Author(s):  
T. M. Huliak

The article deals with the feminist component in the detective novels «The Double Game in Four Hands» by I. Rozdobudko and «Gaudy Night» by D. Sayers. Its dominant features are distinguished: original female images and women's writing which is manifested through the detailing and usage of parenthetical constructions. The common and distinctive features of the use of the feminist component in the Ukrainian and English female detective discourse are described. The similarity and difference in the images of Musya Gurchyk and Harriet Vane who are the expressions of the creative method of detective writers are analyzed. The emotional and detailing functions of the parenthetical constructions are described. It is emphasized that the feminist component plays an important role in the creation of the genre of the female detective novel.


2021 ◽  
pp. 83-97
Author(s):  
Alison Moulds

Anna Kingsford’s “A Cast for a Fortune: The Holiday Adventures of a Lady Doctor” (1877) depicts a medical woman who becomes entangled in a murder plot whilst on vacation. Assuming the mantle of amateur detective, Dr Mary Thornton intervenes to prevent Dr George Pomeroy poisoning his sister-in-law, a wealthy widow. This little-known short story appeared at a critical time in the medical-woman movement in Britain. In contemporary medical writing and popular culture, the woman doctor was often represented as unfeminine and even as morbid or morally degenerate. Conversely, Kingsford portrays a healthy woman doctor who upholds professional ethics and criminal justice, while the story’s medical man is an unscrupulous villain. By exposing and denouncing Dr Pomeroy, Dr Thornton restores medicine’s reputation. Drawing on interdisciplinary research across literary studies and the history of medicine, this article positions Kingsford’s story at the advent and nexus of three emerging sub-genres: female detective fiction, the medical mystery, and medical woman fiction. I argue that, through the depiction of its heroine, “A Cast for a Fortune” constructs the amateur female sleuth and early woman doctor not as an outsider, but as the guardian of medico-morality.


Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. This book is a bold collection of essays that reassesses the genre's iconic style, history, and themes. Chapters analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, as well as investigate Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration unwinds the impact of hot-button topics like race and gender, history and sexuality, technology and transnationality.


2018 ◽  
Vol 19 (6) ◽  
pp. 535-552 ◽  
Author(s):  
Kathleen McHugh

The neurodiverse female detective in transnational crime dramas embodies complex ways of seeing the gender-based violence these series frequently contain. This detective both orients and disrupts their narrative and visual fields with what I will argue is her surveilling yet troubled look. She inhabits the longstanding transnational tradition of the male defective detective and derives from two recent Anglo-European generic staples: female-led crime dramas and neurodiverse protagonists. In her, gender trouble in the look and its object meet up with the problem of the norm. Beginning with the example of Engrenages ( Spiral, 2005) and then focusing on autism spectrum detective Saga Norén (Sofia Helin) in Bron/Broen, this article considers how the generic familiars and innovations vested in this character alter the dynamics of the gaze, recast the significance of empathy and justice, and enable violence, gender, and everyday social norms to be unsettled in potentially feminist ways.


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