Irish Girls in Liverpool (2)

2018 ◽  
pp. 162-182
Author(s):  
Samantha Caslin

This chapter focuses on the LVA’s efforts to engage with Irish women in Liverpool during the Second World War and post-war years. Despite a reduction in Irish immigration during the war, which saw the LVA’s staff reduced, the organisation was quick to raise concerns about the moral wellbeing of Irish young women once peace was resumed. As such, the LVA continued, throughout the 1950s and into the 1960s, to provoke concerns about the supposed moral vulnerability of Irish young women in Liverpool in a bid to generate support for their patrols.

1996 ◽  
Vol 5 (2) ◽  
pp. 191-222 ◽  
Author(s):  
Axel Schildt

Little more than a decade after having lost the Second World War, the society of the western part of Germany, the Federal Republic, had changed fundamentally in the eye of the observer. The economic expert Henry C. Wallich was not the only one to speak of the ‘German miracle’. Not only had the previously achieved industrial standards long been regained and surpassed, but also a boom had set in – as in all of Western Europe – which came to an end only in the 1970s. Simultaneously, both economy and society had been modernised in the process of reconstruction. The transition to a new stage of modernity, ‘society in affluence’, was discussed animatedly. The emergence of new leisure lifestyles in particular was considered a mark of present times. However, in current reviews it is often forgotten that the West German society of the 1950s was to a far greater extent determined by continuity with the interwar period and by the consequences of the war and post-war years than a first glance at the spectacular novelties suggests.


Author(s):  
Guy Woodward

Though it had not suffered the devastation inflicted on much of the rest of Europe, the emerging southern Irish state faced huge challenges over the decades following the end of the Second World War. Economic growth was poor; a largely agricultural economy had been crippled during the war by tariffs imposed by its most important market and former colonial ruler Britain. The population of the Republic of Ireland declined during the 1950s due to emigration but recovered during the 1960s and 1970s. Fianna Fáil dominated the Irish political scene following independence and governed for twenty-five of the thirty-five years from 1945 to 1980. Leader of the party since its formation in 1926, Éamon de Valera had led the state through the Second World War and remained as Taoiseach until 1948, returning from 1951 to 1954 and again from 1957 to 1959, before serving two terms as president from 1959 to 1973. John A. Costello’s Fine Gael government declared Ireland a republic in 1948 and took the state out of the British Commonwealth the following year. The British government’s Ireland Act of 1949 reacted to the legal implications of these developments but was most notable for its guarantee that Northern Ireland would remain within the United Kingdom unless the Stormont Parliament decided otherwise. The southern state joined the United Nations in 1955 and the European Economic Community in 1973, concluding a process instigated by de Valera’s successor as Taoiseach, the economic reformer Seán Lemass, who took steps to remove protectionist barriers and open up Ireland to foreign direct investment. This remained a socially conservative period, however, during which the influence of the Catholic Church was strong. Irish–British relations were often tense. Northern Ireland’s devolved Parliament in Stormont, dominated by a Unionist party, was largely hostile to any kind of engagement with the southern state. Following the flaring of sectarian violence in the late 1960s and early 1970s and the beginning of the thirty-year-long conflict popularly known as “The Troubles,” Westminster deployed the army in 1969 and imposed direct rule in 1973. The province had benefited from some social reforms introduced by the British Labour government of 1945, however, especially the Education (Northern Ireland) Act of 1947, which introduced compulsory secondary education until the age of fifteen, enabling new postwar generations of underprivileged, often Catholic young people to continue to university; beneficiaries included Seamus Heaney and Seamus Deane. The conservative social climate in the southern state proved uncongenial to radical creative expression, and most of the preeminent figures in postwar Irish writing saw their work banned at this time. Many significant foreign works of literature were also banned, restricting the flow of cultural material into Ireland. Several Irish writers migrated to England in the 1950s and 1960s, including William Trevor, John McGahern, and Edna O’Brien. However, in the postwar period, arts and literature began to receive sustained government support both north and south of the border: the Arts Council of Ireland (An Chomhairle Ealaíon) was founded in 1951, and the Arts Council of Northern Ireland grew out of the Council for the Encouragement of Music and the Arts in Northern Ireland, which had been established in 1943 to encourage public interest in the arts. This article does not cover drama, which is addressed in the separate Oxford Bibliographies entry Post-War Irish Drama.


2017 ◽  
Vol 14 (2) ◽  
pp. 209-243
Author(s):  
JEREMY STRACHAN

AbstractComposer Udo Kasemets (1919–2014) emigrated to Canada in 1951 from Estonia following the Second World War, and during the 1960s undertook a number of initiatives to mobilize experimental music in Toronto. This article investigates Canavangard, Kasemets's publication series of graphic scores which appeared between 1967 and 1970. Influenced by Marshall McLuhan's spatial theory of media, Kasemets saw the transformative potential of non-standard notational practices to recalibrate the relationships between composer, performer, and listener. Kasemets's 1963 compositionTrigon, which was frequently performed by his ensemble during the decade, illuminates the connections between McLuhan and experimental music. In my analysis of the work, I argue thatTrigonmanifestly puts into performance many of the rhetorical strategies used by McLuhan to describe the immersive, intersensory environments of post-typographic media ecologies. Kasemets believed that abandoning standard notation would have extraordinary ramifications for musical practice going forward in the twentieth century, similar to how McLuhan saw the messianic power of electronic media to destabilize the typographic universe. Canavangard, as much more than a short-lived publication series of graphic scores, maps the convergences of music, culture, and technology in post-war Canada.


2019 ◽  
Vol 63 (2) ◽  
pp. 61-97
Author(s):  
Marcin Zaremba

The author defines “war panic” and analyzes specific manifestations of the phenomenon: the war panics that Poland experienced repeatedly after the Second World War. The author demonstrates that for Polish society the Second World War was the most traumatic event of the twentieth century, and that it left behind not only the human losses and a sea of ruins, but enormous deposits of fear. These ap- peared above all in flight behavior, the hoarding of shop goods, and the withdrawal of money from banks in order, for instance, to buy jewelry – every time the pattern was the same. The first war panic occurred already in 1945. Until the end of the 1960s, Poles were convinced that a third world war was just around the corner. The Soviet invasion of Afghanistan also induced a panic. Poles were afraid of war, but war was also used to threaten them. During the Stalinist period, the threat was of American imperialism, and in the 1970s, of German “militarists” and “revanchists.” The Second World War did not entirely end in 1945. The author claims that we can speak of its long-term, post-war continuation.


Author(s):  
Sam Brewitt-Taylor

This chapter locates the immediate origins of British Christian radicalism in the early 1940s. The Second World War was frequently interpreted by Christian commentators as evidence of a profound spiritual crisis in Western civilization. The resulting quest for a new Christianity was pursued, amongst others, by J.H. Oldham, Kathleen Bliss, Ronald Gregor Smith, Alec Vidler, and John Robinson. Many of these figures went on to become leading figures in the Christian radicalism of the 1960s. The perception that Western civilization was experiencing an unprecedented crisis encouraged readings of modern history influenced by Christian eschatology, which argued that the Church’s central mission was to help transform the world. In the 1950s, the memory of this crisis encouraged British theology’s engagement with American and German radical theologians, including Bonhoeffer, Bultmann, and Tillich. This tradition only required fresh imagined crises to regain its momentum in the 1960s.


2020 ◽  
Vol 65 (2) ◽  
pp. 197-224
Author(s):  
Jörn Lindner

AbstractTechnical innovation as protection against economic decline? The development of the Rickmers shipyard from 1945 to the late 1960sThe article covers the history of the Rickmers-Shipyard in Bremerhaven from the end of the Second World War up to the end of the 1960s. An initial glance into the interwar years establishes that the shipyard’s restructuring in the 20s and subsequent shift into the production of warships during the 30s and 40s had considerable impact on its afterwar development. Despite the involvement with the Kriegsmarine, Rickmers was able to reopen for business very quickly after the end of the war. Yet, the shipyard was barred from new building projects and relegated to repair jobs for a considerable amount of time. In the 1950s, Rickmers began building new ships and was able to somewhat profit from the shipbuilding boom of the time. Still, most projects proved unprofitable and the onset of the crisis of European shipbuilding in the late 1950s hit the shipyard hard. This set the stage for Rickmers’ decline and ultimate closure in 1986.


2005 ◽  
Vol 14 (1) ◽  
pp. 86-109 ◽  
Author(s):  
Joseph Maguire ◽  
Jason Tuck

This paper seeks to examine issues of identity and national habitus from an Eliasian perspective. In doing so, it casts critically light on the making of Irish identity in the post-Second World War period. Specific reference is given to one case study, namely the sport of rugby union. This sport does appear to have been significantly connected to the national habitus of Ireland during the post-war period (especially since the 1960s) and creates a highly visible, ‘glocal’, arena for the testing of ‘Irish’ and ‘British/English’ identity. This case study highlights how contested notions of Irish identity are, and how, in this post-war period, a less deferential and more assertive Irish habitus was and is evident relative to their former colonial masters, the English. In that sense, instead of exhibiting a sense of group disgrace, the Irish now claim a widening field of identification and a more confident group charisma.


2020 ◽  
Vol 15 (3) ◽  
Author(s):  
Črtomir Lorber ◽  
Predrag Novaković

Archaeology in the countries which belonged to Yugoslavia (1918–1991) was mosaic of different traditions. The development of archaeology was greatly affected by political changes in the last 150 years; all of them required significant re-contextualisation of the discipline and its practice. The renewal of archaeology after the Second World War, in the context of Socialist Yugoslavia, acted on both levels, in building-up the existing national (republican) archaeological disciplinary frameworks, and in forging ‘new’ common Yugoslav archaeology. Key role in this process played the Archaeological Society of Yugoslavia, established in 1950 as the principal coordinating scholarly organisation in the country. The Society’s immediate task was to create conditions for the cooperation of all archaeologists in the country, including the international promotion of the (new) Yugoslav archaeology. Despite having less than 100 archaeologists in the 1950s, the Society designed very ambitious program of ‘internationalisation’ (e.g. exchange of publications, participation at the international conferences, grants, invitation to foreign scholars, special publications published exclusively in foreign languages etc.) which proved highly successful in a very short time. The peak of these endeavours was participation at the 1st International Congress of Slavic Archaeology in Warsaw (1965) and organisation of the 8th Congress of the UISPP in Belgrade (1971); the event which could not be organised without intensive promotion and networking of the Yugoslav archaeologists in the international academic arena in the 1950s and 1960s.


Author(s):  
Paul Crosthwaite

This chapter looks at how contemporary British and Irish novelists reflect on the spasms of catastrophic violence that have punctuated the twentieth century and continue to define the twenty-first. These events not only traumatized individuals on a mass scale, but also dealt irrevocable damage to foundational assumptions concerning reason, progress, meaning, and language. Such weighty preoccupations, however, took some time to fully coalesce in the fiction of the post-Second World War period. There were few substantial treatments of the war in its immediate aftermath. When such responses began to appear in the 1950s, and swelled in number in the 1960s, they did so predominantly in the form of conventional social realist narratives concerned with the immediate experience of combat and the impact of the conflict on the structures of British and Irish society.


Author(s):  
Christoph Söding

The article examines I ventitre giorni della città di Alba, one of Beppe Fenoglio’s early texts about the Italian resistance during the Second World War. Largely ignored at the time of its first publication, it rose to fame only in the 1960s. This is strongly linked to the fact that Fenoglio depicts the resistance as a civil war, a rather controversial issue in post-war Italy. He deheroises the partisans and shows the inadequacy of social categories by adopting a specific narrative strategy that focuses on the mundane and the ridiculous.


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