Teaching London: A Two-Day Conference jointly organised by The Centre for Metropolitan History, Institute of Historical Research and The University of Westminster London Studies Programme, 3–4 November 2006

2007 ◽  
Vol 32 (2) ◽  
pp. 185-189
Author(s):  
Jill Fenton
Keyword(s):  
Historical Research ◽  
The University ◽  
Metropolitan History

Thyrsa Wealtheow Amos: The Dean of Deans

NASPA Journal ◽  
2004 ◽  
Vol 41 (2) ◽  
Author(s):  
Richard J. Herdlein
Keyword(s):  
Higher Education ◽  
Student Affairs ◽  
Historical Research ◽  
University Of Pittsburgh ◽  
Student Personnel ◽  
Dean Of Women ◽  
History Of ◽  
Personnel Administration ◽  
The University

The scholarship of student affairs has neglected to carefully review its contextual past and, in the process, failed to fully integrate historical research into practice. The story of Thyrsa Wealtheow Amos and the history of the Dean of Women’s Program at the University of Pittsburgh,1919–41, helps us to reflect on the true reality of our work in higher education. Although seemingly a time in the distant past, Thyrsa Amos embodied the spirit of student personnel administration that shines ever so bright to thisd ay. The purpose of this research is to provide some of thatcontext and remind us of the values that serve as foundations of the profession.

William Bulloch, 1868 - 1941

1941 ◽  
Vol 3 (10) ◽  
pp. 819-852
Keyword(s):  
Historical Research ◽  
Literary Critic ◽  
Emeritus Professor ◽  
Main Interest ◽  
The Past ◽  
London Hospital ◽  
The Family ◽  
History Of ◽  
The University ◽  
The City

William Bulloch, Emeritus Professor of Bacteriology in the University of London and Consulting Bacteriologist to the London Hospital since his retirement in 1934, died on n February 1941, in his old hospital, following a small operation for which he had been admitted three days before. By his death a quite unique personality is lost to medicine, and to bacteriology an exponent whose work throughout the past fifty years in many fields, but particularly in the history of his subject, has gained for him wide repute. Bulloch was born on 19 August 1868 in Aberdeen, being the younger son of John Bulloch (1837-1913) and his wife Mary Malcolm (1835-1899) in a family of two sons and two daughters. His brother, John Malcolm Bulloch, M.A., LL.D. (1867-1938), was a well-known journalist and literary critic in London, whose love for his adopted city and its hurry and scurry was equalled only by his passionate devotion to the city of his birth and its ancient university. On the family gravestone he is described as Critic, Poet, Historian, and indeed he was all three, for the main interest of his life outside his profession of literary critic was antiquarian, genealogical and historical research, while in his earlier days he was a facile and clever fashioner of verse and one of the founders of the ever popular Scottish Students’ Song Book .

A Sudanese Merchant's Career Based on His Papers: A Research Project

1990 ◽  
Vol 17 ◽  
pp. 31-40
Author(s):  
Anders Bjørkelo ◽  
Mustafa A. Ali
Keyword(s):  
Rural Areas ◽  
Historical Research ◽  
Project Leader ◽  
Research Project ◽  
Historical Significance ◽  
The North ◽  
Cooperative Project ◽  
The University

The number of Arabic documents and manuscripts of historical significance found in the Sudan is constantly growing. The national repository for such material is the National Records Office (NRO) in Khartoum, but a substantial collection of photographed, photocopied, and microfilmed documents has also been built up at the Department of History, University of Bergen, Norway. Most of this material has been brought together as a result of fieldwork in various parts of the Sudan in connection with historical research. However, at the end of the 1970s the NRO launched a campaign to collect private documents in the rural areas, with good results. Another step in the same direction was taken in 1986, when a four years' cooperative project between the Department of History, University of Bergen, Norway, and the NRO in Khartoum, was started. Organized joint field expeditions were planned and carried out from 1987 onwards for the purpose of locating and photographing private documents. This project is financed by the Norwegian Aid Agency (NORAD) and the University of Bergen, and is part of a larger program of cooperation with the University of Khartoum. Bjørkelo is the project leader on the Bergen side and Dr. Ali S. Karrar is the local coordinator in the NRO. The 1987 expedition went to al-Matamma, al-Dāmar, Berber, Ghubush, and Kadabās in the north and photographed 196 documents. The following year various religious centres of the Gezira were visited and another 96 documents were photographed. Research on these acquisitions is planned or in progress.

Dramaturgy of the Body: Marcello Moretti's Construction of Arlecchino at the Piccolo Teatro of Milan

2018 ◽  
Vol 34 (2) ◽  
pp. 130-144
Author(s):  
Gabrielle Houle
Keyword(s):  
Oral History ◽  
Life Experiences ◽  
Video Recording ◽  
Assistant Professor ◽  
The Body ◽  
Historical Research ◽  
Commedia Dell'arte ◽  
Canadian Universities ◽  
History Of ◽  
The University

In this article Gabrielle Houle examines the dramaturgical process that actor Marcello Moretti applied to his creation of Arlecchino's body in Giorgio Strehler's globally acclaimed productions of The Servant of Two Masters at the Piccolo Teatro of Milan between 1947 and 1960. She provides a critical analysis of Moretti's interdisciplinary and trans-historical research and creative process, including his study of iconographic representations of the commedia dell’arte, his observation of farmers in Padua in the mid-twentieth century, and the connections he made between his life experiences and his understanding of Arlecchino. She then examines Moretti's acting style, signature postures, and footwork, both as the international press described them and as she observed them in a video recording and in photographs of the productions. The article, based on extensive archival research at the Piccolo Teatro and on interviews with artists who knew both Moretti and Strehler, concludes with a discussion of Moretti's legacy within and beyond Italy. Gabrielle Houle is a theatre scholar, educator, and artist specializing in the recent staging history of the commedia dell’arte, contemporary mask-making practices, and masked performance. She has taught in several Canadian universities, and is a member of the Centre for Oral History and Tradition at the University of Lethbridge, where she is also an Adjunct Assistant Professor.

Politics after Parnell

1997 ◽  
Vol 30 (120) ◽  
pp. 602-610
Author(s):  
Alan O’Day
Keyword(s):  
Historical Research ◽  
Historical Inquiry ◽  
Large Measure ◽  
The Past ◽  
History Of ◽  
The University

Politics in the era of Parnell and his contemporaries continues to exert immense fascination. The five biographical (in the instance of Philip Bull’s book semi-biographical) studies surveyed add ample texture to understanding this much-ploughed field. At the same time these works demonstrate the importance of biography as a tool for interpreting the past. Doubt about the value of biography as a form of academic historical inquiry has recently been revived by the director of the Institute of Historical Research at the University of London, Patrick O’Brien. O’Brien insists that ‘unless the outcomes of a policy or set of policies are recognised by historians as significant and until those policies can be attributed in large measure to the ideas and leadership exercised by prominent politicians, then their lives, however deeply researched and readable, contribute very little to an understanding of the history of government and politics’. None of these studies were written with his strictures in mind, but they may well serve as a collective refutation, at least as far as the Irish past is concerned. They are also a testimony to the impress of F. S. L. Lyons on modern scholarship, if only in the sense that several challenge his verdicts.

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