Certainly the most successful period drama, indeed perhaps the most popular television show, of the 21st century, British series Downton Abbey (2010–2015) has become a force to be reckoned with in popular culture. It borrows the format of popular 1970s series Upstairs Downstairs (ITV), following the lives of a fictional Edwardian family and the servants who look after them in the eponymous house. Season 1 opens in 1912 with the sinking of the Titanic, in which the heir to Downton is lost: the plot then follows the family coming to terms with the arrival of the next in line, a middle-class lawyer with a very different view of life from their own. The next five seasons—there are six in total—follow the inhabitants as they cope with the change the 20th century brings, including the First World War; the woman’s movement, which liberates some of the female characters; and the changes in taxation and society, which make the estate increasingly difficult to maintain and run. The last episode is set in 1925, and a film based on the show is due out in 2019. The series was loved by fans both in the United Kingdom and the United States, but received very mixed critical reception. Critics on the left criticized the show for its glossy and nostalgic view of the past, and of interclass relations, linking its ideology to the politics of its writer, Conservative peer Julian Fellowes. Others praised its positive view of human nature and escapist charm, at a time when austerity was making itself felt in the United Kingdom. Either way, it undoubtedly rekindled viewers’ appetite for period drama on a scale not seen since the 1970s, and has also stirred up debate about the part played by television in representing, accessing, and understanding the past.