The Five Dynasties–Northern Song Period

2008 ◽  
pp. 21-75
Keyword(s):  
1993 ◽  
Vol 24 (2) ◽  
pp. 227-238 ◽  
Author(s):  
E. Edwards McKinnon

Finds of imported ceramics, especially early Chinese stonewares, are relatively rare in the mountainous interior of Sumatra. In 1977, however, Indonesian archaeologists discovered a series of five megalithic sites in Kecamatan Sumberjaya, Kabupaten Lampung Utara, about 85 kilometres northwest of Kotabumi the district administrative centre and some distance south of the road to Liwa and Krui. These sites were completely unknown in the Dutch colonial period and only came to light when Javanese immigrants moved in to the area in the nineteen fifties. Consequently, the present names by which these locations are known tend to reflect recent Javanese usage rather than indigenous nomenclature. Excavations at the complex known as Telagamukmin in Desa Purwawiwitan, Kecamatan Sumberjaya in 1980 revealed considerable quantities of locally made earthenware sherds and fragments of imported south Chinese stonewares dating from the ninth to tenth centuries, the Five Dynasties and northern Song periods in China. A bronze bracelet, two bronze blades and other metal fragments were also recovered. Quantities of ceramic sherds have also been recovered as surface finds at other locations including Batuberak and Batutameng Desa Purajaya, Ciptaarga, Bungin and Cabangdua.


T oung Pao ◽  
2016 ◽  
Vol 102 (4-5) ◽  
pp. 358-406 ◽  
Author(s):  
Chia-fu Sung

This article examines the historiographical practice of Ouyang Xiu (1007-72) in the context of his scholarly and official career and of the development of traditional Chinese historiography. By focusing on where, when, and how Ouyang’s two “new histories” of the Tang and Five Dynasties were produced, I suggest that Ouyang displayed an ambivalent relationship to the Northern Song official historiographical operation both in terms of modus operandi and of the format of the final text. Acting deliberately inside and outside the Historiography Office, he wrote not only new histories but actually new “old” histories, in the sense that Sima Qian’s classical model was creatively restored. Historiographical novelty calls for contextualization, and in this case, Ouyang’s newness is embodied in the creative tension between his contemporary predicament and the applicability of various classical paradigms.
Cet article étudie la pratique historiographique de Ouyang Xiu (1007-1072) dans le contexte de sa carrière d’érudit et de fonctionnaire et dans celui du développement de l’historiographie chinoise traditionnelle. Me demandant où, quand et comment les deux “nouvelles histoires” dues à Ouyang, celle des Tang et celle des Cinq Dynasties, ont été rédigées, j’en conclus que l’historien a entretenu une relation ambivalente avec le mode de production historiographique officiel, tant du point de vue du modus operandi que de celui de la forme finale du texte. Agissant délibérément à l’intérieur et à l’extérieur du Bureau d’historiographie, il composa non seulement des “nouvelles histoires”, mais également des nouvelles “anciennes histoires” au sens où le modèle classique de Sima Qian s’y trouvait rétabli de façon originale. L’innovation en histoire implique la contextualisation, et dans le cas présent la nouveauté de Ouyang réside dans la tension créatrice opposant ses difficultés du moment et l’applicabilité de divers paradigmes classiques.



Water ◽  
2021 ◽  
Vol 13 (14) ◽  
pp. 1932
Author(s):  
Wenji Huang ◽  
Mingwang Xi ◽  
Shibao Lu ◽  
Farhad Taghizadeh-Hesary

In the long history of the feudal society of China, Kaifeng played a vital role. During the Northern Song Dynasty, Kaifeng became a worldwide metropolis. The important reason was that the Grand Canal, which was excavated during the Sui Dynasty, became the main transportation artery for the political and military center of the north and the economic center of the south. Furthermore, Kaifeng was located at the center of the Grand Canal, which made it the capital of the later Northern Song Dynasty. The Northern Song Dynasty was called “the canal-centered era.” The development of the canal caused a series of major changes in the society of the Northern Song Dynasty that were different from the previous ones, which directly led to the transportation revolution, and in turn, promoted the commercial revolution and the urbanization of Kaifeng. The development of commerce contributed to the agricultural and money revolutions. After the Northern Song Dynasty, the political center moved to the south. During the Yuan Dynasty, the excavation of the Grand Canal made it so that water transport did not have to pass through the Central Plains. The relocation of the political center and the change in the canal route made Kaifeng lose the value of connecting the north and south, resulting in the long-time fall of the Bianhe River. Kaifeng, which had prospered for more than 100 years, declined gradually, and by the end of the Qing Dynasty, it became a common town in the Central Plains. In ancient China, the rise and fall of cities and regions were closely related to the canal, and the relationship between Kaifeng and the Grand Canal was typical. The history may provide some inspiration for the increasingly severe urban and regional sustainable development issues in contemporary times.


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