‘Seeds of Spain’: Scouting, Monarchy and National Construction, 1912–1931

2020 ◽  
Vol 50 (2) ◽  
pp. 226-247
Author(s):  
Javier Moreno-Luzón

The official Spanish branch of the international Boy Scout movement, the Exploradores de España, offers an instructive example of a nationalist association in Spain in the first third of the twentieth century. This article adopts a comparative perspective and studies the Exploradores discourses and practices, the association’s founders and leaders, the scouts’ publications and activities, as well as the organization’s internal conflicts and evolution between 1912 and 1931. As in Britain and many other countries, the movement was endorsed by the royal family and led by military officers and middle-class men – representatives of monarchist civil society. It shared nationalist and regeneracionista (from regenerationism) values, as an agent of nationalization throughout Spanish territory. Like other Boy Scout movements in Europe and the Americas, it pursued the goal of making good patriots, with a knowledge of and ready to defend their fatherland: young hidalgos, the Spanish equivalent of the British gentlemen. Hence this study also explores the gender aspects of Boy Scout ideals. Initially, the Spanish scouts were troubled by an intense religious conflict, which was won by Catholic sectors, so their nationalism became deeply conservative. During the 1920s, the movement was instrumental in the nation-building projects of different governments, especially under the dictatorship of General Primo de Rivera (1923–1930). In short, it can be considered one of the main nationalizing agents during this key period in modern Spanish history, and belies the image of supposed passivity and a lack of interest in national construction among Spain’s ruling elites.

2020 ◽  
Vol 68 (1) ◽  
pp. 7-20
Author(s):  
Susan Kollin

AbstractDirector Kelly Reichardt has been celebrated as an independent filmmaker who takes risks in developing complicated and often fraught storylines, especially for her female characters. In Meek’s Cutoff (2010), she uses the aesthetics of slow cinema to show details frequently overlooked in the Western. In doing so, the film lays bare the violence of the settler-colonial West, highlighting the underside of European-American dreams of progress and prosperity. Addressing settler women’s investments in nation-building projects, the film traces how their commitments to Whiteness helped underwrite expansionist history. Noting the limits as well as the forms of agency White women claimed in the West, Reichardt pushes the boundaries of the women’s Western in ways that foreground Indigenous lives and the possibilities of decolonization.


Significance In June, Morocco accused Algeria of illicitly facilitating the transfer of Western Saharan independence leader Brahim Ghali to Spain for medical treatment. In July, an investigative journalism consortium revealed that Morocco had been engaged in a cyber espionage offensive that targeted, among others, Algerian politicians, military officers, civil society activists and journalists. Morocco extended an olive branch, which Algeria immediately rejected. Impacts Though Brussels has long favoured Rabat over Algiers, Morocco’s recent actions may reinvigorate Algeria-EU relations The developments, which seem detrimental to Morocco’s foreign relations, may indicate that King Mohammed has less control than in the past. Moroccan and Algerian business communities are unlikely to be impacted by the diplomatic spats.


Author(s):  
David Wheatley

This chapter explores questions of poetic territory in Jamie’s poetry, with particular focus on Jizzen, The Tree House and The Overhaul. Wheatley considers Jamie’s political and historical poems, and their refusal to align poetic map-making with nation-building projects. Her poems about Scottish landmarks imaginatively explore local histories, rather than presuming to overturn them. She is aware of the complexities of land-ownership in Scotland and her poems make no claims of ownership of Romantic bowers or forest groves. In a distinct refusal of the bardic self-aggrandizements of Yeats or English Romantic poets, Jamie celebrates provisional sheltering spaces found on cliff-sides or coast-lines. Poetic territory remains provisional, just as political-cultural arrangements of landscape prove transient, in Jamie’s recent poetry.


Author(s):  
Tuan Hoang

This chapter discusses how historians view the values and limitations of personal memoirs. It also reviews some of the most important memoirs written in the Vietnamese language by former government and civil society leaders of the Republic of Vietnam (RVN). These memoirs have been published in the United States for many years, but scholars have hardly used them. This chapter's review helps not only to provide a broader context for the testimonies in this volume but also to draw out the major themes in those memoirs that parallel the discussion on the challenges facing nation-building efforts in the republic. These themes include communist violence that explains the harsh anticommunist policies in the early years of Ngô Đình Diệm, contested views of the First Republic, and a generally more positive assessment of the Second Republic. The bourgeois values embraced by the RVN, the chapter points out, drew support from many Vietnamese at the time and are a source of nostalgia for many in Vietnam today.


Author(s):  
Michitake Aso

Rubber trees helped structure the violent transition from empire to nation-state during nearly thirty years of conflict on the Indochinese peninsula. Chapter 5 focuses on the struggle over plantations that took place in Vietnam and Cambodia between 1945 and 1954. During the First Indochina War, plantation environments served as a key military battleground. In the fighting that took place immediately after the end of World War II, many plantation workers, encouraged by the anticolonial Việt Minh, attacked the rubber trees as symbols of hated colonial-era abuse. Slogans placing the culpability of worker suffering on trees show how plantation workers often treated the trees themselves as enemies. Despite their colonial origins, plantation environments were important material and symbolic landscapes for those seeking to build postcolonial Vietnamese nations. French planters claimed to struggle heroically against nature, Vietnamese workers saw themselves as struggling against both nature and human exploitation, and anticolonial activists articulated struggles against imperial power structures. Industrial agriculture such as rubber was vital to nation-building projects, and by the early 1950s, Vietnamese planners began to envision a time when plantations would form a part of a national economy.


2019 ◽  
pp. 96-112
Author(s):  
Timothy Alborn

“Distinction” identifies the often-tortured efforts by Britons to have their gold and wear it too. Mayors, liverymen, admirals, peers, and royals conspicuously brandished gold well into the nineteenth century, while belittling foreigners and status-hungry nouveau riches for wearing wealth. The ideal and reality did start to converge after 1820, when doctors started to trade in their gold-headed canes for stethoscopes, watches lost their gold chains, and gold-laced hats gave way to felt derbies. Increasingly, wearing gold appeared in conduct manuals and novels as resoundingly atavistic; and once it had been consigned to the past it could be safely enjoyed in historical settings, as when Victoria and Albert presided over costume balls bedecked in Elizabethan embroidery. More generally, Britons carefully carved out exceptions—including servants, military officers, and members of the royal family—that proved a general rule against wearing gold.


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