scholarly journals Response to Brinkmann et al. “Re-assembly of 19th century smallpox vaccine genomes reveals the contemporaneous use of horsepox and horsepox-related viruses in the United States”

2020 ◽  
Vol 21 (1) ◽  
Author(s):  
Ana T. Duggan ◽  
Edward C. Holmes ◽  
Hendrik N. Poinar

AbstractWe thank Brinkmann and colleagues for their correspondence and their further investigation into these American Civil War Era vaccination strains. Here, we summarize the difficulties and caveats of work with ancient DNA.

Author(s):  
Nigel Hall

In the period 1878 to 1883 there was heavy speculation in the Liverpool raw cotton market associated with a trader named Morris Ranger. Little has previously been written about Ranger and his background. Ranger was born in Germany and emigrated to the United States in 1855. He initially traded in tobacco but branched out into cotton during the American Civil War. He settled in Liverpool in 1870. His cotton speculations were enormous, but he fell bankrupt in 1883. The speculations associated with Ranger involved other Liverpool traders and drew heavy criticism from the spinning industry. The speculations played a part in a reorganisation of the Liverpool market and attempts to circumvent it, including the building of the Manchester Ship Canal.


Author(s):  
Alan Gallay

Indian slavery was neither fleeting nor secondary to the story of colonialism, imperialism, and economic exploitation in the Americas. Persisting for centuries, it both pre-dated African slavery in the Americas, and survived African slavery's abolition in the United States. Not until the American government's five-year program to eradicate Indian slavery in Colorado and Utah after the American Civil War did slavery officially end, though it likely persisted in several areas of the American West. This article examines the contours of Indian slavery in the Americas, its evolution and character, the varieties of labour systems implemented to control Indian labour and lives, and the existence of Indian slave trades that paralleled African slave trades.


2005 ◽  
Vol 2 (3) ◽  
pp. 327-360 ◽  
Author(s):  
DOROTHY ROSS

While popular nationalism flourished in the United States from the time of the Revolution onward, reflective treatments of what it meant to be, specifically, a “nation” were rarely produced until the Civil War era. Historians have generally treated northern Civil War theorists of the nation as importers of European ideas of organic nationhood to serve conservative and statist purposes. The most notable mid-century theorists—Francis Lieber, Elisha Mulford, Orestes Brownson, John William Draper, Frederick Douglass, and Charles Sumner—were a more diverse set, however. They brought to the subject different theoretical and political assumptions and produced different models of the American nation, and they accommodated their borrowed conceptions to native materials. If their initial aim was to strengthen the authority and unity of the wartime nation, they soon struggled with the multiracial nation that was emerging from the war. The unity they posited in the nation contended with invidious racial, ethnic, and religious distinctions. In the end, Lieber, Brownson, Mulford, and Draper found diversity difficult or impossible to reconcile with their visions of national unity. Only Sumner and Douglass managed to construct models of the nation that were both heterogeneous and united: their postwar views serve as counterpoint to the tortured efforts of the other writers. In the language of current theory, these writers divided over whether the United States was a civic or an ethnic nation, although not all their exclusions and inequalities emanated from an ethnic model of the nation, nor all their inclusions and liberties from a civic one.


1940 ◽  
Vol 34 (2) ◽  
pp. 220-237 ◽  
Author(s):  
Alice Morrissey McDiarmid

When the present European war broke out and neutral rights came into the foreground of America’s anxieties, the President advised the public to study the conduct of the United States during the Civil War. That desperate struggle is inevitably the American touchstone for belligerent rights because, as Secretary of State Seward pointed out in 1863.It is… obvious that any belligerent claim which we make during the existing war, will be urged against us as an unanswerable precedent when [we] may ourselves be at peace.


2021 ◽  
Author(s):  
Emily McKibbon

This thesis addresses the use of a set of photographs of returned prisoners of war (POWs) published both as tipped-in albumen prints and as wood engravings in six different publications from 1864 and 1865, including three versions of Narrative of Privations and Sufferings of United States Officers and Soldiers while Prisoners of War in the Hands of the rebel Authorities, one pamphlet, and two magazine articles, The discussion focuses on the dissemination of these images by the United States Sanitary Commission, the ways in which the photographs were presented in the individual publications that contained them, the decisions that the engravers made in translating the photographs into wood engravings and the visual codes that informed the photographs and the related engravings. The illustrated essay situates these photographs and wood engravings within the political context of the American Civil War and the history of photography in the 1860s. The dissemination of photographic imagery via wood engravings before the widespread use of halftone reproductions, beginning in the 1880s, is presently under researched. The paper encourages consideration of wood engravings when examining the history of photographic reproduction during this transitional time period.


Author(s):  
Axel Körner

This book concludes with a discussion of the ways that America offered Italians an outlook on a wider range of possible futures, most of which were set in conditions that stood in stark contrast to Italy's own experiences. It examines the connection between the American Civil War and the Unification of Italy, noting how the Italians' experience of that war helped them to make the experience of their own Unification meaningful. It also describes the sudden change in Italian attitudes toward American modernity during the finesecolo, which coincided with the start of Italian mass migration to the United States. Finally, it considers how the assassination of Abraham Lincoln transformed political culture in the United States and views the event as a final example of cross-Atlantic exchange that illustrates how Italians explored what they knew about America for their own purposes, without having to imitate foreign prescriptions.


Author(s):  
Axel Körner

This chapter examines the Italian reception of Giuseppe Rota's ballet Bianchi e Neri (Whites and Blacks), an adaptation of Harriet Beecher Stowe's novel Uncle Tom's Cabin. Bianchi e Neri, which presents the dehumanizing brutality of a slaveholding society, became a major point of reference in Italians' critical assessment of life in the United States. Rota's work inspired comments that reveal the passion with which Italians engaged with issues such as race and slavery across the Atlantic. The chapter considers how Bianchi e Neri transformed the ways in which Italians discussed and imagined the New World. It also explores how the debate on the ballet influenced Italian responses to the unfolding American Civil War, and how the abolition of slavery in America intersected with the Unification of Italy as “one single cause”: a struggle for the good of humankind as a whole.


Author(s):  
Ian Finseth

Tracing the Civil War dead’s representational afterlife acroᶊ an array of historical, visual, and literary documents from 1861 to 1914, this book shows that they played a central, complex, and paradoxical role in how Americans understood the “modernity” of the United States. Amid the turbulence of the postbellum era, the dead provided an illusion of coherence, intelligibility, and continuity in the national self, and yet they also focalized American society’s central philosophical and moral conflicts. Recirculated through the networks of information and meaning by which a culture understands and creates itself, they functioned, and continue to function, as a form of symbolic currency in a memorial economy linking the Civil War era to the present. Reconstructing the strategies by which postwar American society reimagined the Civil War dead, this book argues that a strain of critical thought was alert to this necropolitical dynamic from the very years of the war itself.


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