scholarly journals Information flow within the West African innovation systems

Triple Helix ◽  
2014 ◽  
Vol 1 (1) ◽  
Author(s):  
Eustache Mêgnigbêto
2019 ◽  
Vol 1 (2) ◽  
pp. 96-114
Author(s):  
Eustache Mêgnigbêto

Purpose University, industry and government relationships, known under the Triple Helix, have been studied under various aspects. The West African region and countries have been analysed with mutual information and transmission power, two information theory-based indicators. The purpose of this paper is to portray the landscape of West African Triple Helix innovation systems using three main game theory indicators (core, Shapley value and nucleolus) with the objective to measure the synergy within the selected innovation systems. Design/methodology/approach The collaboration between university, industry and government is modelled as a three-person coalitional game. Bibliographical data of selected countries were collected from Web of Science and organised according to collaboration patterns between the three actors. The characteristic functions of the games were computed, the cores plotted, the Shapley values and the nucleoli computed. Findings Either university or government has more power to create and lead to synergy; government shows solidarity towards university and industry in most of countries; and they are joined in their efforts by industry in two countries. The core exists in all the countries meaning that all the selected innovation systems present synergy; however, the extent is limited and varies over countries. Research limitations/implications Innovation includes all research products; however, this study focuses on publications only. Originality/value Synergy within a Triple Helix innovation system is studied up to now with information theory indicators. The paper portrays the landscape of West African Triple Helix innovation systems using three main game theory indicators: the core, the Shapley value and the nucleolus and gives a new way to study university, industry and government relationships.


2020 ◽  
Vol 28 (Supplement) ◽  
pp. 86-109
Author(s):  
Kehinde Ibrahim

The judgments of the ECOWAS Court, which are final and immediately binding, are vital for the realisation of ECOWAS aims and objectives. The enforcement of its judgments is particularly important in the case of individuals whose enjoyment of fundamental human rights, as guaranteed under the ECOWAS Community laws, is dependent on effective enforcement. Yet, an existential puzzling paradox emanates through a poor record in the implementation of the ECOWAS Court's judgments. This problem, which is not limited to the West African region deserves scrutiny and concrete proposals. Legal and political considerations surface in assessing the existence of this paradox, and despite the lack of a consistent political will, to implement the decisions of ECOWAS Court relevant judicial actors have roles to play. National courts could take a bolder approach in complementing the work of the ECOWAS Court. The ECOWAS Court itself could put in place concrete mechanisms and adopt certain practices to address this poor record of non-implementation. It is yet to be seen how substantive mechanisms would work in practice.


Author(s):  
Daniel Bailey ◽  
Jane Shallcross ◽  
Christopher H. Logue ◽  
Simon A. Weller ◽  
Liz Evans ◽  
...  

2018 ◽  
Vol 25 (2) ◽  
pp. 97 ◽  
Author(s):  
Lotanna M. Nneji ◽  
Adeniyi C. Adeola ◽  
Fang Yan ◽  
Agboola O. Okeyoyin ◽  
Ojo C. Oladipo ◽  
...  
Keyword(s):  

BMJ ◽  
1904 ◽  
Vol 1 (2257) ◽  
pp. 806-807
Author(s):  
G. R. Hall
Keyword(s):  

1978 ◽  
Vol 9 (2) ◽  
Author(s):  
A. ARNONE ◽  
L. CAMARDA ◽  
L. MERLINI ◽  
G. NASINI ◽  
D. A. H. TAYLOR
Keyword(s):  

Religions ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 172
Author(s):  
Alan West-Durán

The article draws on the Kongo term mpambu nzila of crossroads, that equally signifies altar, to discuss the paintings and drawings of Cuban-born artist José Bedia. He is a practitioner of Palo Briyumba, a syncretic Afro-Cuban religion that combines Kongo religious beliefs, Regla de Ocha, Spiritism, and Catholicism. The article examines six works by the artist from 1984 to 1999 and how Bedia represents Palo in his art. Additionally, the centrality of the nganga (a cauldron that paleros use to work for and protect them) is discussed historically, philosophically, and religiously as a physical and spiritual embodiment of the crossroads. Bedia’s work is also analyzed using the Sankofa bird as metaphor (of flying forward and looking back) and as an example of the West African notion of coolness. The article also examines Palo as a de-colonial way of knowing and ends with the crossroads through the example of Lucero Mundo (Elegguá).


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