Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories

2015 ◽  
Vol 21 (2) ◽  
pp. 207-222 ◽  
Author(s):  
Arno van der Hoeven
Keyword(s):  
Cultural Identity ◽  
Popular Music ◽  
Identity Construction ◽  
Sense Of Belonging ◽  
Narrative Approaches ◽  
The Past ◽  
Local Diversity ◽  
The Relationship ◽  
Depth Interviews ◽  
The Way

This article examines the relationship between popular music, memory and cultural identity. It draws upon narrative approaches to memory and identity in order to explore how engagement with music from the past can both afford and constrain identity construction. On the basis of in-depth interviews with, among others, heritage practitioners and audience members, I discuss how practices in the cultural and heritage industries affect the way in which popular music’s past is narrated. Although those narratives offer a sense of belonging and identity through their connection to experiences of time and place, there are also factors that compromise this potential. The article discusses limits to the accuracy of memories and impediments to representations of local diversity. Furthermore, I argue that copyright regulation affects which stories about popular music’s past can be told.

scholarly journals Archiving Metaxourgio

2021 ◽  
pp. 167-184
Author(s):  
Thomais Kordonouri
Keyword(s):  
Urban Area ◽  
21St Century ◽  
Ground Level ◽  
The Past ◽  
The Future ◽  
Relationship Of ◽  
The Relationship ◽  
Selection Of ◽  
The Way

‘Archive’ is a totality of records, layers and memories that are collected. A city is the archive that consists of the conscious selection of these layers and traces of the past and the present, looking towards the future. Metaxourgio is an area in the wider historic urban area of Keramikos in Athens that includes traces of various eras, beginning in the Antiquity and continuing all the way into the 21st century. Its archaeological space ‘Demosion Sema’ is mostly concealed under the ground level, waiting to be revealed. In this proposal, Metaxourgio is redesigned in light of archiving. Significant traces of the Antiquity, other ruins and buildings are studied, selected and incorporated in the new interventions. The area becomes the ‘open archive’ that leads towards its lost identity. The proposal aims not only to intensify the relationship of architecture with archaeology, but also to imbue the area’s identity with meanings that refer to the past, present and future.

scholarly journals Tożsamość żydowska na pograniczu kultur i narodów

2018 ◽  
pp. 165-178
Author(s):  
Irmina Jaśkowiak
Keyword(s):  
Nineteenth Century ◽  
Cultural Identity ◽  
Identity Construction ◽  
Jewish Identity ◽  
Sense Of Belonging ◽  
Historical Memory ◽  
The Other ◽  
Western World ◽  
Human Needs ◽  
Anti Semitism

Identity construction is one of the fundamental human needs. The process takes place in two areas simultaneously: internal, self-reflexive and external, associated with a sense of belonging to a particular group. The Jews, until the beginning of the nineteenth century constituted quite uniform society voluntarily separating themselves from other communities. As a result of emancipation and assimilation processes, various influences affect their identity. As a consequence the Jews faced two difficulties. The first one was the dilemma between own nation and territorial homeland while the other was the progressing deep internal divisions. At present Jewish identity is most of all national and ethnical identity strongly reinforced by historical memory and fight with anti-Semitism. After the period of the twentieth century crisis and in the light of the western world secularization it has become also cultural identity.Identity construction is one of the fundamental human needs. Theprocess takes place in two areas simultaneously: internal, self-reflexiveand external, associated with a sense of belonging to a particulargroup. The Jews, until the beginning of the nineteenth century constitutedquite uniform society voluntarily separating themselves fromother communities. As a result of emancipation and assimilation processes,various influences affect their identity. As a consequence theJews faced two difficulties. The first one was the dilemma betweenown nation and territorial homeland while the other was the progressingdeep internal divisions. At present Jewish identity is most of allnational and ethnical identity strongly reinforced by historical memoryand fight with anti-Semitism. After the period of the twentieth centurycrisis and in the light of the western world secularization it hasbecome also cultural identity.

Standing Out While Fitting In

2020 ◽  
pp. 204-224
Author(s):  
Sean Bellaviti
Keyword(s):  
Popular Music ◽  
Cutting Edge ◽  
The Common ◽  
Fitting In ◽  
International Success ◽  
The Relationship ◽  
Individual Style ◽  
The Way

Chapter 6 extends the discussion of the previous two chapters by examining the musical choices música típica musicians make to forge an identifiable individual style that is the key to establishing a career, distinguishing the sound of individual conjunto musicians, and achieving a coveted region-based following. This focus on specific musical strategies through which musicians draw creative inspiration—whether from renown música típica performers and/or genres that have achieved broad international success—allows the author to explore música típica’s development as a form of cutting edge popular music that is, at the same time, firmly tethered to sentiments of tradition, regionalism, and populist nationalism. The technical approaches for developing the all-important original sound described by the musicians who are featured in this chapter opens the way for the author to theorize the relationship between style and genre as well as to discuss issues involving the common usages of these terms and concepts in ethnomusicological discourse.

scholarly journals Institutions for getting out of the way

2015 ◽  
Vol 12 (1) ◽  
pp. 53-61 ◽  
Author(s):  
RICHARD N. LANGLOIS
Keyword(s):  
Economic Growth ◽  
Commercial Activity ◽  
Proximate Cause ◽  
The Past ◽  
The World ◽  
The Relationship ◽  
The Way ◽  
Deirdre Mccloskey

AbstractIn ‘Max U versus Humanomics: a Critique of Neoinstitutionalism’, Deirdre McCloskey tells us that culture matters – maybe more than do institutions – in explaining the Great Enrichment that some parts of the world have enjoyed over the past 200 years. But it is entrepreneurship, not culture or institutions, that is the proximate cause of economic growth. Entrepreneurship is not a hothouse flower that blooms only in a culture supportive of commercial activity; it is more like kudzu, which grows invasively unless it is cut back by culture and institutions. McCloskey needs to tell us more about the structure of the relationship among culture, institutions, and entrepreneurship, and thus to continue the grand project begun by Schumpeter.

scholarly journals Storytelling, a model of and a model for planning

2012 ◽  
Vol 11 (3) ◽  
pp. 299-318 ◽  
Author(s):  
Merlijn van Hulst
Keyword(s):  
Planning Practice ◽  
Ethnographic Fieldwork ◽  
The Past ◽  
The Relationship ◽  
The Way

Interest in storytelling in planning has grown over the last two decades. In this article two strands of research are identified: research that looks at storytelling as a model of the way planning is done and research that looks at storytelling as a model for the way planning could or should be done. Recently, the second strand has received the most attention. This article builds on theories of storytelling as an important aspect of everyday planning practice. It draws on an ethnographic case in which a range of actors struggled with the meaning of what was going on, (re)framing the past, present and future with the help of stories. The case illustrates how new stories are built on top of older ones and new understandings emerge along the way. The article also looks into the relationship between storytelling and other planning activities. The article ends with a plea for ethnographic fieldwork to further develop ideas on storytelling in planning practice.

Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy

2017 ◽  
Vol 22 (3) ◽  
pp. 291-304 ◽  
Author(s):  
Hubert Léveillé Gauvin
Keyword(s):  
Popular Music ◽  
Information Age ◽  
Technological Changes ◽  
Popular Songs ◽  
Attention Economy ◽  
The Relationship ◽  
The Voice ◽  
The Way

Technological changes in the last 30 years have influenced the way we consume music, not only granting immediate access to a much larger collection of songs than ever before, but also allowing us to instantly skip songs. This new reality can be explained in terms of attention economy, which posits that attention is the currency of the information age, since it is both scarce and valuable. The purpose of these two studies is to examine whether popular music compositional practices have changed in the last 30 years in a way that is consistent with attention economy principles. In the first study, 303 U.S. top-10 singles from 1986 to 2015 were analyzed according to five parameters: number of words in title, main tempo, time before the voice enters, time before the title is mentioned, and self-focus in lyrical content. The results revealed that popular music has been changing in a way that favors attention grabbing, consistent with attention economy principles. In the second study, 60 popular songs from 2015 were paired with 60 less popular songs from the same artists. The same parameters were evaluated. The data were not consistent with any of the hypotheses regarding the relationship between attention economy principles within a comparison of popular and less popular music.

scholarly journals A Study On the Structural Dimension of Middle class Relational Identification in Chinese Context

2020 ◽  
Vol 3 (2) ◽  
Author(s):  
Yunxia SU ◽  
Minggui Sun
Keyword(s):  
Middle Class ◽  
Exploratory Study ◽  
Sense Of Belonging ◽  
Structural Dimension ◽  
Relational Development ◽  
Chinese Context ◽  
Relational Identification ◽  
Behavioral Orientation ◽  
The Relationship ◽  
Depth Interviews

Through in-depth interviews，this study makes an exploratory study on the dimension of the middle class relational identification in Chinese context by using the grounded theory. It is mainly composed of 4 dimensions: relational orientation，relational adaptation，relational evaluation and relational development. According to the four dimension model of middle class relational identification，the middle class relational identification in China is the cognitive and behavioral orientation that in the action of achieving a certain purpose，because of the perception of consistence with each other in role cognition and personal cognition，the middle class is willing to unite and trust，respect and understand and coordinate the conflict to adapt to this relationship，and then to form a positive evaluation of the relationship and a sense of belonging and commitment to this relationship. The construction of the structural dimension of middle class relational identification in China is conducive to explaining the endemic phenomena of Chinese middle class.

scholarly journals Masterton Playscapes - Connecting children with landscapes through interventions and design processes

2021 ◽  
Author(s):  
◽  
Emma Erasmus
Keyword(s):  
Future Generations ◽  
Design Processes ◽  
Research Context ◽  
The Past ◽  
Physical Problems ◽  
The Relationship ◽  
The Way

<p>This thesis investigates the importance of connecting children to the landscape through creating child led designs. It explores the process undertaken when designing with children and shows how unconventional spaces called playscapes can benefit a child further than a standard playground. This thesis is taking place as research shows that too many children are spending time indoors, away from their outside environment. The disconnect has led to obvious developmental deficiencies within younger children which have, in turn, led to educational, social and physical problems as the child grows. The problem not only affects the household but the whole community as these children grow.  For this thesis, the research context situated in Masterton, Wairarapa, two hours from Wellington City, due to the increasing growth within the Wairarapa region. Masterton has already recognised the issues surrounding under-developed children however there has been no move in creating a playscape specifically for them.  The main theory is to show a process where children are directly involved in the design and how their input can pave the way for a beneficial playscape, giving another dimension to the designed space as adult’s imagination becomes warped with the constructs of reality and the sense of play diminishes. This process will use several workshops to understand how a child works and invite them to create spaces and interventions that reflect their idea of play. Combined with design, these spaces became a collaboration of the children’s outcomes as well as a space that can create connections between the past, present and future generations.  Throughout this thesis, a link to children will establish itself with the aim to create a landscape that children can relate to and grow through advancing their development. Through the environmental connection, the design will bring the children back to their ancestry and understand the relationship to the landscape that their ancestors had whether Maori or European.</p>

scholarly journals Poetic Frameworks and Narrative Procedures of Bosnia and Herzegovina Novels about Kulin Ban

2021 ◽  
Vol 6 (4(17)) ◽  
pp. 57-72
Author(s):  
Melida Travančić
Keyword(s):  
Past History ◽  
The Other ◽  
The Novel ◽  
Historical Events ◽  
Narrative Texts ◽  
The Past ◽  
Historical Figures ◽  
The One ◽  
The Relationship ◽  
The Way

This paperwork presents the literary constructions of Kulin Ban's personality in contemporary Bosnian literature on the example of three novels: Zlatko Topčić Kulin (1994), Mirsad Sinanović Kulin (2007), and Irfan Hrozović Sokolarov sonnet (2016). The themes of these novels are real historical events and historical figures, and we try to present the way(s) of narration and shape the image of the past and the way the past-history-literature triangle works. Documentary discourse is often involved in the relationship between faction and fiction in the novel. Yet, as can be seen from all three novels, it is a subjective discourse on the perception of Kulin Ban today and the period of his reign, a period that could be characterized as a mimetic time in which great, sudden, and radical changes take place. If the poetic extremes of postmodernist prose are on the one hand flirting with trivia, and on the other sophisticated meta- and intertextual prose, then the Bosnian-Herzegovinian romance of the personality of Kulina Ban fully confirms just such a range of stylistic-narrative tendencies of narrative texts of today's era.

scholarly journals The Concept of ‘Home’ in Palestinian Diaspora Fiction: A Critical Study of Randa Jarrar’s Fiction

2018 ◽  
Vol 4 (1) ◽  
pp. 13
Author(s):  
Jameel Ahmed Alghaberi
Keyword(s):  
Cultural Identity ◽  
Female Body ◽  
Middle Eastern ◽  
Critical Study ◽  
The Novel ◽  
Counter Narrative ◽  
Creative Space ◽  
The Relationship ◽  
The Way

The paper discusses the concepts of ‘home’, ‘cultural identity’, and ‘transnationalism’ in Randa Jarrar’s fiction. Being a diasporic Palestinian American, Randa Jarrar in her debut novel A Map of Home presents a particular view of ‘homeland’ and of what ‘historic Palestine’ means to her. The attempt in this paper is to critically analyze her fiction and to highlight the issues that she tackles as a writer of Palestinian origin. The paper also explores the way Randa Jarrar approaches the concept of ‘home’, and an examination of the relationship between Palestinian diasporas and their homeland-Palestine is presented. There is much wandering that Randa Jarrar is experimenting with in rather a creative space, and there is also a counter-narrative ideology embedded in the novel, a way to resist the stereotypes that have fixed the Middle Eastern female body as propagated in Orientalist discourse. 

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