Forced marriage as a political project

2014 ◽  
Vol 51 (3) ◽  
pp. 405-417 ◽  
Author(s):  
Erin Baines
Author(s):  
А.А. CHEMSHIT ◽  
О.S. STATSENKO

A political analysis of the Ukrainian state project is being carried out. The idea of state insufficiency of modern Ukraine stands out as the starting point. The analysis shows that for a quarter of a century Ukraine has not been able to overcome any of the crisis stages: identity, penetration, legality, participation and distribution, and in the strict sense has not acquired the obligatory signs of statehood. The authors trace the dynamics of the socioeconomic and humanitarianpolitical problems of an irreversible character or, otherwise, systemic degradation of the society. They point out to the shadowing of the economy, deindustrialization of the country, the demographic collapse, the crisis of the educational system, total corruption, formation of a carnival political culture and moral degradation.


2018 ◽  
Vol 74 (6) ◽  
Author(s):  
Dzhansarayeva Rima Yerenatovna ◽  
Malikova Sholpan Baltabekovna ◽  
Atakhanova Gulzagira Makhatovna ◽  
Tlepbergenov Orynbasar Nusupaliyevich ◽  
Omarova Sholpan Bekmuratovna ◽  
...  

Author(s):  
Harriet Archer
Keyword(s):  

The final chapter addresses Richard Niccols’s ghost complaint collection, A Winter Nights Vision, and the edition to which it was appended in 1610. It reflects on the changed political and literary landscape within which Niccols situates his new Mirror, and considers potential explanations for the collection’s declining popularity. Niccols made substantial editorial changes, perpetuating the narrative of imperfection which had characterized its Elizabethan evolution. Using Niccols’s wider oeuvre and late Elizabethan influences to reconstruct a picture of his ethical and aesthetic priorities, this chapter presents the Jacobean revisions to the text as part of a coherent political project. Propounding the militant Protestantism of the Jacobean Spenserians, Niccols is seen to mobilize a monumental Elizabethan publication to reinforce his dissatisfaction with James I’s regime. Attention to Niccols’s revisions also shows his clear investment in the shoring up of historiographical stability, even as he refashions the text to suit his oppositional agenda.


Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 310
Author(s):  
Alicia Izharuddin

What accounts for the endurance of forced marriage (kahwin paksa) narratives in Malaysian public culture? How does one explain the ways popular fascination with forced marriage relate to assumptions about heteronormative institutions and practices? In a society where most who enter into marriages do so based on individual choice, the enduring popularity of forced marriage as a melodramatic trope in fictional love stories suggests an ambivalence about modernity and egalitarianism. This ambivalence is further excavated by illuminating the intertextual engagement by readers, publishers and booksellers of Malay romantic fiction with a mediated discourse on intimacy and cultural practices. This article finds that forced marriage in the intimate publics of Malay romance is delivered as a kind of melodramatic mode, a storytelling strategy to solve practical problems of experience. Intertextual narratives of pain and struggle cast light on ‘redha’ (submission to God’s will) and ‘sabar’ (patience), emotional virtues that are mobilised during personal hardship and the challenge of maintaining successful marital relations. I argue that ‘redha’ and ‘sabar’ serve as important linchpins for the reproduction of heteronormative institutions and wifely obedience (taat). This article also demonstrates the ways texts are interwoven in the narratives about gender roles, intimacy, and marital success (or lack thereof) and how they relate to the modes of romantic melodrama.


2021 ◽  
pp. 103530462110176
Author(s):  
Anna Sturman ◽  
Natasha Heenan

We introduce a themed collection of articles on approaches to configuring a Green New Deal as a response to the current capitalist crisis marked by ecological breakdown, economic stagnation and growing inequality. The Green New Deal is a contested political project, with pro-market, right-wing nationalist, Keynesian, democratic socialist and ecosocialist variants. Critiques of the Green New Deal include pragmatic queries as the feasibility of implementation, and theoretical challenges from the right regarding reliance on state forms and from the left regarding efforts to ameliorate capitalism. They also include concerns about technocratic bias and complaints about lack of meaningful consultation with Indigenous peoples on proposals for large-scale shifts in land use. Debates over the ideological orientation, political strategy and implementation of the Green New Deal must now account for the economic and employment impacts of COVID. JEL Codes: Q43, Q54, Q56, Q58


2021 ◽  
pp. 1-18
Author(s):  
Núria Torres ◽  
Carolina Villacampa
Keyword(s):  

2021 ◽  
pp. 001458582110054
Author(s):  
Guylian Nemegeer ◽  
Mara Santi

This article argues that Gabriele d’Annunzio’s Notturno conveys a conscious political and cultural message which is consequent of his long-lasting political commitment to the nation. This political value of the book has been mainly overlooked. Therefore, the first part of the article shows the locations of the political and war-related content, and how the book can be considered as a war diary. Moreover, the first part of the article relates the Notturno to d’Annunzio’s political project for the nation at the time when the book was composed (1915–1921). The aim of this part is to dispel the enduring critical misinterpretation of the Notturno as an intimate collection of memories and visions and to foreground its national value. The second part of the article addresses the roots of the Notturno’s political message from a literary point of view by relating it to the national commitment underlying d’Annunzio’s works since the 1880s. This commitment is based on the revalorization in the author’s literary works of the Italian national past, in particular of the 16th century, where d’Annunzio continues and renews the national storytelling of the Risorgimento.


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