The Psychology of Women

1983 ◽  
Vol 28 (3) ◽  
pp. 210-218 ◽  
Author(s):  
Carol C. Nadelson

This paper reviews some of the major theoretical perspectives and recent data pertaining to the psychology of women. In the first section, the author presents classical psychoanalytic theory and reviews the reconsiderations and critiques which were important factors from the early history of psychoanalysis, and continue today. The second section considers whether there are sex differences in psychopathology and, after concluding that there is evidence for this conclusion in some areas, the author presents the various arguments which have been constructed to explain these observations. The final section discusses implications for psychotherapeutic interventions with women. The questions of whether there are benefits or problems in choosing male versus female therapists, and the special aspects of treating women in a current socio-cultural context are elucidated.

Author(s):  
Ildar Garipzanov

The first two sections delineate the early history of the nomina sacra, staurogram, and chi-rho, from the late first to third centuries AD as well as relevant early Christian discourse on the symbolic meanings of certain letters and graphic signs, and show how the staurogram and chi-rho developed from utilitarian abbreviation signs into symbolic visual proxies for God and Christological concepts. The next two sections provide an overview of the use of graphic signs as protective seals among various religious communities, with reference to artefacts such as the Bruce Codex and votive leaves from Water Newton, and compare the early usage of more acceptable Christian signs with the concurrent culture of the so-called ‘magical’ characteres. The final section underscores that the early development of Christian graphicacy should be seen in the context of a general predilection for apotropaic graphic devices in the Imperial period, and in late antiquity in particular.


Author(s):  
Edward P. Comentale

This chapter shows how country music provided emotional bearing for an entire region gripped by processes of change. It presents country song as a dynamic phenomenon of space and time, one that provides an affective link between home and away as well as past and present. In the commercial ballads of the late 1920s and early 1930s, the chapter shows how the ground slips away and time moves forward, and the listener is propelled backward and forward on a current of uneasy but thrilling affect that comes to stand in for regional experience itself. The chapter develops this argument through four different moments in the early history of country music: the popularity of Fiddlin' John Carson; the underexplored influence of the Vagabonds and the Delmores; the Carter Family, the “First Family of Country Music;” and country radio.


Author(s):  
Robert M. Fisher

By 1940, a half dozen or so commercial or home-built transmission electron microscopes were in use for studies of the ultrastructure of matter. These operated at 30-60 kV and most pioneering microscopists were preoccupied with their search for electron transparent substrates to support dispersions of particulates or bacteria for TEM examination and did not contemplate studies of bulk materials. Metallurgist H. Mahl and other physical scientists, accustomed to examining etched, deformed or machined specimens by reflected light in the optical microscope, were also highly motivated to capitalize on the superior resolution of the electron microscope. Mahl originated several methods of preparing thin oxide or lacquer impressions of surfaces that were transparent in his 50 kV TEM. The utility of replication was recognized immediately and many variations on the theme, including two-step negative-positive replicas, soon appeared. Intense development of replica techniques slowed after 1955 but important advances still occur. The availability of 100 kV instruments, advent of thin film methods for metals and ceramics and microtoming of thin sections for biological specimens largely eliminated any need to resort to replicas.


1979 ◽  
Vol 115 (11) ◽  
pp. 1317-1319 ◽  
Author(s):  
J. E. Morgan

2015 ◽  
Author(s):  
Alexander Henry ◽  
David Thompson
Keyword(s):  

Author(s):  
Christoph Klimmt

This comment briefly examines the history of entertainment research in media psychology and welcomes the conceptual innovations in the contribution by Oliver and Bartsch (this issue). Theoretical perspectives for improving and expanding the “appreciation” concept in entertainment psychology are outlined. These refer to more systematic links of appreciation to the psychology of mixed emotions, to positive psychology, and to the psychology of death and dying – in particular, to terror management theory. In addition, methodological challenges are discussed that entertainment research faces when appreciation and the experience of “meaning for life” need to be addressed in empirical studies of media enjoyment.


Sign in / Sign up

Export Citation Format

Share Document