the Lee-Harvard Shopping Center, making it during its existence from 1972-1978 the “largest black-owned commercial complex in the nation.” Sometimes these reform efforts involved moralizing or exhibited an explicit class bias; upwardly mobile middle-class blacks did not always recognize that less well-off newcomers were motivated by similar concerns with liveability. In the end, however, their various attempts to take charge of their lives and communities contributed to the long-term vitality of these neighbourhoods and the city as a whole.


Sign in / Sign up

Export Citation Format

Share Document