Narration as a Resurrection of the Dead: the Role of Storytelling in Banville’s Ghosts

2018 ◽  
pp. 38-46
Keyword(s):  
Resurrection Of The Dead ◽  
The Dead

scholarly journals DOGMATIC SENSES OF ST. GEORGIY (KONYS’KYJ’S) DRAMA “RESURRECTION OF THE DEAD PEOPLE”

2021 ◽  
pp. 79-95
Author(s):  
A. Tsarenok
Keyword(s):  
18Th Century ◽  
Comparative Method ◽  
Scientific Methods ◽  
Research Results ◽  
Holy Trinity ◽  
Resurrection Of The Dead ◽  
General Scientific ◽  
The Dead ◽  
Atoning Sacrifice

Analyzing the old Ukrainian didactic drama “Ressurection of the dead people”, written in the middle of the 18th century by Kyiv-Mohyla Academy professor Georgiy (Konys’kyj), scientists very often pay attention to its expressive social and ethical dimension. At the same time, this well-known monument of literature must be regarded as a work, which possesses remarkable dogmatic senses as well. The aim and the tasks. The aim of the article is exploring of the connection of the drama “Ressurection of the dead people” text with sphere of the Orthodox dogmatic theology. It`s necessary to mention such tasks of the study as pointing out the different dogmatic senses of the drama and making analysis of them. Research methods. Exploring the text of the didactic drama by Georgiy (Konys’kyj), the author of the article uses 1) the cultural and contextual method, 2) the method of psychology of artistic creation and such general scientific methods as 3) the comparative method, 4) the method of systematization and 5) the method of generalization. Research results. As one can understand easily after acquaintance with the name of the drama, its central dogmatic ideas are naturally connected with the Christian eschatology: Georgiy (Konys’kyj) preaches the future resurrection of all dead people and reminds both his contemporaries and future generations of the Final Judgment. Moreover, we find the manifestation of author’s strong belief in the Holy Trinity, in the Divine and the Human Natures of Christ, in the majesty and the great role of the Atoning Sacrifice, in the immortality of human souls, in the Providence, etc. in the text. Conclusion. The text of Georgiy (Konys’kyj`s) didactic drama “Ressurection of the dead people” is regularly influenced by the important constituents of the Orthodox dogmatic doctrine (eschatology, Triadology, Christology, etc.). Taking into consideration the research results helps us to get better understanding of philosophical and theological views of such a famous hierarch as saint Georgiy (Konys’kyj) and to overcome some wrong interpretations of his works.

THE ROLE OF THE OBITUARY PAGES IN FACSBOOK, IS IT FOR IMMORTALIZATION OR FOR CRYING OVER THE RUINS

2021 ◽  
Vol 3 (4) ◽  
pp. 119-126
Author(s):  
Hadeel EJMAIL
Keyword(s):  
Content Analysis ◽  
Social Interaction ◽  
Qualitative Approach ◽  
The Other ◽  
Dead Person ◽  
Screen Capture ◽  
The Dead ◽  
The One ◽  
Facebook Pages

Death is one of the most difficult topics a person can talk about. The human being is busy with how to continue his life and improve its conditions. This study aims is to explore the writing of Facebook pages of the dead. The research used the qualitative approach through a content analysis, where (50) publications were found on fifteen pages of a dead person with an intentional sample, and the results of the research showed that writing people in the pages of the dead included two directions, the first direction is a desire to immortalize the dead and a kind of preserving their roots Alive. As for the other direction, it was weeping over their ruins and showing the end of a person's death and his end life. Sometimes in the same post include both directions together, meaning "the use of the deceased’s account by his family by changing the profile picture of the dead, and at the same time inviting the deceased’s friends through his page to the memorial event. People write on the pages of the dead in order to weep over their ruins on the one hand, and to immortalize their memories on the other side. Facebook as a social platform and the interaction of people with the pages of the dead shows the great social interaction that takes place in this space, and research in this field is not consistent with one and only claim, as some posts are either temporary or permanent; Therefore, I have used screen capture technology to collect and retain information. The pages of the dead included referring to them, writing memorials and longing, etc. Facebook has become a social platform that allows those who lose a dear person to share their grief through it, and enables them to deal with death and relieve their pain

scholarly journals THE PROBLEM OF NARRATION IN NOTES FROM A DEAD HOUSE BY FYODOR DOSTOEVSKY

2021 ◽  
Vol 19 (1) ◽  
pp. 221-238
Author(s):  
Tamara Batalova
Keyword(s):  
Sense Of Self ◽  
Self Esteem ◽  
Vital Role ◽  
Point Of View ◽  
Christian Faith ◽  
Fyodor Dostoevsky ◽  
Theatrical Performance ◽  
Essential Idea ◽  
The Dead

Within the framework of Pavel Medvedev’s sociological poetics, the article identifies and studies the features of the narrative in Fyodor Dostoevsky’s Notes from a Dead House, and examines the role of these features in expressing the key idea of this novel, namely the desire of convicts for freedom, for “resurrection from the dead”. From this point of view, the author examines the significance of the narrator’s duality (Goryanchikov and Goryanchikov-Dostoevsky) and the juxtaposition of the characters in the narrative (positive and negative). He also analyzes the compositional function of the XI chapter of the first part of Notes from a Dead House, “Presentation”, in the plot. The Christian faith plays the vital role in the expression of the essential idea of the work. An open-minded attitude to people, a friendly, Christian approach towards them is a distinctive feature of Goryanchikov-Dostoevsky and all the positive characters in the book. Inspired by the celebration of the Nativity of Christ, the convicts staged a theatrical performance, which alters the moral state of both the actors and the audience, fortifies their sense of self-esteem required to resist the prison orders that “deaden” people, and strengthens the prisoners’ desire for freedom, for “resurrection from the dead”. The article concludes that Notes from a Dead House is the beginning of aesthetic and artistic changes that manifested themselves in Dostoevsky’s post-prison works.

scholarly journals Restriction of burial rites during the COVID-19 pandemic: An African liturgical and missional challenge

2021 ◽  
Vol 77 (4) ◽  
Author(s):  
Hundzukani P. Khosa-Nkatini ◽  
Peter White
Keyword(s):  
End Of Life ◽  
Special Focus ◽  
Funeral Rites ◽  
African Context ◽  
Burial Rites ◽  
The Dead ◽  
The Church ◽  
Huge Challenge ◽  
Cultural Effect

Burial rites are very common among many Africa communities. In the African context, burials are not the end of life but rather the beginning of another life in the land of the ancestors. In spite of the importance of the African funeral rites, the missional role of the church in mourning and the burial of the dead in the African communities, the COVID-19 pandemic led protocols and restrictions placed a huge challenge on the African religious and cultural practices.Contribution: In the light of the above-named challenges, the article discusses the religious-cultural effect of the pandemic with special focus on the African liturgical and missiological challenges in the context of the COVID-19 restrictions on funerals and burial rites.

Women Patrons in Medieval Anatolia And a Discussion of Māhbarī Khātūn’s Mosque Complex in Kayseri

Belleten ◽  
2014 ◽  
Vol 78 (282) ◽  
pp. 475-526
Author(s):  
Patricia Blessıng
Keyword(s):  
Fourteenth Century ◽  
Muslim Woman ◽  
The Dead ◽  
Women Patrons

This article traces the role of female patrons of architecture in thirteenth- and early fourteenth-century Anatolia. At the center stands Māhbarī Khātūn, the mother of the Seljuk Sultan Ghiyāth al-Dīn Kaykhusraw II (R 1237-46). During the rule of her son, Māhbarī Khātūn was active as a patron of architecture, building most notably the Huand Hatun complex in Kayseri in 1238, and several caravanserais. The foundation inscriptions of these monuments, and the funerary inscription on Māhbarī Khātūn's cenotaph in the Huand Hatun mausoleum present the founder both as the mother of the sultan, and as a pious Muslim woman. The insistence on Māhbarī Khātūn's position as the sultan's mother points to her activity in a later stage of life, after the dead of her husband, 'Alā' al-Dīn Kayqubād (R 1220-37), when her status was akin to that of the valide sultan in later Ottoman practice. This article compares Māhbarī Khātūn to other known female patrons, active in Anatolia during Seljuk and Ilkhanid rule, who are mostly recorded in their foundation inscriptions. Thus, the importance of these inscriptions as sources to trace patrons who are marginal in the chronicles and hagiographies of the time, as is the case for female members of the Seljuk court, clearly emerges.

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