scholarly journals “It’s an Ongoing Bromance”: Counterculture and Cyberculture in Silicon Valley—An Interview with Fred Turner

2020 ◽  
pp. 105649262094107
Author(s):  
Alberto Lusoli ◽  
Fred Turner
Keyword(s):  
New Media ◽  
Code Of Ethics ◽  
Silicon Valley ◽  
Second World War ◽  
Research Culture ◽  
World War ◽  
Protest Movements ◽  
Politics And Culture ◽  
The 1960S ◽  
Second World

Fred Turner is considered one of the most influential experts on, and critical observers of, cyberculture. He is Harry and Norman Chandler Professor of Communication at Stanford University in the Department of Communication. Through his work, he provided a thoughtful analysis of the politics and culture of Silicon Valley. In his books, he explored the connections between the collaborative and interdisciplinary research culture of the Second World War, the protest movements of the 1960s, and the managerial ethos permeating digital and new media industries. In this interview, we discuss about the consequences that the countercultural movements had on the organization of labor in modern tech giants, especially in relation to the substitution of hierarchies for flat and more entrepreneurial structures. We also talk about the consequences that a code of ethics might have in the democratization of technology and the responsibility that we have as citizens and academics.

scholarly journals THE “DURABLE HOMOPHOBIA” OF PSYCHOANALYSIS

2018 ◽  
Vol 17 (1) ◽  
pp. 215-219
Author(s):  
REGINA KUNZEL
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Human Nature ◽  
Second World War ◽  
World War ◽  
Therapeutic Practice ◽  
Politics And Culture ◽  
1960S And 1970S ◽  
The 1960S ◽  
Second World

Psychoanalysis is at once a system of thought, a toolkit for cultural diagnosis and criticism, and a therapeutic practice. In Dagmar Herzog's exciting new book Cold War Freud: Psychoanalysis in an Age of Catastrophes, psychoanalysis is among the most transformative intellectual events of the twentieth century and is itself transformed by that century's roiling forces, shaping and profoundly shaped by politics and culture. Foregrounding the historicity of psychoanalysis requires Herzog to wrest psychoanalysis from its own claims to historical transcendence. “While psychoanalysis is often taken to be ahistorical in its view of human nature,” Herzog writes, “the opposite is the case” (2). After Freud's death, during the heyday of psychoanalysis in the 1940s and 1950s, through challenges to its authority in the 1960s and 1970s, to what Herzog calls its “second golden age” in the 1980s, the analytic frame offered by psychoanalysis (and the debates it generated) helped people grapple with the aftermath of the horrors of the Second World War and offered novel ways of thinking about the most important questions of the postwar decades: about aggression, guilt, trauma, the capacity for violence, indeed about “the very nature of the human self and its motivations” (1).

Ken Russell's Wartime Imagery

2015 ◽  
Vol 12 (4) ◽  
pp. 539-555 ◽  
Author(s):  
Kevin M. Flanagan
Keyword(s):  
Second World War ◽  
World War ◽  
War Films ◽  
Personal Style ◽  
American Cinema ◽  
1960S And 1970S ◽  
The 1960S ◽  
Second World ◽  
Wartime Experience ◽  
National Experience

This article traces Ken Russell's explorations of war and wartime experience over the course of his career. In particular, it argues that Russell's scattered attempts at coming to terms with war, the rise of fascism and memorialisation are best understood in terms of a combination of Russell's own tastes and personal style, wider stylistic and thematic trends in Euro-American cinema during the 1960s and 1970s, and discourses of collective national experience. In addition to identifying Russell's recurrent techniques, this article focuses on how the residual impacts of the First and Second World Wars appear in his favoured genres: literary adaptations and composer biopics. Although the article looks for patterns and similarities in Russell's war output, it differentiates between his First and Second World War films by indicating how he engages with, and temporarily inhabits, the stylistic regime of the enemy within the latter group.

Amnesia, aphasia and amnesty: the articulations of Italian colonial memory in postwar films (1946–1960)

Modern Italy ◽  
2021 ◽  
pp. 1-22
Author(s):  
Gianmarco Mancosu
Keyword(s):  
Second World War ◽  
Colonial Period ◽  
Critical Discourse ◽  
World War ◽  
The Past ◽  
Politics And Culture ◽  
National Reconstruction ◽  
The Voice ◽  
Second World ◽  
Previous Scholarship

This article aims to expose the political and cultural processes that contributed to the eradication of problematic memories of the Italian colonial period during the national reconstruction following the Second World War. It offers a systematic examination of newsreels and documentaries about the Italian former colonies that were produced between 1946 and 1960, a film corpus that has largely been neglected by previous scholarship. The article first dissects the ambiguous political scenario that characterised the production of this footage through the study of original archival findings. The footage configured a particular form of self-exculpatory memory, which obstructed a thorough critique of the colonial period while articulating a new discourse about the future presence of Italy in the former colonies. This seems to be a case of aphasia rather than amnesia, insofar as the films addressed not an absence, but an inability to comprehend and articulate a critical discourse about the past. This aphasic configuration of colonial memories will be tackled through a close reading of the voice-over and commentary. In so doing, this work suggests that the footage actively contributed to spread un-problematised narratives and memories about the colonial period, whose results still infiltrate Italian contemporary society, politics and culture.

Scandalous Events: Metropolitan Culture and Moral Change in Post-Second World War London

2006 ◽  
Vol 93 (1) ◽  
pp. 106-137 ◽  
Author(s):  
FRANK MORT
Keyword(s):  
Second World War ◽  
Postwar Period ◽  
World War ◽  
Cultural Changes ◽  
Moral Change ◽  
Sexual Beliefs ◽  
English Society ◽  
The 1960S ◽  
Second World ◽  
Beliefs And Attitudes

ABSTRACT Historians of the sexual and cultural changes associated with the ““permissive”” moment of the 1960s have tended to emphasize a progressive narrative of reform focused on national policies and their social outcomes. This article explores a diffierent dynamic, highlighting the ways in which a series of scandalous and transgressive events, associated with particular networks of metropolitan culture in London, played a significant role in reshaping sexual beliefs and attitudes within English society during the postwar period.

Nature and Nurture Lessons from Swedish Adoption Surveys

1997 ◽  
Vol 21 (2) ◽  
pp. 19-27 ◽  
Author(s):  
Michael Bohman
Keyword(s):  
Historical Analysis ◽  
Second World War ◽  
Development Theory ◽  
Adopted Children ◽  
World War ◽  
Research Findings ◽  
Nature And Nurture ◽  
Genetic And Environmental Factors ◽  
The 1960S ◽  
Second World

The following article by Professor Michael Bohman begins with a brief historical analysis of child development theory in relation to adoption and fostering after the end of the Second World War. The author goes on to review research findings from a series of Swedish adoption surveys which began under his supervision in the 1960s and continue to this day. Much attention is given to the significance of genetic and environmental factors towards shaping the development of adopted children into adulthood. Problems of social and psychological adjustment are discussed, as are the genetic aspects of criminality and alcohol misuse in a group of adult adopted people.

Irish Girls in Liverpool (2)

2018 ◽  
pp. 162-182
Author(s):  
Samantha Caslin
Keyword(s):  
Young Women ◽  
Second World War ◽  
World War ◽  
Irish Immigration ◽  
Irish Women ◽  
The 1950S ◽  
Post War ◽  
The 1960S ◽  
Second World

This chapter focuses on the LVA’s efforts to engage with Irish women in Liverpool during the Second World War and post-war years. Despite a reduction in Irish immigration during the war, which saw the LVA’s staff reduced, the organisation was quick to raise concerns about the moral wellbeing of Irish young women once peace was resumed. As such, the LVA continued, throughout the 1950s and into the 1960s, to provoke concerns about the supposed moral vulnerability of Irish young women in Liverpool in a bid to generate support for their patrols.

scholarly journals Lesbian Spaces: Sydney, 1945-1978

2013 ◽  
Vol 4 (1) ◽  
pp. 168-179
Author(s):  
Rebecca Jennings
Keyword(s):  
Public Space ◽  
Second World War ◽  
World War ◽  
Lesbian And Gay ◽  
Lesbian Community ◽  
Oxford Street ◽  
The 1960S ◽  
Lesbian And Gay Politics ◽  
The City ◽  
Second World

Asking ‘What is lesbian Sydney?’ and ‘Where is it?’, this article traces the shifting spaces and places of lesbian Sydney in the first decades after the Second World War. In the 1940s and 1950s, when camp bars were overwhelmingly male, lesbians enjoyed a very limited public presence in the city. Many women created lesbian spaces in isolation from a wider community, discreetly setting up house with a female partner and gradually building up a small network of lesbian friends. Groups of women met in each other’s homes or visited the parks and beaches around Sydney and the Central Coast for social excursions. By the 1960s, lesbians were beginning to carve out a more visible public space for themselves at wine bars and cabaret clubs in inner suburbs such as Kings Cross, Oxford Street and the city, and the commercial bar scene grew steadily through the 1970s. However, the influence of feminist and lesbian and gay politics in the 1970s also prompted a rethinking of lesbian spaces in Sydney, with well-known lesbian collective houses challenging older notions of private space and political venues such as Women’s House and CAMP NSW headquarters constituting new bases for lesbian community.

THE ‘LONG YEAR’: EMERGING INTERNATIONAL EFFORTS TO ADDRESS THE HUMANITARIAN IMPACTS OF CLUSTER MUNITIONS, 2006-2007

2007 ◽  
Vol 10 ◽  
pp. 251-275 ◽  
Author(s):  
John Borrie
Keyword(s):  
Turning Point ◽  
Second World War ◽  
World War ◽  
Post Conflict ◽  
Cluster Munitions ◽  
The 1960S ◽  
Second World

Cluster munitions are a class of weapon originating from the Second World War, and concerns about the hazards they pose to civilians, both at time of use and post-conflict, have been raised since the 1960s. However, attempts to specifically address the humanitarian impacts of cluster munitions through international legal means gained little traction until a turning-point period from late 2006 to the end of 2007. Remarkably, by the end of this period not one – but two – multilateral negotiating processes were underway to develop international legally binding arrangements on cluster munitions.

Narrating the Second World War in Denmark since 1945

2005 ◽  
Vol 14 (3) ◽  
pp. 295-315 ◽  
Author(s):  
NILS ARNE SØRENSEN
Keyword(s):  
Political Culture ◽  
Second World War ◽  
World War ◽  
Anders Fogh Rasmussen ◽  
The 1960S ◽  
War Experience ◽  
The Right ◽  
Resistance Movement ◽  
Second World

After the liberation in 1945, two conflicting narratives of the war experience were formulated. A consensus narrative presented the Danish nation as being united in resistance while a competing narrative, which also stressed the resistance of most Danes, depicted the collaborating Danish establishment as an enemy alongside the Germans. This latter narrative, formulated by members of the resistance movement, was marginalised after the war and the consensus narrative became dominant. The resistance narrative survived, however, and, from the 1960s, it was successfully retold by the left, both to criticise the Danish alliance with the ‘imperialist’ United States, and as an argument against Danish membership of the EC. From the 1980s, the right also used the framework of the resistance narrative in its criticism of Danish asylum legislation. Finally, liberal Prime Minister Anders Fogh Rasmussen started using it as his basic narrative of the war years (partly in order to legitimise his government's decision to join the war against Iraq in 2003). The war years have thus played a central role in Danish political culture since 1945, and in this process the role of historians has been utterly marginal.

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