Cuban Cha-Cha-Chá: Applications for Music Education in the United States

2018 ◽  
Vol 104 (4) ◽  
pp. 25-31
Author(s):  
Jeffrey Torchon
Keyword(s):  
United States ◽  
Music Education ◽  
Social Impact ◽  
The United States ◽  
Past Century ◽  
History Of ◽  
And Performance ◽  
Musical Genres ◽  
Music Classrooms ◽  
Musical Elements

One of the most distinctive musical genres that originated in Cuba over the past century is cha-cha-chá, which is attributed to Enrique Jorrín during the 1950s. The popularity of this music has grown considerably since its genesis, as evidenced by the vast array of repertoire, the multitude of bands performing it, and its prevalence in popular culture. This article explores the history of cha-cha-chá, its musical elements, Enrique Jorrín’s influence on the creation and performance of the genre, and the importance of cha-cha-chá in music education in the United States. Due to its musical significance and social impact, it is important to understand cha-cha-chá’s place in modern Cuba, how it has been preserved over time, and how it can be taught in music classrooms at all levels.

A History of Music Education in the United States

1982 ◽  
Vol 69 (2) ◽  
pp. 101
Author(s):  
George N. Heller ◽  
James A. Keene
Keyword(s):  
United States ◽  
Music Education ◽  
The United States ◽  
History Of

Body Banks: A History of Milk Banks, Blood Banks, and Sperm Banks in the United States

2011 ◽  
Vol 12 (4) ◽  
pp. 749-760 ◽  
Author(s):  
Kara W. Swanson
Keyword(s):  
United States ◽  
The United States ◽  
The Body ◽  
Past Century ◽  
Sperm Bank ◽  
Blood Banks ◽  
History Of ◽  
Considerable Controversy ◽  
Milk Banks ◽  
Cord Blood Banks

My dissertation traces the invention and development of a new form of banking, body banking. Today, the body bank as an institution that collects, stores, processes, and distributes a human body product is a taken-for-granted aspect of medicine in the United States. We donate to blood banks, we cherish sperm bank babies, and we contemplate many sorts of banks, including cord blood banks, gene banks, and egg banks. Such institutions have existed for the past century in the metaphorical shadow of financial banks, and like those better-studied banks have stirred considerable controversy. The driving question behind my dissertation is simply, why banks? How did we come to use “bank” to apply to bodies as well as to dollars? More intriguingly, what does this analogy show us and what is it hiding?

scholarly journals A Survey of Chinese Plants of Potential Ornamental Value for the Southeastern United States

HortScience ◽  
1995 ◽  
Vol 30 (4) ◽  
pp. 891A-891
Author(s):  
Donglin Zhang ◽  
F. Todd Lasseigne ◽  
Michael A. Dirr
Keyword(s):  
United States ◽  
Southeastern United States ◽  
Ornamental Plants ◽  
The United States ◽  
Southeastern China ◽  
Climatic Zones ◽  
History Of ◽  
And Performance ◽  
Species Performance

China, E.H. Wilson's “Mother of Gardens”, is a large untouched resource of ornamental plants to this day. Southeastern gardens and arboreta teem with plants from China, which boasts the most diverse temperate flora in the world with more than 30,000 species described. Because of China's unique geography, climate, and floristic similarities to the southeastern United States, many of these ornamental plants should be adaptable. Based on studies of the phytogeography, floristics, history of plan; hunting, and performance of plants already introduced into cultivation from central and southeastern China, ≈500 potentially “new” species of Chinese woody plants are presented for ornamental evaluation. Characterization of the species' geography and climatic preferences in China will allow horticulturists to more accurately predict the species' performance throughout the Southeast. Zone maps exist for the United States and China that equate geographic areas on a temperature basis. However, these zone maps do not reflect the wide microclimatic differences (such as those contributed by elevation) that occur in the climatic zones. The results of this survey should enhance interest in the wonderful diversity of Chinese plants. Maps of areas already explored in the past (George Forrest, Ernest H. Wilson, and other contemporary explorers) as well as maps of suggested areas which have not been fully botanized are presented for review.

The Dancing Body on the Line

2018 ◽  
pp. 1-30
Author(s):  
Victoria Fortuna
Keyword(s):  
United States ◽  
Performance Studies ◽  
Buenos Aires ◽  
Federal Funding ◽  
The United States ◽  
Transnational History ◽  
Contemporary Dance ◽  
History Of ◽  
And Performance ◽  
Line P

The introduction first considers the movement for a National Dance Law (2008–), which aims to establish infrastructure and federal funding for all genres of dance in Buenos Aires and throughout the Argentine provinces. It introduces the book’s central concept of “moving otherwise,” outlining the kinds of political engagement it encompasses, as well as how it dialogues with conversations in dance and performance studies. It then explains how the category of “contemporary” dance functions in the text, and argues for an approach to contemporary dance history that decenters the United States and Europe as the original sites and ongoing loci of production. Additionally, it offers a brief overview of the transnational history of modern and contemporary dance in Buenos Aires through examination of the work of Miriam Winslow; Susana Tambutti; and Luciana Acuña and Alejo Moguillansky. Finally, it details the archival, ethnographic, and embodied research methodologies that Moving Otherwise employs.

When Someday Is Today: Carrying Forward the History of Old Age and Inheritance into the Age of Medicaid

2015 ◽  
Vol 40 (02) ◽  
pp. 499-505 ◽  
Author(s):  
Mary Anne Case
Keyword(s):  
United States ◽  
Old Age ◽  
The United States ◽  
Past Century ◽  
The Past ◽  
Role Of The State ◽  
Elder Law ◽  
History Of ◽  
History Of Old Age

This review essay of Hendrik Hartog's (2012) Someday All This Will Be Yours undertakes a brief overview of some of the massive changes in middle‐class planning for old age and inheritance in the United States over the course of the past century, focusing on the increased role of the state as a source of funding and regulation, the rise of the elder law bar, and the resulting new tools and motives for the transfer of property in exchange for care in the age of Medicaid.

Democratic control of public enterprise in the United States: a history of regulation and liberalisation in the electricity sector

2002 ◽  
Vol 8 (2) ◽  
pp. 262-278
Author(s):  
Jerrold Oppenheim ◽  
Theo MacGregor
Keyword(s):  
United States ◽  
The United States ◽  
Electricity Sector ◽  
Public Enterprise ◽  
Past Century ◽  
The Past ◽  
The Us ◽  
Democratic Control ◽  
History Of ◽  
Privately Owned

The system of democratic regulation of privately owned utilities that has evolved in the United States over the past century includes five main elements: participation; transparency; a standard of justice and reasonableness; protection against confiscation of utility assets; and prices that are related to costs. After setting these elements forth and explaining how they are balanced, we describe how the system failed in a series of relatively small but highly visible experiments with deregulation in California and elsewhere in the US. Finally, we outline the history of how democratic regulation evolved in the US and how democracy is reversing the failed experiment with deregulation in California.

The need for paleoflood investigations on the American reach of the Red River of the North

The Holocene ◽  
2021 ◽  
pp. 095968362110605
Author(s):  
Scott St. George ◽  
Joseph Zeleznik ◽  
Judith Avila ◽  
Matthew Schlauderaff
Keyword(s):  
United States ◽  
The United States ◽  
Flood Frequency ◽  
Red River ◽  
Past Century ◽  
Policy Makers ◽  
The Past ◽  
The North ◽  
Diversion Channel ◽  
History Of

Over the past century, the Red River of the North has been the least stationary river in the continental United States. In Canada, historical and paleoenvironmental evidence indicates severe floods were common during the early 1800s, with the record ce 1826 flood having an estimated peak discharge 50% higher than the second-most severe flood ever observed. Unfortunately, the recorded history of flooding upstream in the United States does not begin until seven decades after this event. If 1826 was an equally exceptional flood on American reach of the river, then current flood-frequency curves for the river underestimate significantly the risks posed by future flooding. Alternatively, if the American stretch did not produce a major flood in 1826, then the recent spate of flooding that has occurred over the past two decades is exceptional within the context of the past 200 years. Communities in the Fargo-Moorhead metropolitan area are building a 58-km long, $2.75 billion (USD) diversion channel that would redirect floodwaters westward around the two cities before returning it to the main channel. Because this and other infrastructure in North Dakota and Minnesota is intended to provide protection against low-probability, high-magnitude floods, new paleoflood investigations in the region would help local, state, and federal policy-makers better understand the true flood threats posed by the Red River of the North.

Backstage Divas

2019 ◽  
pp. 67-96
Author(s):  
Stacy Wolf
Keyword(s):  
United States ◽  
The United States ◽  
Musical Theatre ◽  
Northern California ◽  
Theatre History ◽  
Working Process ◽  
Familiar Figure ◽  
History Of ◽  
And Performance ◽  
Theatre Programs

Many towns in the United States play host to afterschool musical theatre programs for children. Typically, these programs are directed by women who become well known in their communities and powerful figures in the lives of the children they teach. This chapter calls this figure a “backstage diva.” She is the female musical theatre director who runs afterschool and summer pay-to-play programs, teaching kids dance and theatre by directing them in several shows a year. This familiar figure is a disciplined leader and powerful mentor who, though invisible in theatre history, teaches musical theatre–obsessed kids to sing and dance and act and shapes them into triple-threat performers. This chapter begin with a brief biography of a backstage diva, including how she built her business. It then offers a history of musical theatre studios in the United States. The bulk of the chapter follows the working process of a backstage diva in northern California from auditions through rehearsals and performance. Finally, it explains her legacy and what kids say they learned from her.

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