Book Review: Dutch Light in the “Norwegian Night”: Maritime Relations and Migration across the North Sea in Early Modern Times

2005 ◽  
Vol 17 (1) ◽  
pp. 316-318
Author(s):  
Jelle van Lottum
2019 ◽  
Vol 15 ◽  
pp. 142-144
Author(s):  
John Kennedy

Review(s) of: The medieval cultures of the Irish sea and the North Sea: Manannan and his neighbors, by MacQuarrie, Charles W., and Nagy, Joseph Falaky Nagy (eds), (Amsterdam: Amsterdam University Press, 2019) hardcover, 212 pages, 1 map, 4 figures, RRP euro99; ISBN 9789462989399.


2005 ◽  
Vol 38 (3) ◽  
pp. 353-383 ◽  
Author(s):  
David M. Luebke

OnJanuary 21, 1727, several communes in the Nordbrookmerland region of East Frisia, a small principality located on the North Sea coast of Germany and hard by the Dutch border, were granted what amounted to immunity from prosecution for acts of rebellion. How and why this happened is a story that has a great deal to tell about the influence ordinary people could exert, through petitioning, on the practice of state power in early modern Europe. In the months and years before 1727, the prince of East Frisia, Georg Albrecht, had become embroiled in an increasingly hostile confrontation with the Estates of his province for control over the administration of taxes in the land. In their efforts to gain the upper hand, both the prince and the Estates had tried to forge alliances among the rural population and mobilized these networks against each other. The Nordbrookmerlanders tended to ally with the prince, but felt increasingly isolated and endangered. Throughout the autumn of 1726, they had been petitioning the chancellor, Enno R. Brenneysen, for protection against attacks perpetrated by the Estates' allies on their “wives and children, houses and farms.” In light of the chancellor's inability to preserve them from further destruction, the village elders asked that they be allowed to obey the Estates' commands until order was restored. Doing this, they pointed out, would force them to commit several “rebellious” acts, such as signing manifestos, supplying recruits for the rebels' militia, and paying an extraordinary war tax that had been levied by the Estates, the so-calledWochengeld.


2021 ◽  
Vol 13 (3) ◽  
Author(s):  
Annalisa Bocchetti

Through the analysis of the Citravali (1613 ce) by Usman, this article explores the interrelation between aesthetics, gender and religion within the Indian Sufi romances (premakhyans) in Avadhi language. These narratives reinterpret the Sufi semantics of love, narrating the quest of the hero in yogic disguise in search of the heroine, portrayed as a divine woman. Usman creatively reimagines the heroine of his romance as an artist, drawing on this motif to trace the allegory of creation as divine art. Therefore, this article identifies conventional aesthetic patterns in Usman’s narrative reproducing relevant gender dynamics, such as the eroticized and yet idealized image of the heroine in relation to the hero’s spiritual growth, contrasting with the escalation of the villain’s sexual desire. The traditional Hindu setting of the story broadly reflects the socio-cultural norms of the North Indian world in early modern times, and implies gender hierarchies established by the local society. The intersection of these points in the Citravali suggests further reflections on the articulation of gender in a rich branch of Sufi literature composed in a regional language of India, which may open new perspectives in the interpretation of the relationship between mysticism and eroticism.


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