scholarly journals Some Remarks on the Art of Exegesis in the Kalophonic Style

2021 ◽  
Author(s):  
Maria Alexandru
Keyword(s):  
Present Article ◽  
Music School ◽  
The Voice

The present article focuses on the technique and art of the so-called exegesis, the traditional interpretation of the kalophonic piece Ἀπόλαυε τῶν θαυμάτων τὰς ἰάσεις – Enjoy, seing the miraculous healings, in honor of St Demetrios, by St John Koukouzeles, in the first authentic mode. It is based on the manuscripts Zakynthos 7, Metochion Panagiou Taphou 728, and three Anthologia from the Music School of the Putna Monastery, and highlights several exegetical procedures through microsyntactical and generative analyses of chosen passages of the piece. The profile of the kalophonic melody revealed through the slow exegesis is mainly characterized by stepwise up-and-down movements of the voice around and between the structural notes, with few skips only, and in a perfect balance with the poetical text, which emerges for the singer and the listener syllable by syllable, carried on a continuous melodic flow, a sort of Byzantine ‘unendliche Melodie’.

scholarly journals Lumpérica: alegoría y cita en voces rizomáticas en la narración chilena posmoderna

2019 ◽  
Vol 7 (12) ◽  
pp. 96-110
Author(s):  
Gonzalo Ignacio Rojas
Keyword(s):  
Present Article ◽  
The Body ◽  
Deleuze And Guattari ◽  
Performative Writing ◽  
Literary Expression ◽  
The Subject ◽  
The Voice

The present article will analyze the voice of the narrator from the rhizomatic figure (Deleuze and Guattari) to determine its non-place in the construction of narrative scenes in the new performative forms of literary expression. Therefore, this condition will be reviewed from two Benjaminian notions, the allegory and the quotation to determine that the idea of the body is -centrally concentrated in L. Illuminated- a correlation between language and subject: the disappearance of the subject is the disappearance of his / her language, epistemological symmetry that gives rise in Chilean narrative to a performative writing.

scholarly journals Subalternidad, vida y escritura en Camina o revienta de Eleuterio Sánchez / Subalternity, life and writing in Eleuterio Sanchez’s Camina o revienta

2017 ◽  
pp. 507
Author(s):  
Antonio García del Río
Keyword(s):  
Present Article ◽  
Post Colonial ◽  
Autobiographical Work ◽  
The Voice

Resumen: En el presente artículo, nos centraremos en el estudio de la obra autobiográfica Camina o revienta de Eleuterio Sánchez a partir del estudio de la construcción del relato autobiográfico y la configuración de la identidad del sujeto mediante la escritura; el rol del autor dentro del contexto de publicación de la obra en el periodo de la Transición y el tratamiento que recibe por parte de los aparatos del estado dictatorial franquista; por último, analizaremos la construcción de la voz por parte de un sujeto perteneciente a una comunidad subalterna, la quinqui o los mercheros, a partir de los estudios poscoloniales centrados en el análisis de la subalternidad por G.C.Spivak.Palabras clave: identidad, estigmatización, ley, franquismo, autobiografía, subalternidad, escritura, criminalidad. Abstract: In the present article, the author focus es on the autobiographical work of Eleuterio Sánchez, Camina o Revienta. He studies the construction of the autobiographical account and the configuration of the identity through writing. The author focuses as well on Sánchez in the context of publication of his autobiografphy, and the treatment received by the Franco dictatorial State; finally, he analyzes the construction of the voice as belonging to a subordinate community, the quinqui or mercheros,, using the concept of subaltern as theorized in post-colonial studies.Key Words: identity, stigma, law, Francoism, autobiography, subalternity, writing, crime. 

Counter-voicing in the avant-garde and experimental music: Selected cases

Maska ◽  
2021 ◽  
Vol 36 (203-204) ◽  
pp. 106-116
Author(s):  
Luka T. Zagoričnik
Keyword(s):  
Present Article ◽  
Experimental Music ◽  
Avant Garde ◽  
Sound Poetry ◽  
The Voice

The present article is a reworking of a lecture that was performed live and with visual and sound examples at the CoFestival. In selected examples, the author tries to articulate various vocal practices through contemporary and experimental music, performative practices and sound poetry, in which the voice escapes gender, meaning, turns into noise, and emerges through the utterances of silence.

scholarly journals Socrates’ Philosophy as a Divine Service in Plato’s Apology

2018 ◽  
pp. 183-190
Author(s):  
Dorota Tymura
Keyword(s):  
Present Article ◽  
The One ◽  
The Voice

The aim of the present paper is to discuss Socrates’ idea of philosophy asa service to the god. First the article investigates why Chaerephon wentto Delphi and why he asked Pythia the famous question concerningSocrates. The investigation provides a basis for distinguishing two majorperiods in his activity. The one preceding the Delphic oracle consists inconducting inquiries in a group of closest friends. The one following theDelphic oracle consist in addressing a much larger audience. An analysisof both periods suggests that the oracle from Delphi greatly affectedSocrates’ relations with other Athenians. While the present article dealsalso with the issue of Socrates’ daimonion, it hypothesizes that the voiceof daimonion and the voice of Pythia could be regarded as Apollo’sinterventions.

scholarly journals Nature: A Notable Feature of Robert Frost’s poetry

2020 ◽  
Vol 7 (1) ◽  
pp. 37-50
Author(s):  
Muna Shrestha
Keyword(s):  
Present Article ◽  
Natural World ◽  
Rural Life ◽  
Central Theme ◽  
Modern Poetry ◽  
Notable Feature ◽  
American Poet ◽  
Simple Language ◽  
The Voice ◽  
Poetic Style

The aim of this present article is to examine Robert Frost’s poetical theme and its values which explain the voice of Nature and also to highlight the treatment of Nature in some of his selected Poems. Frost is a famous American Poet and his poems are mostly autobiographical in subject. During this period, when modern poetry is becoming more complex, Frost gets success using his poetic style with refined and simple language. He has been mostly influenced by the environment around him while composing his masterpieces. He uses different phrases and thrill in poetry. His central theme doesn’t concentrate on the typical rural life but on the dramatic conflict happening in the natural world. He expresses deep love and sympathy towards Nature and utilizes it to express his viewpoint and to make his verse fascinating. He thinks Nature is not only the source of pleasure, but also an inspiration for human wisdom. His poems contain symbolism, hidden meanings, sounds, rhyme, meter, metaphors and more.

scholarly journals Aspectos e sugestões interpretativas em obras para trombone solista do Maestro Duda

2018 ◽  
Vol 1 (42) ◽  
pp. 111
Author(s):  
Marlon Barros de Lima
Keyword(s):  
Present Article ◽  
Rio Grande ◽  
Music School ◽  
Musical Works ◽  
Musical Interpretation ◽  
Execution Procedures

The present article is the final result of the research on the interpretation of musical works for trombone soloist composed by the famous conductor, Maestro Duda, developed in the Postgraduate Program in Music of the Music School of the Federal University of Rio Grande do Norte (PPGMUS-UFRN). With this research, we could make interpretative suggestions that would help the trombonist in the preparation and execution procedures of the studied works: Two Dances (Gizelle and Marquinho in Frevo), Fantasia for Trumpet and Trombone and Suíte Monette. Therefore, we will present some questions which result from the research related to Maestro Duda, about the musical interpretation, and the main results regarding aspects and interpretative suggestions in the works studied

scholarly journals Impostando la voz del pueblo. Poesía política de apariencia popular en la Nueva Granada (1717 – 1822)

2016 ◽  
Vol 13 (2) ◽  
pp. 66
Author(s):  
Guillermo Molina Morales
Keyword(s):  
Present Article ◽  
Colonial Literature ◽  
Political Poetry ◽  
Hybrid Production ◽  
The People ◽  
Political Message ◽  
Ciudad Letrada ◽  
Nueva Granada ◽  
The Voice

ResumenLa crítica tiende a estudiar de forma diferenciada las dos grandes vertientes de la poesía colonial en español: la poesía culta y la poesía popular. En el presente artículo, planteamos la existencia de una producción híbrida escrita por miembros de la “ciudad letrada” que utilizan recursos de la tradición popular para conseguir una mayor difusión de su mensaje político. En los cinco poemas estudiados, encontramos una multiplicidad de posibilidades para estos cruces, desde la reapropiación de una melodía tradicional hasta la utilización de formas cultas puestas en boca de indígenas. En la conclusión, enfatizamos el interés de este enfoque para otras regiones y épocas.Palabras clave: Poesía popular; ciudad letrada; literatura colonial; reapropiación; hibridez**********************************************************************Projecting the voice of the people. Political poetry of popular appearance in Nueva Granada (1717-1822) AbstractThe critique tends to study, in a differentiated manner, the two main strands of colonial poetry in Spanish: educated and popular poetry. In the present article we propose the existence of a hybrid production, written by members of the “Ciudad letrada”, who use resources from the popular tradition to get a greater dissemination of their political message. In the five poems studied, we find multiple possibilities for these intersections, from the re-appropiation of a traditional melody to the use of educated forms attributed to indigenes. In the conclusion, we emphasize how this approach may result interesting in the study of other regions and times.Key words: Popular poetry, literate city, colonial literature, re-appropiation, hibridization.      **********************************************************************Impostando a voz do povo. Poesia política de aparência popular na Nova Granada (1717-1822)ResumoA crítica tende a estudar de maneira particular, dois grandes vertentes da poesia colonial hispano falante: a poesia culta e a poesia popular. Em este artigo se fala de outra vertente, uma hibrida, produzida por membros da cidade letrada e com mensagens políticas, que aproveitava recursos da tradição popular para atingir grande difusão. São estudados cinco poemas, neles são achadas múltiplas estratégias, desde a reapropriaçao de melodias tradicionais até a utilização de formas cultas pelos indígenas. Assim se chama a atenção sobre este enfoque para considerar em outras regiões.Palavras chave: Poesia popular, cidade letrada, literatura colonial, reapropriação, hibridez

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