scholarly journals The Social History of a Genre

2017 ◽  
Vol 20 (1) ◽  
pp. 1-37 ◽  
Author(s):  
Francesca Orsini

Tales are ubiquitous in the literary culture of pre-modern North India, as elsewhere, and they come in all shapes, languages and inflections. For this reason, tracking them allows us to travel into and across most of the milieux of this multilingual literary culture. But precisely because of their ubiquity, when we move from the micro level of individual texts to the macro level of literary culture and historical processes, it becomes difficult to say anything more than ‘they were there, they circulated, they usually retold the same stories in new ways or mixed familiar elements to produce new narratives’. Yet if we pay precise attention to their articulation and re-articulation of cultural and social imaginaries, the particular linguistic textures and aesthetic emphasis, material form and evidence of patronage, the shifting extent of circulation and popularity, we can use the longuedurée history of the katha genre to illuminate the historical dynamics of cultural and aesthetic change in the region in ways that intersect, connect and question macro-historical narratives of dynastic and epochal change.

Author(s):  
Sarah Maza

The concept of a group called “the bourgeoisie” is unusual in being both central to early modern and modern European history, and at the same time highly controversial. In old regime France, people frequently used the words “bourgeois” or “bourgeoisie” but what they meant by them was very different from the meaning historians later assigned to those terms. In the nineteenth century the idea of a “bourgeoisie” became closely associated with Marxian historical narratives of capitalist ascendancy. Does it still make sense to speak of a “bourgeoisie”? This article attempts to lay out and clarify the terms of the problem by posing a series of questions about this aspect of the social history of Ancien Régime France, with a brief look across the Channel for comparison. It considers first the problem of definition: what was and is meant by “the bourgeoisie” in the context of early modern French history? Second, what is the link between eighteenth-century economic change and the existence and nature of such a group, and can we still connect the origins of the French Revolution to the “rise” of a bourgeoisie? And finally, can the history of perceptions and representations of a bourgeoisie or middle class help us to understand why the concept has been so problematic in the longer run of French history?


2021 ◽  
pp. 1-64

Abstract In this roundtable discussion, five scholars of modern India with diverse methodological training examine aspects of Rupa Viswanath's 2014 book, The Pariah Problem: Caste, Religion, and the Social in Modern India, and assess its arguments and contributions. This book has made strong challenges to the scholarly consensus on the nature of caste in India, arguing that, in the Madras presidency under the British, caste functioned as a form of labour control of the lowest orders and, in this roundtable, she calls colonial Madras a ‘slave society’. The scholars included here examine that contention and the major subsidiary arguments on which it is based. Uday Chandra identifies The Pariah Problem with a new social history of caste and Dalitness. Brian K. Pennington links the ‘religionization’ of caste that Viswanath identifies to the contemporary Hindu right's concerns for religious sentiment and authenticity. Lucinda Ramberg takes up Viswanath's account of the constitution of a public that excluded the Dalit to inquire further about the gendered nature of that public and the private realm it simultaneously generated. Zoe Sherinian calls attention to Viswanath's characterization of missionary opposition to social equality for Dalits and examines missionary and Dalit discourses that stand apart from those that Viswanath studied. Joel Lee extends some of Viswanath's claims about the Madras presidency by showing strong parallels to social practices in colonial North India. Finally, Viswanath's own response addresses the assessments of her colleagues.


1983 ◽  
Vol 25 (1) ◽  
pp. 50-82 ◽  
Author(s):  
Charles Camic

The nature of the relationship between ideas and the social conditions in which they develop has long been among the central concerns of fields like the sociology of knowledge, the sociology of intellectuals, and the social history of ideas. For generations, scholars in these areas have hotly debated the proper way of characterizing the form of this relationship and how it should be conceptualized and studied. With few exceptions, however, there has been an astonishing consensus on one matter: fundamental intellectual reorientations have almost invariably been seen as the product—whether simple or complex—of one or more major social changes. As far as it has gone, this perspective has led to extremely important conclusions, but except among the psychoanalytically inclined, it has remained strangely and regrettably silent on the specific micro-level processes by which macro-level social changes actually translate into changes in ideas.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


2015 ◽  
Vol 9 (2) ◽  
pp. 196-218
Author(s):  
Marko Juvan ◽  
Joh Dokler

This article presents methodological starting points, heuristics and the results of a GIS-based analysis of the history of Slovenian literary culture from the 1780s to 1941. The ethnically Slovenian territory was multilingual and multicultural; it belonged to different state entities with distant capitals, which was reflected in the spatial dynamic of literary culture. The research results have confirmed the hypotheses of the research project ‘The Space of Slovenian Literary Culture,’ which were based on postulates of the spatial turn: the socio-geographical space influenced the development of literature and its media, whereas literature itself, through its discourse, practices and institutions, had a reciprocal influence on the apprehension and structuring of that space, as well as on its connection with the broader region. Slovenian literary discourse was able to manifest itself in public predominantly through the history of spatial factors: (a) the formation, territorial expansion and concentration of the social network of literary actors and media; (b) the persistent references of literary texts to places that were recognized by addressees as Slovenian, thereby grounding a national ideology. Taking all of this into account, and based on meta-theoretical reflection, the project aims to contribute to the development of digital humanities and spatial literary studies.


2008 ◽  
Vol 31 (1) ◽  
pp. 7-7

In this opening issue of volume 31 we are presented with both nuanced and bold entry into several long enduring issues and topics stitching together the interdisciplinary fabric comprising ethnic studies. The authors of these articles bring to our attention social, cultural and economic issues shaping lively discourse in ethnic studies. They also bring to our attention interpretations of the meaning and significance of ethnic cultural contributions to the social history of this nation - past and present.


Author(s):  
Miguel Alarcão

Textualizing the memory(ies) of physical and cultural encounter(s) between Self and Other, travel literature/writing often combines subjectivity with documental information which may prove relevant to better assess mentalities, everyday life and the social history of any given ‘timeplace’. That is the case with Growing up English. Memories of Portugal 1907-1930, by D. J. Baylis (née Bucknall), prefaced by Peter Mollet as “(…) a remarkably vivid and well written observation of the times expressed with humour and not little ‘carinho’. In all they make excellent reading especially for those of us interested in the recent past.” (Baylis: 2)


Author(s):  
Christy Constantakopoulou

This chapter provides a methodological discussion on how to use the evidence included in the Delian inventories in order to write the social history of the dedicants. The inventories were produced by the Delian hieropoioi and recorded on an annual basis the dedications kept in the Delian treasuries. The chapter focuses particularly on dedications which are attached to named individuals and communities. It then discusses the material according to the parameters of gender, individual versus community dedications, elite dedicants, and distance of travel. Using the inventories we are able to reconstruct who came to the Delian sanctuary to dedicate objects.


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