Glimpses of Street Life: Representing Lived Experience Through Short Stories

1998 ◽  
Vol 4 (2) ◽  
pp. 131-147 ◽  
Author(s):  
Marcelo Diversi
2014 ◽  
Vol 21 (1) ◽  
pp. 49-61
Author(s):  
Belinda McKay

Serendipity has always played a role in research, and today the availability of digitised newspapers through Trove offers new opportunities for chance discoveries. A couple of years ago, Glenn R. Cooke — then Research Curator of Queensland Heritage at the Queensland Art Gallery — referred me to a snippet from The Queenslander of 15 October 1892, where the Melbourne correspondent writes: My attention was recently drawn to ‘Drifting’, a novel by a Queensland lady who uses the nom de plume of ‘Ellerton Gay.’ She lived, I believe, for eighteen years in Toowoomba, and is the wife of Mr. J. Watts-Grimes, who is well known in squatting circles. She has lived in England six years, and there she has embalmed her memories of the Queensland which is so dear to her. ‘Drifting’ is much admired here. ‘What's in a name?’ asks the title of one of Ellerton Gay's short stories. The pseudonym, which was evidently an open secret in her lifetime, has subsequently obscured ‘Ellerton Gay’ and her creator, Emma Watts Grimes, from the view of literary historians: Patrick Buckridge and I, for example, overlooked her in our historical survey of literature in Queensland, By the book (2007). Until very recently, the AustLit Database listed her as male, with no further biographical details, and — despite its recent facsimile republication of her novel, Drifting under the Southern Cross (1890) — the British Library fails to make the link between Ellerton Gay and Emma Watts Grimes in its catalogue entry. The reissue of this novel, justifiably ‘much admired’ in its own time, suggests that its elusive author is worth a reappraisal. Since Ellerton Gay's oeuvre draws extensively on the lived experience of Emma Watts Grimes and her extended family, this article provides a biographical sketch before discussing the fictional works.


2021 ◽  
Vol 9 (1) ◽  
pp. 79-89
Author(s):  
Anindita Sarkar

Our culture assumes: No love is as great as that of a mother for her child. Motherhood has been perpetually associated with self-effacement and self-abnegation. Adrienne Rich while making a distinction between the actual lived experience of a mother and the institution of motherhood has argued that motherhood is a cultural construct and a far cry from the real experience of mothering. This article traces and examines representations of motherhood in the select short stories of Katherine Mansfield, in the light of Adrienne Rich’s theories in Of Woman Born. Much like Adrienne Rich, Mansfield discredits the traditional assumption that to be a mother is an essential pre-requisite to be a ‘real woman’. Mansfield’s women characters unleash a plurality of voices that aid the readers at viewing maternity as an ambiguous experience. Instead of romanticizing and idealizing the mother-daughter relationship, she offers a problematic connection between both the figures, often pitting them as rivals against each other. Her women characters progressively revolt from within the four walls of the household by their intermittent display of anger and deliberate attempts at failing to conform to the monolithic ideals of femininity.


1996 ◽  
Vol 41 (1) ◽  
pp. 85-85
Author(s):  
Terri Gullickson ◽  
Pamela Ramser
Keyword(s):  

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