Power of Body / Power of Mind: Arts and Crafts, New Thought, and Popular Women’s Literature at the Fin de Siècle

2021 ◽  
Author(s):  
Arielle Zibrak
Keyword(s):  
American Literature ◽  
Women's Literature ◽  
Well Being ◽  
Fin De Siecle ◽  
Arts And Crafts ◽  
New Thought ◽  
Consumer Capitalism ◽  
Fin De Siècle ◽  
History Of ◽  
The Impact

Abstract The article describes the impact of two popular fin de siècle philosophical movements—Arts and Crafts and New Thought—on both well-known authors like Frank Norris and Charlotte Perkins Gilman and the lesser-known writers it reads more closely: Ella Wheeler Wilcox and Madeline Yale Wynne. Although their values were antithetical, Arts and Crafts and New Thought shared striking similarities in the ways they yoked consumption habits to personal well-being and used fiction to understand and endorse popular secular philosophies. These women-led movements shaped enduring national ideologies and the literature of their period, which tends to either synthesize the beliefs of both movements or represent one as patently superior to the other through satire or protest. The recovery of the history of these movements and their contribution to American literature not only retraces a lost genealogy of popular ideas that have shaped our culture, but also demonstrates the centrality of female thinkers and writers to the development of our present-day notions about how to transcend the grinding forces of consumer capitalism in everyday life.

Religion and Medicine

2020 ◽  
Author(s):  
Jeff Levin ◽  
Stephen G. Post
Keyword(s):  
Clinical Decision Making ◽  
Well Being ◽  
Clinical Decision ◽  
Religion And Medicine ◽  
Physical And Mental Health ◽  
Faith Based ◽  
Baylor University ◽  
Wide Range ◽  
History Of ◽  
The Impact

In Religion and Medicine, Dr. Jeff Levin, distinguished Baylor University epidemiologist, outlines the longstanding history of multifaceted interconnections between the institutions of religion and medicine. He traces the history of the encounter between these two institutions from antiquity through to the present day, highlighting a myriad of contemporary alliances between the faith-based and medical sectors. Religion and Medicine tells the story of: religious healers and religiously branded hospitals and healthcare institutions; pastoral professionals involved in medical missions, healthcare chaplaincy, and psychological counseling; congregational health promotion and disease prevention programs and global health initiatives; research studies on the impact of religious and spiritual beliefs and practices on physical and mental health, well-being, and healing; programs and centers for medical research and education within major universities and academic institutions; religiously informed bioethics and clinical decision-making; and faith-based health policy initiatives and advocacy for healthcare reform. Religion and Medicine is the first book to cover the full breadth of this subject. It documents religion-medicine alliances across religious traditions, throughout the world, and over the course of history. It summarizes a wide range of material of relevance to historians, medical professionals, pastors and theologians, bioethicists, scientists, public health educators, and policymakers. The product of decades of rigorous and focused research, Dr. Levin has produced the most comprehensive history of these developments and the finest introduction to this emerging field of scholarship.

Syphilitic General Paralysis

1893 ◽  
Vol 39 (165) ◽  
pp. 217-224
Author(s):  
M. J. Nolan
Keyword(s):  
Life Histories ◽  
The Other ◽  
Fin De Siecle ◽  
Short Life ◽  
General Paralysis ◽  
Generic Term ◽  
Fin De Siècle ◽  
History Of ◽  
Vexed Question

At the present time, when our fin de siècle knowledge of “general paralysis” enables us to recognize under that generic term many types of the disorder, and when the relation between it and syphilis continues a rather vexed question, little apology is needed for introducing to notice the following cases. They illustrate unmistakably some of the instances in which syphilis is solely responsible for what. Is termed by Dr. Savage” A process of degeneration which ultimately produces the ruin we recognize as general paralysis.”∗ Whatever may be hereafter formulated from the present evolutionary crisis in the history of the disorder there can be but little doubt that syphilis will be one of its most intimate and important relations. The story of its methods is briefly sketched in the following two short life-histories—in one asserting itself in the offspring of its victims by right of impure heredity, in the other carrying death direct into the vital centres by the force of its malignant virus.

scholarly journals Colonial Values and Asylum Care in Brazil: Reclaiming the Streets Through Carnival in Rio de Janeiro

2020 ◽  
pp. 155-161
Author(s):  
Julia Evangelista ◽  
William A. Fulford
Keyword(s):  
Local Community ◽  
Well Being ◽  
Colonial History ◽  
Self Confidence ◽  
History Of ◽  
The Impact ◽  
Mental Well Being ◽  
The City

AbstractThis chapter shows how carnival has been used to counter the impact of Brazil’s colonial history on its asylums and perceptions of madness. Colonisation of Brazil by Portugal in the nineteenth century led to a process of Europeanisation that was associated with dismissal of non-European customs and values as “mad” and sequestration of the poor from the streets into asylums. Bringing together the work of the two authors, the chapter describes through a case study how a carnival project, Loucura Suburbana (Suburban Madness), in which patients in both long- and short-term asylum care play leading roles, has enabled them to “reclaim the streets,” and re-establish their right to the city as valid producers of culture on their own terms. In the process, entrenched stigmas associated with having a history of mental illness in a local community are challenged, and sense of identity and self-confidence can be rebuilt, thus contributing to long-term improvements in mental well-being. Further illustrative materials are available including photographs and video clips.

Vernon Lee: Slow Serialist and Journalist at the Fin de Siècle

2021 ◽  
pp. 1-30
Author(s):  
Linda K. Hughes
Keyword(s):  
Fin De Siecle ◽  
Vernon Lee ◽  
Fin De Siècle ◽  
History Of ◽  
Periodical Publication

To expand understanding of imbricated journalism and high aestheticism at the fin de siècle, this essay examines Vernon Lee's journalism and slow essay serials, a form spread over space (viz., different periodicals) and marked by irregular temporal issue of installments before finding new cohesion when retroactively constructed as a book. Lee's prolific periodical publication, especially her aesthetic criticism, is rarely approached as journalism. Newly available letters and Lee's negotiations with editors clarify the occluded history of Lee's journalism and her slow essay serials, a distinctive serial form at the fin de siècle, which this article conceptualizes in closing.

The Irish Fin de Siècle

2018 ◽  
Author(s):  
Anne Markey
Keyword(s):  
Nineteenth Century ◽  
Work Stress ◽  
Fin De Siecle ◽  
Arts And Crafts ◽  
Arts And Crafts Movement ◽  
Cultural Activity ◽  
War Fiction ◽  
Irish Drama ◽  
Fin De Siècle ◽  
Land War

This chapter provides a survey of the range of cultural activity in Ireland during the late decades of the nineteenth century. It points to the importance of Irish writers in defining the Victorian fin de siècle, and the Irish backgrounds of many famous fin-de-siècle writers, especially women. Attention is given to specific forms of Irish writing, such as Land War fiction and experimental Irish drama and a distinct genre of Irish children’s fiction, as well as activities promoted by Irish revivalists, such as the Irish Arts and Crafts Movement, the Feis Coil Association and traditional Celtic games. Throughout this body of work, stress is placed regeneration and a looking to the future, rather than on degeneration and endings.

Introduction

2019 ◽  
pp. 1-14
Author(s):  
Dana Seitler
Keyword(s):  
Aesthetic Experience ◽  
Gender And Sexuality ◽  
Fin De Siecle ◽  
Literary Fiction ◽  
Economic Equality ◽  
Aesthetic Form ◽  
Fin De Siècle ◽  
History Of ◽  
The Aesthetic ◽  
Aesthetic Ideas

This book explores the pivotal role that various art forms played in American literary fiction in direct relation to the politics of gender and sexuality at the turn of the century. I track the transverse circulation of aesthetic ideas in fiction expressly concerned with gender and sexuality, and I argue that at stake in fin-de-siècle American writers’ aesthetic turn was not only the theorization of aesthetic experience, but also a fashioning forth of an understanding of aesthetic form in relation to political arguments and debates about available modes of sociability and cultural expression. One of the impulses of this study is to produce what we might think of as a counter-history of the aesthetic in the U.S. context at three (at least) significant and overlapping historical moments. The first is the so-called “first wave” of feminism, usually historicized as organized around the vote and the struggle for economic equality. The second is marked by the emergence of the ontologically interdependent homosexual/heterosexual matrix—expressed in Foucault’s famous revelation that, while the sodomite had been a temporary aberration, at the fin de siècle “the homosexual was now a species,” along with Eve Sedgwick’s claim that the period marks an “endemic crisis in homo-heterosexual definition.”...

From Hérodias to Hérodiade: Massenet’s Idiosyncratic Take on the Salomé Myth

Adaptation ◽  
2019 ◽  
Vol 13 (1) ◽  
pp. 36-58
Author(s):  
Phaedra Claeys
Keyword(s):  
Short Story ◽  
Essential Role ◽  
Third Republic ◽  
Political Context ◽  
Fin De Siecle ◽  
Fin De Siècle ◽  
The Impact ◽  
Grand Opera

AbstractMassenet’s Hérodiade (1881) is today one of the lesser-known variations of the Salomé myth. Although based on Flaubert’s Hérodias (1877) and written and premiered at the height of the narrative’s popularity, the opera displays some peculiar deviations from both Flaubert’s tale and other, especially fin-de-siècle, renderings of the myth. By situating Hérodiade’s departures from Flaubert’s short story within both the framework of operatic conventions and the broader context of the opera’s genesis, this article highlights Hérodiade’s status as a self-contained rendering, rather than a mere dramatic rewriting of the story—let alone an unfaithful adaptation. In doing so, three main elements that played an essential role in the process of (re)creation are brought to attention: the conventions of grand opera, Massenet’s own aesthetics and interpretation of the tale, and the impact of the socio-political context of France’s Third Republic on the opera’s development.

Rinuccini the craftsman: A view of his L'Arianna

1999 ◽  
Vol 18 ◽  
pp. 75-117 ◽  
Author(s):  
Bojan Bujić
Keyword(s):  
Fin De Siecle ◽  
Work Of Art ◽  
Fin De Siècle ◽  
The Status ◽  
History Of ◽  
As If ◽  
The Craftsman

Like her crown, which according to the story shines in a constellation, L'Arianna as a work of art shimmers as a distant and mysterious object, and the loss of Monteverdi's score, apart from the famous lament, makes it one of the great ‘if onlys’ of the history of music. Artistic responses to L'Arianna range wide. In Gabrielle d'Annunzio's novel Il fuoco, Stellio Effrena and his group of aesthetes in fin de siècle Venice embrace Monteverdi, and Arianna's lament in particular, as a home-grown antidote to Wagner, elevating ‘Lasciatemi morire’ to the status of an Italian precursor of the ‘Liebestod’. Recently Alexander Goehr gave a new lease of life to Ottavio Rinuccini's libretto in his opera Arianna, first performed in September 1995, and, as if not to desecrate a hallowed object, he included in the opera a recording of the opening of Monteverdi's surviving fragment sung by Kathleen Ferrier.

Setting the scene and ICH GCP in clinical and healthcare research

2016 ◽  
Keyword(s):  
Ethics Committees ◽  
Well Being ◽  
Good Clinical Practice ◽  
Quality Standard ◽  
Healthcare Research ◽  
History Of ◽  
Eu Directives ◽  
Definition Of ◽  
The Impact ◽  
The Eu

This chapter looks at the purpose and history of the development of good clinical practice (GCP). The international conference on harmonisation (ICH) GCP is the international quality standard for conducting clinical research to ensure the rights and well-being of patients are protected and the resulting data are valid. The cornerstone of ethics in research stems from the Declaration of Helsinki and the chapter looks at the changes in the Declaration and the impact on clinical trials. The development of the ICH process is described and the E, S, Q and M guidelines are discussed, The efficacy guidelines affect the practical aspects of trials and the efficacy guideline number 6 (E6) is on GCP. The content of the E6 guidelines is reviewed including the responsibilities of ethics committees, investigator and sponsor. Documentation requirements including the Protocol and Investigator Brochure as well as all the other documents are outlined. The guidelines are written to be interpreted and companies and institutions have to document their interpretation using standard operating procedures (SOPs). Although ICH GCP is regarded as the world-wide standard it sits alongside countries' legislation. In Europe CTIMPs have to follow the EU Directives and Regulation. Non pharmaceutical/non interventional healthcare research has no legal requirements to adhere to ICH GCP and is carried out under different research governance frameworks (RGF), however they all have their principles based on ICH GCP. The chapter also discusses the definition of an IMP and the decisions and processes that have to be followed when conducting non CTIMP studies.

scholarly journals Lyon's Wagnerian Diva: Louise Janssen (1863–1938)

2018 ◽  
Vol 30 (2-3) ◽  
pp. 214-236
Author(s):  
Katharine Ellis
Keyword(s):  
Fin De Siecle ◽  
Foreign Born ◽  
Box Office ◽  
Fin De Siècle ◽  
The Impact

AbstractIt seems historiographically implausible to ascribe the reputation of fin-de-siècle Lyon as France's Bayreuth to the impact of a single middle-ranking soprano, but the Danish singer Louise Janssen's long-term presence, galvanic musical influence and box-office value suggest precisely that conclusion. Part of the explanation lies with the diva-worship of her supporters (‘Janssenistes’), who curated her image both during her career and in her retirement to create an adopted musical heroine whose memory remains guarded by Lyon council policy. That image, selectively constructed from among her Wagner roles, also typecast her as a singer who had much in common with Symbolist art – a potential Mélisande that Lyon never saw. This article brings together archival and press materials to explain how a foreign-born singer's agency and mythification contributed to a double French naturalisation – her own, and that of Wagner(ism).

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