The Dancing Body on the Line

2018 ◽  
pp. 1-30
Author(s):  
Victoria Fortuna
Keyword(s):  
United States ◽  
Performance Studies ◽  
Buenos Aires ◽  
Federal Funding ◽  
The United States ◽  
Transnational History ◽  
Contemporary Dance ◽  
History Of ◽  
And Performance ◽  
Line P

The introduction first considers the movement for a National Dance Law (2008–), which aims to establish infrastructure and federal funding for all genres of dance in Buenos Aires and throughout the Argentine provinces. It introduces the book’s central concept of “moving otherwise,” outlining the kinds of political engagement it encompasses, as well as how it dialogues with conversations in dance and performance studies. It then explains how the category of “contemporary” dance functions in the text, and argues for an approach to contemporary dance history that decenters the United States and Europe as the original sites and ongoing loci of production. Additionally, it offers a brief overview of the transnational history of modern and contemporary dance in Buenos Aires through examination of the work of Miriam Winslow; Susana Tambutti; and Luciana Acuña and Alejo Moguillansky. Finally, it details the archival, ethnographic, and embodied research methodologies that Moving Otherwise employs.

scholarly journals A Survey of Chinese Plants of Potential Ornamental Value for the Southeastern United States

HortScience ◽  
1995 ◽  
Vol 30 (4) ◽  
pp. 891A-891
Author(s):  
Donglin Zhang ◽  
F. Todd Lasseigne ◽  
Michael A. Dirr
Keyword(s):  
United States ◽  
Southeastern United States ◽  
Ornamental Plants ◽  
The United States ◽  
Southeastern China ◽  
Climatic Zones ◽  
History Of ◽  
And Performance ◽  
Species Performance

China, E.H. Wilson's “Mother of Gardens”, is a large untouched resource of ornamental plants to this day. Southeastern gardens and arboreta teem with plants from China, which boasts the most diverse temperate flora in the world with more than 30,000 species described. Because of China's unique geography, climate, and floristic similarities to the southeastern United States, many of these ornamental plants should be adaptable. Based on studies of the phytogeography, floristics, history of plan; hunting, and performance of plants already introduced into cultivation from central and southeastern China, ≈500 potentially “new” species of Chinese woody plants are presented for ornamental evaluation. Characterization of the species' geography and climatic preferences in China will allow horticulturists to more accurately predict the species' performance throughout the Southeast. Zone maps exist for the United States and China that equate geographic areas on a temperature basis. However, these zone maps do not reflect the wide microclimatic differences (such as those contributed by elevation) that occur in the climatic zones. The results of this survey should enhance interest in the wonderful diversity of Chinese plants. Maps of areas already explored in the past (George Forrest, Ernest H. Wilson, and other contemporary explorers) as well as maps of suggested areas which have not been fully botanized are presented for review.

New Syrians Abroad

2019 ◽  
pp. 85-111
Author(s):  
Stacy D. Fahrenthold
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
York City ◽  
Buenos Aires ◽  
The United States ◽  
French Colonialism ◽  
Legal Fiction ◽  
French Mandate ◽  
History Of

This chapter focuses on Syrian migrant activists who lobbied for American intervention and a US Mandate in Syria after the 1918 armistice. Calling themselves the “New Syrian” parties, activists in New York City, Boston, Buenos Aires, and Cairo petitioned for the United States to take guardianship of Syria as a bulwark against French colonialism in the region. The New Syrians were rejected by the 1919 Paris Peace Conference, which led them to promote their ideas through petitioning and mass meetings held in the mahjar. Examining a history of the Wilsonian moment from beyond the Paris petitions, the chapter argues that the conference engaged in the construction of a legal fiction: that the Syrian mahjar favored the French Mandate. Far from partners in empire, the diaspora Syrians and Lebanese presented the French with the difficult task of pacifying an extraterritorial subject population that could not be controlled through blunt military suppression.

“Treated neither with Respect nor with Dignity”

2020 ◽  
pp. 19-40
Author(s):  
Eithne Luibhéid
Keyword(s):  
United States ◽  
Political Economy ◽  
Queer Theory ◽  
Performance Studies ◽  
The United States ◽  
African Refugees ◽  
Political Model ◽  
And Performance ◽  
The U.S

In this chapter, three LGBTIQ African refugees who have been resettled to the U.S. stage performances of belonging that insist upon seemingly contradictory desires to assimilate into neoliberal capitalist social formations while simultaneously indexing critiques of these very structures of power. The chapter draws on theorizations of fantasy and subjectivity from political theory, queer theory, and performance studies to suggest that these performances of self offer an expansive political model of belonging: to self, community, and nation that might be particularly necessary in contemporary shifts in political economy in the United States. I work to contribute a queer critique to existing scholarship on the role of imagination and fantasy in studies of refugee subjectivity and agency.

Backstage Divas

2019 ◽  
pp. 67-96
Author(s):  
Stacy Wolf
Keyword(s):  
United States ◽  
The United States ◽  
Musical Theatre ◽  
Northern California ◽  
Theatre History ◽  
Working Process ◽  
Familiar Figure ◽  
History Of ◽  
And Performance ◽  
Theatre Programs

Many towns in the United States play host to afterschool musical theatre programs for children. Typically, these programs are directed by women who become well known in their communities and powerful figures in the lives of the children they teach. This chapter calls this figure a “backstage diva.” She is the female musical theatre director who runs afterschool and summer pay-to-play programs, teaching kids dance and theatre by directing them in several shows a year. This familiar figure is a disciplined leader and powerful mentor who, though invisible in theatre history, teaches musical theatre–obsessed kids to sing and dance and act and shapes them into triple-threat performers. This chapter begin with a brief biography of a backstage diva, including how she built her business. It then offers a history of musical theatre studios in the United States. The bulk of the chapter follows the working process of a backstage diva in northern California from auditions through rehearsals and performance. Finally, it explains her legacy and what kids say they learned from her.

‘The Actors Are Come Hither’: Shakespeare Productions by Travelling Companies in Asia

2016 ◽  
Vol 32 (1) ◽  
pp. 49-60 ◽  
Author(s):  
Kobayashi Kaori
Keyword(s):  
United States ◽  
South Africa ◽  
New York ◽  
Twentieth Century ◽  
Cultural History ◽  
British Empire ◽  
Performance Studies ◽  
The United States ◽  
Theatre Companies ◽  
History Of

In 1882, a critic of the journal Theatre noted that ‘the theatrical life of the present day might be described as a round of glorified strolling. The ‘circuits’ of Bristol, Norwich, and York of the last century are now replaced by those of the United States, South Africa, India, and Australia, and a modern actor thinks as little of a season in Melbourne or New York as his grandfather did of a week’s ‘starring’ in Edinburgh.’ Yet the story of how these Western theatre companies reached audiences in the faraway lands of the British Empire and Asia is still relatively untold. In this article Kaori Kobayashi explores in detail some itineraries around the turn of the twentieth century of these travelling companies, many of them relatively obscure, showing that the companies had a particular and significant impact on the development of Shakespearean performance and interpretation in the East. In essence, it is impossible to understand the rise of ‘Asian Shakespeare’ without also grasping how Western touring companies helped shape the East’s engagement with the West’s most canonical dramatist. Kaori Kobayashi is Professor of English at Nagoya City University, author of The Cultural History of The Taming of The Shrew (in Japanese, 2007), and editor of Shakespeare Performance Studies in Japan (in Japanese, 2010).

“For Thee America! For Thee Syria?”: Alexander Maloof, Orientalist Music, and the Politics of the Syrian Mahjar

2020 ◽  
Vol 14 (4) ◽  
pp. 383-418
Author(s):  
BEAU BOTHWELL
Keyword(s):  
United States ◽  
New York ◽  
Popular Music ◽  
Buenos Aires ◽  
The United States ◽  
Arabic Language ◽  
The Political ◽  
American Colonies ◽  
Language Discourse ◽  
History Of

AbstractIn 1894 Syrian émigré Alexander Maloof arrived in the United States to join the thriving community in New York's “Syrian Quarter.” Working first as a music instructor and pianist, Maloof found success as a bandleader, composer, arranger, and publisher, integrating Arabic and US popular music and light classical styles. He wrote and edited Arabic-language piano songbooks for the Arabophone communities in the United States, and ran the Maloof Records label, the “Oriental” division of the Gennett Company's “race records” enterprise. Drawing on Arabic-language discourse from around the Syrian mahjar (diaspora), this article uses Maloof's output to demonstrate music's role in the vibrant and contested political conversations taking place in Arabic around the world, from the homelands around Beirut and Damascus, to the initial Syrian settlements in Cairo and Paris, to the American colonies in Sao Paulo, Buenos Aires and New York. Concluding with a discussion of the 1919 “American Maid” (composed under a pseudonym), I argue that a thorough understanding of the history of Orientalist popular music in the Americas requires a decentering of European American audiences in order to examine those questions animating the New York mahjar, most centrally the political fate of greater Syria.

History

2017 ◽  
Author(s):  
Ellen Rutten
Keyword(s):  
United States ◽  
Twentieth Century ◽  
World War Ii ◽  
Western Europe ◽  
The United States ◽  
Transnational History ◽  
World War ◽  
Classical Studies ◽  
History Of ◽  
Soviet Russia

This chapter traces the transnational history of sincerity rhetoric, with particular emphasis on those traditions within older debates that inform and shape today's sincerity concerns. Linking Henri Peyre and Lionel Trilling's classical studies to recent research into sincerity rhetoric, the chapter considers discursive historical threads that prevail in contemporary readings of the term especially (although not only) in Russia. It explores the historical roots of the three thematic interconnections that dominate contemporary sincerity talk: sincerity and memory, sincerity and commodification, and sincerity and media. It also discusses the notion that contemporary views of sincerity are sociopolitically defined, skeptical by default, and media specific; how idiosyncratic they are for post-Soviet Russia; and how post-Soviet takes on sincerity use and revise historical and non-Russian readings of sincerity. Finally, it describes how sincerity emerged as a concern for cultural critics in mid-twentieth-century Western Europe and the United States, especially after World War II.

Introduction

2018 ◽  
Author(s):  
Elizabeth Zanoni
Keyword(s):  
United States ◽  
New York ◽  
Buenos Aires ◽  
The United States ◽  
Theoretical Framework ◽  
Food History ◽  
Mass Migration ◽  
Migration History ◽  
Two Cities ◽  
History Of

The Introduction defines migrant marketplaces, the book’s theoretical framework, as urban spaces characterized by material and imagined transnational linkages between mobile people and goods. As one of the most mobile ethnic groups during the age of mass migration, Italians in the United States and Argentina illuminate the historical formation of migrant marketplaces. It situates the book within the fields of transnational and comparative migration history, gender and food history, and the history of globalization. The introduction contends that Italian-language commercial newspapers, including La Patria degli Italiani in Buenos Aires, Il Progresso Italo-Americano in New York and publications of Italian Chambers of Commerce in these two cities, make an examination of migrant marketplaces possible because they ground global migratory and commercial flows in specific cities.

The Invention of Latin American Music

2020 ◽  
Author(s):  
Pablo Palomino
Keyword(s):  
United States ◽  
Latin America ◽  
Latin American ◽  
The United States ◽  
American Music ◽  
Transnational History ◽  
Global History ◽  
Latin American Music ◽  
History Of ◽  
Different Parts

This book reconstructs the transnational history of the category of Latin American music during the first half of the twentieth century, from a longer perspective that begins in the nineteenth century and extends the narrative until the present. It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s. It studies multiple music-related actors such as intellectuals, musicologists, policymakers, popular artists, radio operators, and diplomats in Argentina, Mexico, Brazil, the United States, and different parts of Europe. It proposes a regionalist approach to Latin American and global history, by showing individual nations as both agents and result of transnational forces—imperial, economic, and ideological. It argues that Latin America is the sedimentation of over two centuries of regionalist projects, and studies the place of music regionalism in that history.

An American Singing Heritage

10.31022/a089 ◽  
2021 ◽  
Keyword(s):  
United States ◽  
Oral Tradition ◽  
Vocal Music ◽  
The United States ◽  
Folk Songs ◽  
Folk Song ◽  
Field Recordings ◽  
History Of ◽  
And Performance ◽  
The One

This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud's Folk Song Index, catalogues of commercial early country (or “hillbilly”) recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from (1) commercial recordings of “hillbilly” musicians, and (2) field recordings in the collection of the Library of Congress's Archive of American Folk Song, now part of the Archive of Folk Culture. Each transcription is accompanied by a brief contextualizing essay discussing the song's history and influence, recording and performance information (whenever available), and an examination of the tune. The edition begins with a substantive essay about the history of folk song recordings and folk song scholarship, and the nature of traditional vocal music in the United States.

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