Book Review: Religion in the Public Sphere: Canadian Case Studies

2016 ◽  
Vol 45 (2) ◽  
pp. 252-253
Author(s):  
John R. Williams
2021 ◽  
Vol 41 (2) ◽  
pp. 148-152
Author(s):  
Matthew Engelke

Abstract This essay introduces the special section “Word, Image, Sound,” a collection of essays on public religion and religious publicities in Africa and South Asia. The essays cover case studies in Myanmar, Zambia, Senegal, Rwanda, and Egypt. The introduction situates the essays in relation to the broader fields of work on the public sphere and publics, especially as they relate to recent work in the human sciences that focus on materiality, the senses, and media.


2021 ◽  
pp. 0044118X2110408
Author(s):  
Ilaria Pitti ◽  
Yagmur Mengilli ◽  
Andreas Walther

Existing understandings of youth participation often imply clear distinctions from non-participation and thus boundaries between “recognized” and “non-recognized” practices of engagement. This article aims at questioning these boundaries. It analyzes young people’s practices in the public sphere that are characterized by both recognition as participation and misrecognition or stigmatization as deviant and it is suggested to conceptualize such practices as “liminal participation.” The concept of liminality has been developed to describe transitory situations “in-between”—between defined and recognized status positions—and seems helpful for better understanding the blurring boundaries of youth participation. Drawing on qualitative case studies conducted within a European research project, the analysis focuses on how young people whose practices evolve at the margins of the respective societies position themselves with regard to the challenges of liminality and on the potential of this for democratic innovation and change.


2021 ◽  
pp. 218-234
Author(s):  
Mary Angela Bock

This chapter reviews the project’s argument, that social actors struggle over the construction of visual messages in embodied and discursive ways. Digitization has vastly expanded the encoding capabilities of everyday citizens, allowing them to render their expression of democratic voice visible, even as the ethical rules for visual expression are inchoate. The project’s case studies demonstrate the way grounded practices produce representations that support the authority of the criminal justice system, and together they invite three theoretical discussions: (1) on the way visual journalism’s physicality increases its reliance on those in power, (2) on the importance of image indexicality as a discursive affordance in the public sphere, and (3) on the digital public sphere as visual, and participation in this visual public sphere must be considered as an essential human capability. As a whole, the project offers insight into the construction of the criminal justice system’s literal and metaphorical image.


2007 ◽  
Vol 14 ◽  
Author(s):  
Stephanie Ho

Blogging is a twenty-first century phenomenon that has heralded an age where ordinary people can make their voices heard in the public sphere of the Internet. This article explores blogging as a form of popular history making; the blog as a public history document; and how blogging is transforming the nature of public history and practice of history making in Singapore. An analysis of two Singapore ‘historical’ blogs illustrates how blogging is building a foundation for a more participatory historical society in the island nation. At the same time, the case studies also demonstrate the limitations of blogging and blogs in challenging official versions of history.


Screen Bodies ◽  
2019 ◽  
Vol 4 (1) ◽  
pp. 1-18
Author(s):  
Mari E. Ramler

Breastfeeding mothers and their babies are simultaneously in the public sphere and hidden from public view. Although social media has the potential to normalize attitudes toward breastfeeding by increasing visibility, Facebook and Instagram maintain an unpredictable censorship policy toward “brelfies”—female breast selfies—which has undermined progress. Combining Iris Marion Young’s “undecidability” of the breasted experience with Brett Lunceford’s rhetoric of nakedness, this article investigates what breastfeeding mothers communicate online via digital images when they expose their breasts. By deconstructing controversial case studies, this article concludes that brelfies have increased breastfeeding’s accessibility and acceptability in the material world.


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