Popular Music Pedagogies: An Approach to Teaching 21st-Century Skills

2018 ◽  
Vol 28 (3) ◽  
pp. 85-95 ◽  
Author(s):  
Martina Vasil ◽  
Lindsay Weiss ◽  
Bryan Powell

Changes in the world economy and U.S. educational policy present music educators with the challenge of reassessing traditional pedagogy to ensure they are instructing and assessing in ways that contribute to students’ development of 21st-century knowledge and skill sets. Educators are responding by incorporating pedagogical approaches that challenge students to think critically, problem solve collaboratively, and use technology and media efficiently. Popular Music Pedagogies (PMPs) invite students, music teachers, and music teacher educators to take risks, learn alongside one another, and address 21st-century knowledge and skills through engaging with the music that students choose and create. In this article, we define PMPs and discuss how music teacher educators can incorporate PMPs into music teacher education programs to better prepare preservice and inservice music teachers to function within a Partnership for 21st Century Learning framework.

2021 ◽  
pp. 105708372110621
Author(s):  
Jennifer Potter Gee

The purpose of this study was to examine elementary general music teachers’ classroom management preparation within music teacher education programs. Participants ( N = 341) were active elementary general music teachers as identified by the National Association for Music Education (NAfME). Descriptive data included frequencies, percentages, and cross-tabulations. The most frequently reported sources of classroom management preparation were mentoring from a licensed teacher and supervised fieldwork, while creating classroom rules and expectations and teaching procedures were the most frequent examples of within-course content. Participants were most satisfied with their preparation received through licensed teacher mentoring and supervised fieldwork. Implications for music teacher educators are presented.


Author(s):  
Jody L. Kerchner ◽  
Carlos R. Abril

One challenge in the education of music teachers is helping them prepare to teach students beyond the traditional school years in a variety of settings. In so doing, music teacher educators should consider: (a) how they can prepare all music majors to engage with community adults through music; (b) how they can better prepare teachers to teach people of all ages in a diverse array of settings in and beyond schools; (c) how they might infuse a lifespan perspective in existing music education courses, from introduction to music education to methods and graduate courses in philosophy; (d) how community music can become a specialized track in music education, at the undergraduate and/or graduate levels; and (e) how they may incorporate additional resources (e.g., personnel, materials, field experience locations) to realize the aforementioned possibilities. This article considers adult characteristics and developmental theories in relation to a lifespan perspective in music teacher education programs.


2016 ◽  
Vol 10 (2) ◽  
pp. 108-131 ◽  
Author(s):  
Elin Angelo

SammendragHva er lærerutdannerens ekspertise og mandat – og hvem avgjør det? I denne artikkelen foreslås profesjonsforståelse som en tilnærming til å kvalifisere og profesjonalisere lærerutdannerpraksis, og som et refleksjonsverktøy for å diskutere kvalitet i lærerutdanningene i det 21. århundre. Begrepet profesjonsforståelse er utviklet i et doktorgradsarbeid om musikklærere og musikklærerutdannere (Angelo, 2012a), og handler kort sagt om oppfatningen av hva utdanneren kan og skal. Dette dreier seg om kunnskap og identitet betraktet som sammenvevde størrelser, regulert av ulike typer makt. I artikkelen blir profesjonsforståelse diskutert på individuelt, kollektivt, institusjonelt og politisk nivå. I lærerutdanninger trekkes forståelsen av ekspertise og mandat i mange retninger, noe som kan henge sammen med blant annet utdanningsinstitusjonens profil, hvilke fellesskap som er av betydning for utdanneren, og om lærerutdanneren ser seg selv som for eksempel fagutøver, forsker, klasseromsekspert eller politiker. Lærerutdanningsfeltet er så langt lite formelt regulert, og det er mye opp til den enkelte lærerutdanner å bestemme hva slags kunnskapsutvikling og identitetsutvikling som lærerstudentene skal tilbys, og å avgjøre hvilke kvalitetsnormer som får gyldighet. Denne autonomien har fordeler og ulemper, og den er også truet i utdanningslandskapet. For å styrke og videreutvikle lærerutdanningene i det 21. århundre trengs det refleksjonsrammer som tar utgangspunkt i et særlig viktig aspekt i lærerutdanningene – nemlig lærerutdannerne. I denne artikkelen foreslås profesjonsforståelse som en innfallsvinkel til nettopp dét, og dermed også som et refleksjonsverktøy for å kunne diskutere kvalitet i lærerutdannerpraksisene.Nøkkelord: lærerutdanning, lærerutdannere, lærerutdannerprofesjonen, profesjonalisering, utvikling, lærerprofesjonalitet AbstractWhat expertise and mandate do teacher educators have, and who decides this? This article proposes professional understanding as an approach by which to professionalise and develop the field of teacher educators and to access the difficult topic of quality in the teacher education of the 21st century. The term professional understanding was developed in a research study of music teachers and music teacher educators (Angelo, 2012a) and concerns the perception of what educators can and should do. This concerns both knowledge and identity, which are regulated by diverse types of power. In the article, professional understanding is discussed on an individual, collective, institutional and political level, at which different mechanisms stretch perceptions in various directions. The teacher educator’s perception of his/her expertise and mandate might be affected by their institution’s profile, what collectives are significant for the educator and whether the teacher educator sees him/herself as a subject performer, researcher, classroom expert or politician. Such conditions influence his/her goals and the communities he/she wants to (or not to) be part of. The field of teacher education has little formal regulation, and individuals therefore have a great ability to decide upon their own expertise and tasks, and to judge what is seen as good or poor professional practice. This autonomy has both advantages and disadvantages. Notably, it is threatened in the educational landscape. To strengthen and develop teacher education in the 21st century, one needs frames for reflection that start with a particularly important aspect of teacher education—teacher educators. This article proposes professional understanding as an approach to strengthening teacher education, and as a tool for reflecting and discussing quality in teacher education practices.Keywords: teacher education, teacher educators, the profession of teacher edu­cators, professionalisation, development/transformation, teacher profession­alism


Author(s):  
Michael Raiber

The impact of teacher dispositions on the professional development of preservice music teachers (PMTs) has been substantiated. This chapter describes an approach to dispositional development within the structure of an introduction to music education course. A teacher concerns model is used to organize this systematic approach through three developmental stages that include self-concerns, teaching task concerns, and student learning concerns. A series of 11 critical questions are presented for use in guiding PMTs’ dispositional development through these developmental stages. Activities to engage PMTs in the exploration of each of these questions are detailed for use by music teacher educators desiring to engage PMTs in dispositional development.


2021 ◽  
pp. 105708372110245
Author(s):  
Karen Salvador ◽  
Mara E. Culp

Although many music teacher candidates begin university studies planning to teach secondary ensembles, most will ultimately be certified to teach younger children and may be called to do so. The purpose of this study was to examine how music teacher education programs prepare preservice music educators to teach music to children from birth through elementary school through coursework. We emailed survey invitations to representatives from 512 institutions accredited by the National Association of Schools of Music to prepare music educators. We received 134 usable responses (response rate = 26%). Nearly all respondents offered elementary general music methods (EGMM), and over three quarters required EGMM for all students in initial licensure programs. Only about one in ten responding institutions offered early childhood music methods (ECMM). We describe findings on EGMM and ECMM course structures, content, and materials as well as the employment status, degree background, and other qualifications of the person who typically taught this coursework


2019 ◽  
Vol 29 (1) ◽  
pp. 86-99
Author(s):  
J. Si Millican ◽  
Sommer Helweh Forrester

There is a decades-long history of music education researchers examining characteristics and skills associated with effective teaching and assessing how preservice music teachers develop those competencies. Building on studies of pedagogical content knowledge and the professional opinions of experienced music educators, researchers are now attempting to identity a body of core music teaching practices. We asked experienced in-service music teachers ( N = 898) to think about the skills beginning music teachers must possess to investigate how respondents rated and ranked selected core music teaching practices in terms of their relative importance. Developing appropriate relationships with students, modeling music concepts, and sequencing instruction were the top core teaching practices identified by the group. Results provide insights into knowing, naming, and framing a set of core teaching practices and offer a common technical vocabulary that music teacher educators might use as they design curricula and activities to develop these foundational skills.


2019 ◽  
Vol 29 (2) ◽  
pp. 22-37
Author(s):  
Samuel Escalante

Music teacher educators often work to prepare preservice music teachers to be socially conscious and adopt dispositions toward teaching in socially just ways. Preservice teachers’ beliefs, attitudes, and dispositions toward social justice issues may not be sufficiently challenged, however, unless coursework is appropriately conceived. I designed a three-part workshop to introduce and explore the concepts of access, intersectionality, and privilege, and then conducted a basic qualitative study to examine undergraduate music education students’ understandings of and attitudes toward sensitive social justice issues, as well as their experiences with the workshop. I found that exploring sociological concepts related to social justice through interactive activities and allowing students safe methods for expressing themselves, such as journaling, may facilitate the adoption of positive dispositions among preservice teachers toward toward social justice issues.


2020 ◽  
Vol 106 (4) ◽  
pp. 36-42
Author(s):  
Mara E. Culp ◽  
Sara K. Jones

Feelings of shame may contribute to music teachers and music teacher educators being unwilling to discuss needs and concerns for fear of being judged or seen as inadequate. Shame or fear of feeling shame can also lead individuals to withdraw or perpetuate negative behaviors. Although shame is often a natural part of the human experience, the diverse nature of the content in music education, the wide variety of learners in various music education spaces, and music teachers’ beliefs and practices can be sources of shame among music teachers. This article aims to start a conversation about shame in music education and help music educators and music teacher educators feel empowered to use shame resilience theory as a means of understanding and coping with feelings of shame.


2020 ◽  
Vol 30 (1) ◽  
pp. 39-52
Author(s):  
Olivia Gail Tucker

Occupational identity development is an important, complex component of music teacher education. Preservice teachers may experience dissonance between and/or integration of their musician and teacher identities, and scholars have found early field experiences to be important in undergraduates’ transitions into the teacher role. The purpose of this instrumental case study was to examine the occupational socialization and identity development of preservice music teachers in an early field teaching experience with a focus on preservice teacher and P–12 student interactions. I conducted observations, interviews, and a demographic survey during a semester-long early field experience. Findings centered around (a) the dynamic nature of preservice teachers’ identities; (b) the importance of peers, music teacher educators, and students to preservice participants as they engaged in the process of becoming music teachers, and (c) the momentary embodiment of music teacher and student roles. I connect these findings to prior research and suggest implications.


Author(s):  
Julie Myung Ok Song

The purpose of this literature review was to analyze and synthesize pedagogical approaches related to developing music education philosophy for preservice music teachers. The literature that I identified covered procedures and strategies that preservice music teachers could apply to their teaching practice. On my analysis of the existing literature, I categorized the development of a philosophy into a four-stage process of (1) discovery, (2) articulation, (3) application, and (4) reflection and revision. Results found in the literature included clear expectations and practical tools for each stage, such as dialogues, reading, writing, and constructive feedback, providing a critical view of music education philosophy and guidelines for effective teaching. Understanding the four-stage process may help preservice music teachers and music teacher educators to establish a concrete plan for the development of music education philosophy, allowing preservice music teachers to acquire more confidence in their transition to inservice teaching.


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