Compositional Stasis and Flexibility in American Indian Tribes

Ethnohistory ◽  
2021 ◽  
Vol 68 (2) ◽  
pp. 191-213
Author(s):  
Raymond I. Orr ◽  
Yancey A. Orr

Abstract American Indian tribal power has typically expanded since the 1960s. During this period, often referred to as the Self-Determination Era, tribes have regained much of their earlier political centrality. One rarely addressed limitation during this period is the inability of tribal polities to break into smaller units while maintaining recognition as legitimate. This essay identifies the inability of tribes to exercise what the authors call compositional flexibility and fracture to form new polities discrete of the previous tribe. The authors argue the absence of compositional flexibility shapes tribal politics and is at odds with many forms of traditional governance systems.

1990 ◽  
Vol 12 (2) ◽  
pp. 7-11 ◽  
Author(s):  
Gini Egan-McKenna

The growing empowerment of American Indian people to effect positive adjustments in their personal and community lives will shape and control Indian-related research in the future. American Indian consulting firms, organizations, urban centers, and individual tribes are increasingly defining the scope and nature of research on those issues that most directly affect their lives and communities. This paper discusses collaboration and support for the self-determination goals of Indian people as central to my decision to work with and for Indian people.


2005 ◽  
Author(s):  
Lisa Mask ◽  
Catherine E. Amiot ◽  
Celine M. Blanchard ◽  
Julie Deshaies

2019 ◽  
Vol 96 (4) ◽  
pp. 54-77
Author(s):  
Nicolas G. Rosenthal

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.


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