Mujeres weichafe del Lago Lleu Lleu: el conflictivo tránsito desde el cuerpo colonizado hacia la conquista del territorio liberado

The objective of this article is to trace the participation of women in the historical sequence of the main milestones of origin and evolutionary development of the Coordinadora Arauco Malleco from the category "body-space/time-territory", approached by the philosopher Francesca Gargallo The subject of study are the bodies located in a space-time that takes place in the surroundings of Lake Lleu Lleu, the axial geopolitical space where, from the Mapuche shamanic perspective, more than 30 years ago the spirit of thunder revived the power and violence of the ancient warriors of theweichan. Two generations of women exposed their bodies in the struggle to recover a liberated territory, transgressing cultural mandates and bearing the costs of confronting the State with prison and a fugitive life. However, the protagonism of women linked to the CAM has been silenced by traditional historiography as well as by the hegemonic masculine discourse of the Coordinadora itself. The becoming militant of women constitutes a complex plot that includes displacement of gender roles in the Mapuche culture and a transition from the political militancy of the weichafe to auxiliary spiritual roles of the machi such as tayilfe, curiche and dungumachife.

Literatura policial y policía: reflexiones a partir de dos intervenciones críticas (José Pablo Feinmann y Carlos Gamerro)

I propose a close reading on two critical interventions about crime fiction in Argentina: “Estado policial y novela negra argentina” (1991) by José Pablo Feinmann and “Para una reformulación del género policial argentino” (2006) by Carlos Gamerro. Beyond the time difference between the two, I observe aspects in common. Both texts elaborate a corpus of writers and fictions; propose an interpretative guide between the literary and the political-social series; maintain a specific interest in the relationship between crime fiction and police; and elaborate figures of enunciators who serve both as theorists of the genre and as writers of fiction. Among these four dimensions, the one that particularly interests me here is the third, since it allows me to investigate the link that is assumed between “detective fiction” and “police institution”. My conclusion is twofold: on the one hand, in both essays predominates a reductionist vision of the genre, since a kind of necessity is emphasized in the representation of the social order; on the other, its main objective seems to lie in intervening directly on the definitions of the detective fiction in Argentina (and, on this point, both texts acquire an undoubtedly prescriptive nuance).

El inconsciente del texto en los Diarios de Pizarnik: una lectura lacaniana

Starting from the concepts “fiction line [ligne de fiction]” and “textual unconciousness”, developed by Lacan and Jean Bellemin-Noël respectively, this article presents the analysis of a piece of the Alejandra Pizarnik’s diary. The text seems representative of the author’s meta-literary concerns, among which stands out the conflict between the language as a tool and the non-communicable nature of the reality. The psychoanalytic analysis of the discourse given by the subject of the statement reveals, as Kristeva argues, a desire to transcend the narrow limits of the symbolic sphere and to open an alternative literary space closer to the embodiment and its drives.

Oscar del Barco editor: la construcción de una política de la teoría en Ediciones Caldén

In this paper, we look at how theory and publishing practices were intertwined in Argentina between 1967 and 1976. We do so by analyzing “El hombre y su mundo” [“The Man and His World"], a collection of books directed by Oscar del Barco for Ediciones Caldén (Argentina) during that period. We hold that del Barco´s multifaceted work as editor, translator, compiler, and essayist, created a politics of theory, focusing on two interrelated aspects: 1) a poetics of publishing, with translations of works by political theorists, structuralist and poststructuralist thinkers coming together in a unique collection mediated by del Barco’s critical texts, and 2) a "smuggling" publishing practice –as texts were selected, translated and shaped into small books from foreign magazines with no copyright permission. We see a performative force in such interrelation of theory and publishing strategies, as “El hombre y su mundo” made available books through practices and materialities that acted upon what those very books were calling for.

Un viaje hacia el pasado mexicano: Diego Cañedo, seguidor de H. G. Wells

Palamás, Echevete y yo o el lago asfaltado (Palamás, Echevete and I or the asphalted lake), Mexican Diego Cañedo’s second novel (1945), elaborates the time travel to the Mexican past. The sci-fi theme of the novel sustains a social criticism, and imitates H. G. Wells’ The Time Machine plot. In this essay, the sociocritical part of Cañedo’s work is studied, on one hand, because it seems to respond to the social problems of the period 1934-1946; and, on the other hand, because the relations established with Wells’ novel.

Gótico brasileño: el cine de Walter Hugo Khouri y José Mojica Marins

This paper seeks to connect the concepts of “terror” and “horror” proposed by Gothic novelist Ann Radcliffe to films by Brazilian directors Walter Hugo Khouri and José Mojica Marins. It will be discussed here how such concepts manifest themselves in the national context and in which senses, trapped somewhere between repetition and difference, Khouri and Mojica’s films can be deemed expressions of a Brazilian Gothic. Stemming from elements derived from Anglo-American criticism, but, highlighting the different meanings that these elements gain in Brazil. To interpret Brazilian films in the light of the Gothic means addressing the issue of “construction of meaning” in national history, as the Gothic has the potential to revive old traumas and generate discussions about specific social contexts.

Multiculturalidad en folletines chilenos de filiación “indiana” del siglo XIX

A singular corpus of the Chilean narrative of the nineteenth century develops the topic of prevented love between Spaniards and Mapuche, according to which the happy ending only be possible through the civilization of the indigenous or thanks to their submission to Christian doctrine. For this reason, these are texts nor alien to the debate that is currently present in the theses regarding categories such as multiculturalism, interculturality, cultural plurality, among other approaches and exposes interculturality as “conflictivity” (Fornet-Betancourt, 1998, Dussel, 2005; García Canclini, 2011) according to the hybrid, precarious and inharmonious condition. It is, in fact, a “culturizing” narrative that gives way to paroxysmal outcomes typical of the folletin which at the time were called as typical of an “indian novel” by Zorobabel Rodriguez (1873). Our working hypothesis proposes that these transgressions end up being transferred from the melodramatic imaginary to a historiographical and cultural condition that does not attend to the conflictive but to the hegemonic with respect the conformation of our national identity.

El árbol quemado. Linaje y tiempo en El absoluto de Daniel Guebel y La familia de Gustavo Ferreyra

This article studies the configuration of the family in two recent Argentine novels, La familia by Gustavo Ferreyra and El absoluto by Daniel Guebel. Starting from a recognition of the attributes that the family had in the tradition of the novel, this text examines the values that these two novels built around genealogy, lineage and kinship. At the same time, the article study the articulations with the concept of gender in relationship with two fictions not clearly related to this contemporary pattern of reading and fiction production. Finally, this article analyzes the temporal variables, an aspect that is linked to the time allotted to the family through lineage and reproduction. The extensive, profuse and unconventional configuration of this novels indicates a divergence with respect to this assignment and the possibility of other forms and binders of the family.