Sir Arthur Conan Doyle (1859–1930)

1997 ◽  
Vol 5 (4) ◽  
pp. 239-239
Author(s):  
Alex Sakula
Night Raiders ◽  
2019 ◽  
pp. 43-65
Author(s):  
Eloise Moss

Arthur J. Raffles, fictional ‘cracksman’ by night and England cricketing star by day, burst onto the literary scene in 1898. Created by Ernest William Hornung, brother-in-law of Sherlock Holmes’ author Sir Arthur Conan Doyle, Raffles was Holmes’ antithesis: the fun-loving master thief. Embodying the ‘pleasure culture’ surrounding the burglar, Raffles’ physical attractiveness and athleticism blurred the lines between moral virtue and romantic allure. As the original novels were continually remade in theatre and film and their characters reincarnated in those media, newspapers began to label real burglars ‘Raffles’. This chapter examines how, where criminality was concerned, distinguishing between fact and fiction presented unnecessary (and unheeded) complications to commercial success. Espying an opportunity, ex-criminals appropriated this sympathetic ‘Raffles’ title for themselves, using the idea of ‘real-life Raffles’ to fashion glamorous celebrity personae through lucrative autobiographical writings. The character became an international phenomenon, beloved by audiences across Europe and America who flocked to see his exploits at the cinema and continually identified the burglar as an English ‘hero’, akin to Robin Hood. Yet Raffles was no philanthropist. Keeping the jewels for himself and glorifying in escaping capture by police, Raffles was a figure of danger for many contemporaries, who identified the longevity of his success as a harbinger of popular unrest caused by economic depression that might seduce generations of young people into a life of crime. The chapter historicizes how cultural responses to romanticized versions of burglary were conditioned by critiques of poverty and the habits of the wealthy.


HUMANIS ◽  
2020 ◽  
Vol 24 (2) ◽  
pp. 129
Author(s):  
Agus Yuda Renanda Sanditha ◽  
I Gusti Ayu Gede Sosiowati

This study is aimed to find out the types of Borrowing that is used in translation of the novel The Hound of the Baskerville and the dominant type of borrowing in used. The data were taken from a novel entitled “The Hound of The Baskervilles” by Sir Arthur Conan Doyle and its translation in Indonesia by Dina Begum. This study used library method to collected the data from the novel. To analyse the data, this study usedqualitative method.  As for analysis of data presentation, this study used formal and in-formal method. The finding showed there are two type of borrowing used in the novelthey are Pure Borrowing and Naturalized Borrowing.The dominant type of borrowing is Naturalized Borrowing with 138data.  


1999 ◽  
Vol 9 (1) ◽  
pp. 77-91 ◽  
Author(s):  
RICHARD S. BIRD ◽  
ROSS PATERSON

“I have no data yet. It is a capital mistake to theorise before one has data.” Sir Arthur Conan Doyle The Adventures of Sherlock Holmesde Bruijn notation is a coding of lambda terms in which each occurrence of a bound variable x is replaced by a natural number, indicating the ‘distance’ from the occurrence to the abstraction that introduced x. One might suppose that in any datatype for representing de Bruijn terms, the distance restriction on numbers would have to be maintained as an explicit datatype invariant. However, by using a nested (or non-regular) datatype, we can define a representation in which all terms are well-formed, so that the invariant is enforced automatically by the type system. Programming with nested types is only a little more difficult than programming with regular types, provided we stick to well-established structuring techniques. These involve expressing inductively defined functions in terms of an appropriate fold function for the type, and using fusion laws to establish their properties. In particular, the definition of lambda abstraction and beta reduction is particularly simple, and the proof of their associated properties is entirely mechanical.


1970 ◽  
Vol 2 (1) ◽  
pp. 3-16
Author(s):  
Joseph O. Baylen

Arthur Conan Doyle was among the Late Victorian literary figures whose early work was recognized by the renowned sensational journalist, W. T. Stead. As editor of the influential Pall Mall Gazette (1883-1890), Stead appreciated Conan Doyle's literary merit and published his short novel, The Mystery of Cloomber, as a serial in the Gazette during September, 1888. They were in many ways quite similar; both were “impatient with … slow and seemingly unprogressive methods” and often appeared to act as if “Nothing short of a cataclysm” would satisfy them. Yet, Conan Doyle and Stead differed on many issues, especially on the Boer War and, during the decades 1890-1910, on spiritualism. Nevertheless their relationship, although never close, was marked by mutual respect for the courage and sincerity which distinguished their lives.In October, 1890, Conan Doyle, fatigued by the effort of completing and arranging for the publication of his novel, The White Company, became interested in Dr. Robert Koch's well publicized remedy for consumption and decided to journey to Berlin to study Koch's cure. On the way to Berlin, Conan Doyle visited Stead in London to obtain letters of introduction to the press. Stead, who had left the Pall Mall Gazette in January, 1890, to establish the highly successful Review of Reviews, not only complied with Conan Doyle's request, but asked the young physician to write an article on Koch and his research on tuberculosis for the Review of Reviews.


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