Recent Books and Dissertations on French History

2021 ◽  
Vol 44 (4) ◽  
pp. 749-767
Author(s):  
Sarah Sussman
Keyword(s):  
Author(s):  
Julian Wright

This chapter sets out the specific historiographical basis for a new study of the French socialist movement in the nineteenth and twentieth centuries. It argues that one particular framework—that of the reluctant relationship of socialism with power in the capitalist state—has dominated our approaches to writing the history of French socialism, and suggests that a new focus on temporalities, particularly exploring the clash between revolutionary, future-focused socialism, and present-minded socialism, opens up a new range of cultural, intellectual, and biographical sources for understanding the French socialist movement. It provides the specific intellectual context for understanding how historians in France today are seeking to rethink their intellectual inheritance from left-wing writers of earlier generations.


Author(s):  
Elinor Olin

Édouard Lalo’s opera Le Roi d’Ys was one of the earliest manifestations of French musical regionalism to find success on a major Parisian stage. Subtitled légende bretonne, Lalo’s work was set in medieval Brittany, using Breton folk melodies and a conflation of Christian and Celtic legends, intentionally sidestepping the conformist portfolio of fairy tales and grand-operatic French history at the Opéra and the Opéra Comique. Concordant with goals of contemporary regionalist associations such as the Société Celtique and the Félibres promoting the decentralization of French culture, Le Roi d’Ys represents an intentional and nostalgic re-creation of an ancient lineage, geographically and artistically independent from the culture of Paris. Most intriguing are musical links between Regionalist publications of early Provençal noëls and Lalo’s references to medieval ceremonies and rituals in Le Roi d’Ys. As such, the opera is much more than its detractors’ accusations that it was derivative, simply an echo of wagnérisme. Le Roi d’Ys set an important precedent for later regionalist works by Chausson, Ropartz, Widor and others, and was significant to the transformation of musico-dramatic repertory in fin-de-siècle France.


2008 ◽  
Vol 18 (2) ◽  
pp. 3-23
Author(s):  
Micheline Lessard

Abstract French colonial rule in Vietnam (1858-1954) resulted in, for the first time, the formal education of Vietnamese girls. By the 1920s a small percentage of young Vietnamese women were enrolled in colonial schools where they learned, in addition to home economics and child rearing, the French language, French history, and French literature. As a result, they were able to read newspapers, novels, and other writings on a variety of subjects and issues. This ability thrust them into the public sphere of political debates in colonial Vietnam. A significant number of these young women were politicized in the process and expressed their political views in a number of ways, including student protests and strikes.


2007 ◽  
Vol 38 ◽  
pp. 1-12 ◽  
Author(s):  
Herwig Wolfram

Throughout the world, historians expand the history of their nations and states into periods when these polities did not yet exist. The French speak of their first dynasty and mean the Frankish Merovingians. Until recently French history textbooks even for students in the French overseas territories started with “Nos ancêtres, les Gaulois.” In the German Kaiserreich between 1871 and 1918, let us say, little Jan Kowalski in Poznan had to accept the Germanic peoples as his forefathers, as every textbook on German history dealt with them at length. Needless to say, not only German medievalists speak of Germans long before theodiscus or teutonicus came to mean deutsch. All over the world people search for the roots of their identity. Take, for instance, the present preoccupation with Celtic ancestors. Not only the Irish, Welsh, Scots, and Bretons, but a great many other Europeans also want to be Celts by origin. “Their successors in Brittany, Wales, or Ireland do not threaten anybody with Anschluss or war. The Celtic origins, therefore, fit the Austrian neutrality perfectly well,” as Erich Zöllner ironically put it in 1976 after Chancellor Bruno Kreisky had openly declared that the Celts and not the Germans were our forefathers.


2021 ◽  
Vol 44 (3) ◽  
pp. 561-579
Author(s):  
Jean-Pierre Hérubel
Keyword(s):  

1986 ◽  
Vol 7 (1) ◽  
pp. 39-45
Author(s):  
Edgar Leon Newman

“In America,” Tocqueville wrote, “I saw more than America; I sought there the image of democracy itself, with its inclinations, its character, its prejudices, and its passions, in order to learn what we have to fear or to hope from its progress.”’ In other words, Tocqueville’s Democracy in America is really a book about France. More than that, it is a book about the future of the world. “The whole book,” he said in his introduction to Democracy in America “has been written under the influence of a kind of religious awe produced in the author’s mind by the view of that irresistible revolution which has advanced for centuries … and which is still advancing in the midst of the ruins it has caused.” Tocqueville’s attitude was the product of his own family background, of his own education, and of French history. In this paper I would like to take up these three roots (personal, intellectual, and historical) of his Democracy in America and then give a brief overview of what he found.


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